Francesca da Rimini

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Jean Auguste Dominique Ingres, Gianciotto Discovers Paolo and Francesca (1819).
Gustave Doré, from his illustrations to the Divine Comedy (1857): Dante faints at the pitifulness of Francesca da Rimini's plight, while the hurricane of souls that she and her lover are trapped in surround the scene.

Francesca da Rimini or Francesca da Polenta (1255–1285) was the daughter of Guido da Polenta, lord of Ravenna. She was a historical contemporary of Dante Alighieri, who portrayed her as a character in the Divine Comedy.

Contents

[edit] Arranged marriage

Guido I da Polenta had been at war with the Malatesta family. When a peace was negotiated, Guido wanted to solidify it by marrying his daughter Francesca to the Malatestan heir, Giovanni Malatesta (Gianciotto), son of Malatesta da Verucchio, lord of Rimini. Giovanni was brave but deformed. Guido knew Francesca would refuse Giovanni, so the wedding was performed by proxy through Giovanni's handsome brother, Paolo.

Francesca fell in love with Paolo and was unaware of the deception until the morning after the wedding day.

According to Dante, Francesca and Paolo were seduced by reading the story of Lancelot and Guinevere, and became lovers. Subsequently they were surprised and murdered by Giovanni before they were able to repent. However, it is likely that the adultery was much more calculated. Both Francesca and the also-married Paolo had their own children. Dante used the romance of Lancelot in order to fit within the scheme of lyric love poetry, which Francesca emulates in her lines of Inferno's Canto V.

[edit] Related works

In the 19th century the story of Paolo and Francesca inspired numerous theatrical, operatic and symphonic adaptations:

[edit] Poetry

[edit] Theatre and opera

[edit] Music

[edit] Art


[edit] Notes

  1. ^ Produced by Sir George Alexander at the St. James' Theatre beginning 6 March 1902. Mason, p. 237. See William Calin, "Dante on the Edwardian Stage: Stephen Phillips's Paolo and Francesca." In: Medievalism in the Modern World. Essays in Honour of Leslie J. Workman, ed. Richard Utz and Tom Shippey (Turnhout: Brepols, 1998), pp. 255-61.

[edit] References

  • Mason, A. E. W. (1935). Sir George Alexander & The St. James' Theatre. Reissued 1969, New York: Benjamin Blom.
  • Hollander, Robert and Jean (2000). The Inferno. Anchor Books. ISBN 0-385-49698-2. 
  • Singleton, Charles S. (1970). The Divine Comedy, Inferno/Commentary. Princeton University Press. ISBN 0-691-01895-2. 

[edit] External links

Personal tools
Namespaces
Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages