|Member of the Italian Senate|
21 April 1994 – 29 May 2001
12 February 1923
Florence, Tuscany, Italy
|Political party||Forza Italia|
|Alma mater||University of Florence|
|Years of service||1942–1945|
|Unit||24th Guards Brigade|
|Battles/wars||World War II|
Franco Zeffirelli, KBE (Italian: [ˈfraŋko ddzeffiˈrɛlli]; born 12 February 1923) is an Italian director and producer of films and television. He is also a director and designer of operas and a former senator (1994–2001) for the Italian centre-right Forza Italia party.
He is principally known for his 1968 version of Romeo and Juliet, for which he was nominated for an Academy Award, although his 1967 version of The Taming of the Shrew (with Elizabeth Taylor and Richard Burton) remains the best-known film adaptation of that play as well. His miniseries Jesus of Nazareth won acclaim and is still shown on Easter weekend in many countries.
He received an honorary knighthood from the British government in 2004 when he was created a Knight Commander of the Order of the British Empire.
He was awarded the Premio Colosseo in 2009 by the city of Rome.
Zeffirelli was born Gianfranco Zeffirelli, on 12 February 1923, in the outskirts of Florence, Italy. He was the result of an affair between Alaide Garosi, a fashion designer, and Ottorino Corsi, a wool and silk dealer. Since both were married, Alaide was unable to use her surname or Corsi's for her child. She came up with "Zeffiretti" which are the "little breezes" mentioned in Mozart's opera Così fan tutte, of which she was quite fond. However, it was misspelled in the register and became Zeffirelli. When he was six years old, his mother died and he subsequently grew up under the auspices of the English expatriate community and was particularly involved with the so-called Scorpioni, who inspired his semi-autobiographical 1999 film Tea with Mussolini.
He graduated from the Accademia di Belle Arti Firenze in 1941 and, following his father's advice, entered the University of Florence to study art and architecture. After World War II broke out, he fought as a partisan, before he met up with British soldiers of the 1st Scots Guards and became their interpreter. After the war, he re-entered the University of Florence to continue his studies, but when he saw Laurence Olivier's Henry V in 1945, he directed his attention toward theatre instead.
While working for a scenic painter in Florence, he was introduced to and hired by Luchino Visconti, who made him the assistant director for the film La Terra trema, which was released in 1948. Visconti's methods had a deep impact upon Zeffirelli's later work. He also worked with directors such as Vittorio De Sica and Roberto Rossellini. In the 1960s he made his name designing and directing his own plays in London and New York, and soon transferred his ideas to cinema.
Zeffirelli's first film as director was a version of The Taming of the Shrew, originally intended for Sophia Loren and Marcello Mastroianni but finally including the Hollywood stars Elizabeth Taylor and Richard Burton instead. Taylor and Burton helped fund production and took a percentage of the profits rather than their normal salaries.
While editing The Taming of the Shrew Zeffirelli's native Florence was devastated by floods. A month later Zeffirelli released a short documentary, Florence: Days of Destruction, to raise funds for the disaster appeal.
Zeffirelli's major breakthrough came the year after when he presented two teenagers as Romeo and Juliet, the perfect subject for 1968. The movie is still immensely popular and was for many years the standard adaptation of the play shown to students. This movie also made Zeffirelli a household name - no other subsequent work by him had the immediate impact of Romeo and Juliet.
After two successful film adaptations of Shakespeare, Zeffirelli went on to religious themes, first with a film about the life of St. Francis of Assisi titled Brother Sun, Sister Moon, then his extended mini-series Jesus of Nazareth with an all-star cast. The latter was a major success in the ratings and has been frequently shown on TV in the years since.
He moved on to contemporary themes with a remake of the boxing picture The Champ (1979) and the critically panned Endless Love. In the 1980s he made a series of successful films adapting opera to the screen, with such stars as Plácido Domingo, Teresa Stratas, Juan Pons, and Katia Ricciarelli. He returned to Shakespeare with Hamlet, casting the then–action hero Mel Gibson in the lead role. His 1996 adaptation of Charlotte Brontë's Jane Eyre was a critical success.
Zeffirelli frequently cast unknown actors in major roles; however his leads have rarely gone on to stardom or even a sustained acting career. Leonard Whiting (Romeo in Romeo and Juliet), Graham Faulkner (St. Francis in Brother Sun, Sister Moon), and Martin Hewitt (in Endless Love) all left the film business after failing to secure similar high-profile roles. The female leads in those films (Olivia Hussey and Brooke Shields) have attained far greater success in the industry.
Zeffirelli has also been a major director of opera productions since the 1950s in Italy, Europe, and the U.S. He began his career in the theatre as assistant to Luchino Visconti. Then he tried his hand at scenography. His first work as a director was buffo operas by Rossini. He became a friend of Maria Callas, and they worked together on a La Traviata in Dallas in 1958. Of particular note is his 1964 Royal Opera House production of Tosca with Maria Callas and Tito Gobbi. In the same year, he created Callas' last Norma at the Paris Opera. Zeffirelli also collaborated often with Dame Joan Sutherland, designing and directing her performances of Donizetti's Lucia di Lammermoor in 1959 amongst others. He has over the years created several productions for the Metropolitan Opera in New York, including La bohème, Tosca, Turandot and Don Giovanni.
In 1996, for services to the arts, he was awarded an honorary degree by the University of Kent at a graduation ceremony held in Canterbury Cathedral. In 1999 he received the Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival.
In 1996 Zeffirelli came out as gay, but has since preferred to be discreet about his personal life. Zeffirelli considers himself "homosexual" rather than gay, he feels the term "gay" is less elegant. Zeffirelli has adopted two adult sons, men he has worked with for years and who now live with him and manage his affairs.
He has received criticism from religious groups for what they call the blasphemous representation of biblical figures in his films and also criticism from members of the gay community for publicly backing the Roman Catholic Church with regard to homosexual issues.
Director Bruce Robinson claimed to have been the target of unwanted sexual advances by Zeffirelli during the filming of Romeo and Juliet, in which Robinson played Benvolio. Robinson says that he based the lecherous character of Uncle Monty in the film Withnail and I on Zeffirelli.
In 2007, disappointed with the manner in which Pope Benedict XVI had been presenting himself to the media, Zeffirelli offered his services to the Pontiff as an image consultant. In connection with this matter, he was quoted as saying "I am a Christian down to the depths of my spirit."
- La Bohème (1965; production designer only)
- Florence: Days of Destruction (1966) (documentary short)
- The Taming of the Shrew (1967)
- Romeo and Juliet (1968) Academy Award nominee, director
- Brother Sun, Sister Moon (1972)
- Jesus of Nazareth (1977)
- The Champ (1979)
- Cavalleria Rusticana (1978) with Tatiana Troyanos and Plácido Domingo (live Metropolitan Opera House – stage director)
- Pagliacci (1978) with Teresa Stratas, Sherrill Milnes and Plácido Domingo (live Metropolitan Opera House – stage director)
- Endless Love (1981)
- Cavalleria Rusticana (1982) with Plácido Domingo and Elena Obraztsova
- Pagliacci (1982) with Plácido Domingo and Teresa Stratas
- La Bohème (1982) (live Metropolitan Opera – stage director)
- La Traviata (1983) – Academy Award nominee, BAFTA winner, art direction; with Teresa Stratas and Plácido Domingo
- Tosca (1985), (live Metropolitan Opera – stage director)
- Otello (1986) – British Academy of Film and Television Arts winner, foreign language film; with Plácido Domingo and Katia Ricciarelli
- Hamlet (1990)
- Don Giovanni (live Metropolitan Opera – stage director)
- Don Carlo with Luciano Pavarotti and Daniela Dessi (live La Scala – stage director)
- Storia di una capinera (also known as Sparrow; 1993) with Sheherazade Ventura
- Jane Eyre (1996)
- Tea with Mussolini (1999)
- Callas Forever (2002)
- BBC News. "UK honour for director Zeffirelli."
- Donadio, Rachel (2009-08-18). "Maestro Still Runs the Show, Grandly". The New York Times. Retrieved 2009-08-18.
- "Franco Zeffirelli Biography". Yahoo! Movies. Retrieved 2009-08-18.
- "Burton Hosts Flood Special on Channel 33". Gettysburg Times. 31 December 1966. Retrieved 29 December 2012.
- "UK honour for director Zeffirelli", BBC News. Accessed 27 May 2008
- Barbara McMahon (21 November 2006). "Zeffirelli tells all about priest's sexual assault". The Guardian.
- "Franco Zeffirelli". New York Times. Retrieved 2012-12-29.
- Smith, Patricia Julian (2005-01-09). "Zeffirelli, Franco". glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture. Retrieved 2007-08-07.
- Murphy, Peter. "Interview with Bruce Robinson". Retrieved 2007-08-07.
- Aliosi, Silvia (2007-12-15). "Film-maker Zeffirelli vows to help Pope with image". Reuters. Retrieved 2007-12-15.
- "Franco Zeffirelli Filmography". Allmovie. Retrieved 2009-08-18.
|Wikimedia Commons has media related to Franco Zeffirelli.|
- Franco Zeffirelli at the Internet Movie Database
-  at the Internet Broadway Database
- Works by or about Franco Zeffirelli in libraries (WorldCat catalog)
- Franco Zeffirelli collected news and commentary at The New York Times
- Franco Zeffirelli at the Notable Names Database
- Italian Senate profile
-  Interview: Maria Callas and Callas Forever
- Interview with Zeffirelli from 1999 about Tea With Mussolini