Francis Saltus Saltus

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Francis Saltus Saltus, from the frontispiece of the Witch of En-dor

Francis Saltus Saltus (November 23, 1849 - June 24, 1889) was an American poet.

Biography[edit]

Born in 1849 in New York City, he was the elder half-brother of once popular but now relatively obscure novelist Edgar Saltus.[1] He was educated at Columbia University[2] and later at the Roblot Institution in Paris.[3] Saltus was the leader of a group of bohemians in New York, including his brother Edgar and the young James Huneker, which met at Billy Moulds' bar in Manhattan's University Place; they were fond of absinthe and had "a taste for anything exotic".[4] Van Wyck Brooks remarked that the unhappy Saltus "looked like a Greek god gone to ruin, partly as a result of the absinthe that he drank to excess".[5] His verse reflects a refined, erotic and decadent temperament similar to that of his brother, inspired primarily by Edgar Allan Poe, Théophile Gautier (of whom he was a student)[6] and Charles Baudelaire. He was praised by influential editor William Marion Reedy as an 'American Baudelaire' whose verse had "the perfume of exquisite sadness."[7] Able to converse in ten languages, Saltus also wrote poems in Italian, German and French.[2]

The monument of Francis Saltus Saltus in Sleepy Hollow Cemetery

He was a frequent contributor to American and international periodicals, such as Town Topics. A talented musician, he wrote four comic operas and much musical criticism.[1] Much of his humorous, commercial work was written under the pseudonym Cupid Jones. Saltus wrote and edited a comic paper entitled the Thistle in the 1870s, the entire contents of which were written by him and signed with various pseudonyms.[8] After an illness lasting several weeks, he died at midnight on June 24 of 1889 at the Riverside Sanitarium in Tarrytown, aged thirty-nine[9] and was buried in Sleepy Hollow Cemetery.[10] Saltus' father, Francis H. Saltus, edited a four-volume edition of his poetical works after his death.[3] Saltus left behind a good deal of unpublished material, including "five thousand lyrics for posthumous publication"[7] and several musical biographies, including a life of Gaetano Donizetti which was never published.

Bibliography[edit]

Notes[edit]

  1. ^ a b The Bookmart: Volume Seven, June, 1889 to May, 1890. Page 95.
  2. ^ a b Vechten, Carl Van. Excavations: a Book of Advocacies. Page 95. Ayer Publishing, 1971.
  3. ^ a b Stedman, Edmund Clarence (editor). An American Anthology, 1787-1900. Page 819. Houghton Mifflin, 1900.
  4. ^ Morris, Lloyd R. Incredible New York. Page 177. Ayer Publishing, 1975.
  5. ^ Brooks, Van Wyck. The Confident Years, 1885-1915. Page 3. Dutton, 1955.
  6. ^ Huneker, James. Steeplejack. Page 12. Charles Scribner's Sons, 1920.
  7. ^ a b Putzel, Max. J. The Man in the Mirror: William Marion Reedy and His Magazine. Page 44. University of Missouri Press, 1998.
  8. ^ The Bookman: an Illustrated Magazine of Literature and Life: Volume XXII, September, 1905-February 1906. Page 82.
  9. ^ The New York Times: Obituary, Page 5. June 26, 1889.
  10. ^ Crandall, Charles Henry (editor). Representative Sonnets by American Poets. Page 342. Houghton, Mifflin and Company, 1890.

External links[edit]