Francis Jue, 2011
September 29, 1963 |
San Francisco, California, U.S.
Elliot Norton Award
Francis Jue (born September 29, 1963) is an Asian-American actor and singer. Jue is known for his performances on Broadway, in national tours, Off-Broadway and in regional theatre, particularly in the San Francisco Bay Area and at The Muny in St. Louis. His roles have been in plays and musicals that range from Shakespeare to Rodgers and Hammerstein to David Henry Hwang.
Jue's Broadway credits include Pacific Overtures, M. Butterfly and Thoroughly Modern Millie, in which he created the role of Bun Foo. Among his acting awards are an Obie Award and Lortel Award for his role in Yellow Face at the Public Theater, a Dramalogue Award in Kiss of the Spider Woman at TheateWorks, and an Elliot Norton Award in Miss Saigon at North Shore Music Theatre. He has also appeared on television and in film.
Life and career
Jue was born in San Francisco, California, the sixth of nine children of Chinese Americans Frank (an engineer for the U.S. Navy) and Jennie Jue. He grew up in the Richmond District of San Francisco and attended St. Ignatius College Preparatory high school, taking advantage of the school's excellent drama program. He received his B.A. degree at Yale University.
Jue first appeared in New York in 1984 in a production of Pacific Overtures as the boy in the tree and the Dutch Admiral. Later, he appeared in the show on Broadway as the Dutch Admiral and Madam (2004–05). He also appeared on Broadway in the original Broadway production of M. Butterfly, where he understudied the title character, Song Liling, and Comrade Chin (1989–90), also acting as understudy for these characters in the first national tour (1990–91); he then starred as Song Liling in the second national tour (1991–92). In the original Broadway production of Thoroughly Modern Millie, he created the role of Bun Foo (2002–04).
Jue's Off-Broadway credits include Dr. Mendel in the 2006 National Asian American Theater Festival's revival of William Finn's Falsettoland; numerous roles with the New York Shakespeare Festival in Hamlet, King Lear, The Tragedy of Richard II, Pericles, Prince of Tyre, Timon of Athens and The Winter's Tale; Dream True: My Life with Vernon Dixon (Vineyard Theatre); Oscar in Chay Yew's A Language of Their Own (2005); the father in Kevin So's musical, Victor Woo: The Average Asian American; and Vice-Principal Huang in No Foreigners Beyond This Point, by Warren Leight (2005).
He won the 2008 Lucille Lortel Award for Outstanding Featured Actor and a 2008 Obie Award for his performance in David Henry Hwang's Yellow Face at the Public Theater. He was also nominated for a 2008 Drama Desk Award for Outstanding Featured Actor in a Play. Of this role, writer Lia Chang observed: "Jue distinguishes himself as Hwang's father, Henry Y. Hwang. ... Jue's moving and heartfelt portrayal ... has been earning [him] rave reviews." Jue has said, "For me, Hwang's work has been a seminal part of being Asian-American in this culture. It's about feeling alienated in your own country."
In 2009, after recovering from an injury, Jue appeared in Coraline with MCC Theater at the Lucille Lortel Theatre in the role of Father. He returned to the Public Theater in 2011 as Sir Nathaniel in Love's Labor's Lost.
In early 2014, Jue played the title character's father off-Broadway in Signature Theatre Company's premiere of Hwang's Kung Fu. He appears in a play, The World of Extreme Happiness, by Frances Ya-Chu Cowhig, that premiered at Goodman Theatre in Chicago in September and October 2014, reopening at Manhattan Theatre Club in New York City in February 2015. In between these two runs, with York Theatre Company in December 2014, he appeared in My Favorite Year.
