Franek Kluski

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Franek Kluski, real name Teofil Modrzejewski (1873-1943), was a Polish medium.

Career[edit]

According to French psychical researcher Gustav Geley, Kluski's psychic powers manifested themselves during childhood and after undergoing a psychological change he became Franek Kluski. Kluski's powers during séances were said to include physical manifestation of human limbs and various animals.[1] Between 8 November and 31 December 1920 Geley of the Institute Metapsychique International attended fourteen séances with Kluski in Paris. A bowl of hot paraffin was placed in the room and according to Kluski spirits dipped their limbs into the paraffin and then into a bath of water to materialize. Three other series of séances were held in Warsaw in Kluski's own apartment, these took place over a period of three years. Kluski was not searched in any of the séances. Photographs of the molds were obtained during the four series of experiments and were published by Geley in 1924.[2][3] Human skin hairs were found on the moulds which has indicated fraud.[4]

The parapsychologist D. Scott Rogo wrote there is no natural way of producing the hand moulds and suggested whatever formed them dissolved within the mould.[3] However, magicians have been able to easily replicate the "materialization" moulds by natural methods.[5] The magician Carlos María de Heredia revealed how fake materialization hands could be made by using a rubber glove, paraffin and a jar of cold water.[6] There was also an incident in which a séance sitter claimed "Kluski dropped... his pants and placed his buttocks in the paraffin".[7]

The spiritualists Arthur Conan Doyle and Gustav Geley objected the medium had used a rubber glove. In response, Harry Houdini proved that a glove was not even needed as he replicated the Kluski materialization moulds by using his hands and a bowl of hot paraffin.[8]

Harry Price wrote regarding Kluski "His mediumship is unsatisfactory from the point of view that no scientific body has investigated the alleged miracles. On each of my two visits to Warsaw I attempted to obtain sittings with Kluski, without results."[9] Researchers have compared Kluski's mediumship to the medium Eva Carrière and have speculated that he introduced items in the séance room by fraud.[10] A psychical researcher sent a letter to Hereward Carrington claiming Kluski had been detected in fraud.[11]

In 1997, Massimo Polidoro and Luigi Garlaschelli produced wax-moulds directly from one's hand which were exactly the same copies as Geley obtained from Kluski, which are kept at the Institute Metapsychique International.[12]

References[edit]

  1. ^ Gustav Geley, Stanley de Brath. (2003). Clairvoyance and Materialization. Kessinger Publishing. ISBN 978-0766163140
  2. ^ Clément Chéroux. (2005). The Perfect Medium: Photography and the Occult. Yale University Press. p. 268. ISBN 978-0300111361
  3. ^ a b D. Scott Rogo. (1978). Mind and Motion: The Riddle of Psychokinesis. Taplinger Publishing. pp. 245-246. ISBN 978-0800824556
  4. ^ Michael Coleman. (1994). The Kluski moulds: a reply. Journal of the Society for Psychical Research. Volume 60: 98-103.
  5. ^ Andrew Lycett. (2007). The Man Who Created Sherlock Holmes: The Life and Times of Sir Arthur Conan Doyle. Free Press. p. 433. ISBN 978-0743275231
  6. ^ Carlos María de Heredia. (1923). Spirit Hands, "ectoplasm," and Rubber Gloves. Popular Mechanics. pp. 14-15
  7. ^ M. Brady Brower. (2010). Unruly Spirits: The Science of Psychic Phenomena in Modern France. University of Illinois Press. p. 171. ISBN 978-0252077517
  8. ^ Massimo Polidoro. (2001). Final Séance: The Strange Friendship Between Houdini and Conan Doyle. Prometheus Books. pp. 71-73. ISBN 978-1573928960 "At the time Houdini didn't press the argument further, but later on, experimenting with paraffin, he found no artifice was needed to duplicate Kluski's molds. As a series of pictures for a newspaper of the time shows, he immersed his hand in the hot paraffin, let it dry, and then carefully removed the hand from it. When one experiments with this technique, one realizes that it is not the plaster cast that has to be removed from the thin wax mold, which would be impossible to do without breaking the mold. One almost forgets that what has to be removed is the living hand, possibly the best-suited object to slip out of a mold without damaging it. In fact, a real hand is even more effective than any other artifice dreamed up to substitute for it. First, the paraffin doesn't stick to skin, only to quite long hair. Nonetheless, if one moves the fingers very slowly, one will realize that every small bit one pulls out will gradually allow the rest of the hand to be removed; that's similar to what happens when one pulls off a tight glove."
  9. ^ Harry Price. (2003). Fifty Years of Psychical Research. Kessinger Publishing. ISBN 978-0766142428
  10. ^ Julian Franklyn. (2003). A Survey of the Occult. p. 381. Kessinger Publishing. ISBN 978-0766130074
  11. ^ Hereward Carrington. (1988). Letters to Hereward Carrington from Famous Psychical Researchers. Society of Metaphysicians. p. 89. ISBN 978-1852287986
  12. ^ Massimo Polidoro, Luigi Garlaschelli. (1997). Spirit Moulds: A Practical Experiment. Journal of the Society for Psychical Research. Volume 62: 58-63.

Further reading[edit]

  • Hereward Carrington. (1907). The Physical Phenomena of Spiritualism. Herbert B. Turner & Co. pp. 224–229 reveals the "The Paraffine Mould Test" trick mediums used.
  • Michael Coleman. (1994). Wax moulds of ‘spirit’ limbs. Journal of the Society for Psychical Research. Volume 59: 340-346.
  • Michael Coleman. (1994) The Kluski moulds: a reply. Journal of the Society for Psychical Research. Volume 60: 98-103.
  • Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. ISBN 978-0879753009

External links[edit]