Jue has also appeared widely in regional theatre as Jeffrey in A Song for a Nisei Fisherman at Asian American Theatre Company (1988); the title character in M Butterfly at Hippodrome Theatre (1992), TheatreWorks in California (1992, 2007), Arizona Theatre Company (1993) and Vineyard Playhouse (1994); the MC in Cabaret at Cider Mill Playhouse (1993) and TheatreWorks (1996, Bay Area Critics Circle Award), Sacramento Music Theatre (1998); Puck in A Midsummer Night's Dream at Arizona Theatre Company (1995); Amanuensis and Geronte in The Illusion at Arizona Theatre Company (1997, winning a ZONI award); Molina in Kiss of the Spider Woman at TheateWorks (1997, Dramalogue Award); Thomas in A Question of Mercy at Magic Theatre (1998); Mike, Ronald and Skunk in As Bees in Honey Drown and the title character in Amadeus, both at TheatreWorks (1999); The Parsi Man in Just So at North Shore Music Theatre (2001); Skeets Miller in Floyd Collins at TheatreWorks (2001); Hua in Red at Wilma Theatre (2003) and TheatreWorks (2004; "Jue ... is utterly convincing. He is self-righteous, stern and yet completely sympathetic."); the narrator in Into the Woods, which he also choreographed, at TheatreWorks (2006, Bay Area Critics Circle Award; "Jue ... shows his amazing physical acting talent. ... He has a true theatrical voice when doing the splendid narration of the story."); the King in The King and I at American Music Theatre of San Jose (2006) and Carousel Dinner Theatre (2008); and Mr. Oji in Philip Kan Gotanda's After the War at American Conservatory Theater in San Francisco (2007).
At The Muny in St. Louis, he starred in the title roles of The King and I (2006) and Peter Pan in 2007 and as The Engineer in Miss Saigon in 2008. In 2009, he reprised his role in Yellow Face at Theatreworks. In 2010, Jue played Smokey in Damn Yankees at The Muny. That fall, he starred as Dr. Givings in The Actors Theatre production of In the Next Room (or The Vibrator Play) in Phoenix, Arizona (for which he won a ZONI award). In 2011, he was back at The Muny as Sebastian in The Little Mermaid. CBS St. Louis wrote: "The consummate acting, dancing and singing skills of Francis Jue as Sebastian are a joy to experience." In early 2012, he appeared in The Winter's Tale at Yale Repertory Theatre and returned to The Muny that summer in Thoroughly Modern Millie (this time as Ching Ho) and Kassim in Aladdin. Later in the year, Jue created two roles in You for Me for You, a new play Mia Chung, debuted at the Woolly Mammoth Theatre Company.
Jue appeared as Salvatore "Sally" Camatoy in a stage adaptation of Paper Dolls, by Philip Himberg, at the Tricycle Theatre in London from 28 February 2013 to 13 April 2013. The Daily Telegraph wrote: "Jue gives a haunting performance as Sally". The Times commented, "At [the musical's] heart is the relationship (which repeatedly made me cry) between Chaim ... and the wonderful Francis Jue as Salvatore – 'Sally'." In June, he appeared at the New Haven International Arts Festival in the musical Stuck Elevator, with music by Byron Au Yong and a libretto by Aaron Jafferis, directed by Chay Yew about a delivery man trapped in a Bronx elevator for 81 hours. In November, Jue returned to North Shore and to the role of the Engineer in Miss Saigon. A review in The Boston Globe commented: "Jue delivers an indelible portrait of a Mephistophelean hustler who doesn’t so much walk as slither, a cannily corrupt survivor adept at switching allegiances. ... Jue excels in one of the show’s best numbers, "The American Dream". Jue won an Elliot Norton Award for his performance and was nominated for an IRNE Award.
Television and film
Jue's television credits include Dorian on Talk to Me (2000, ABC), voice of James in Nikki (2000, Cartoon Network), Dr. Yamagatchi on One Life to Live, Dr. Fong and later Judge Ong on Law and Order: SVU (2004–06; 2013, NBC), Dr. Tom Li on The Good Wife (2009–10, CBS), Dr. Halberton, Law & Order (2010, NBC) and Chinese Foreign Minister Chen on Madam Secretary (2014, CBS).
On film, Jue appeared in the 1999 comedy short, Puppet, Love & Mertz, as Mertz; and he made his feature film debut as Ang Hsu in Joyful Noise, released in January 2012, starring Dolly Parton and Queen Latifah.
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- "Muny Assembles Magical Cast for its Premier of Disney's Aladdin", The Muny, May 31, 2012
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- Photos from M. Butterfly