Frank Wolff (actor)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Frank Wolff
Frank Wolff.png
Born Walter Frank Hermann Wolff
(1928-05-11)May 11, 1928
San Francisco, California, U.S.
Died December 12, 1971(1971-12-12) (aged 43)
Rome, Italy
Cause of death
Suicide
Years active 1958—1971

Walter Frank Hermann Wolff (May 11, 1928 – December 12, 1971) was an American actor[1] whose film career began with roles in five 1958-61 Roger Corman productions and ended a decade later in Rome, after many appearances in European-made films, most of which were lensed in Italy.[1]

Early life[edit]

A native of San Francisco, Frank Wolff was the son of a Bay Area physician. Both parents were of German descent. The elder Wolff, a political and social maverick, encouraged young Frank to follow an unconventional path. Frank attended UCLA, where he studied acting and stagecraft, wrote and directed plays and befriended another actor/director, Monte Hellman. Between 1957 and 1961, he appeared in nearly twenty episodes of TV series and feature films, a few of which fit into the horror/science fiction genre.

Career with Roger Corman[edit]

Frank Wolff had bit roles in his first two films, Roger Corman's I Mobster and The Wasp Woman. The former, a 1958 black-and-white gangster melodrama in which Wolff does not even receive a billing, was presented as a first-person narrative by the title character, Murder Incorporated (fictional) boss Joe Sante (Steve Cochran). The latter, Wolff's first genre film, was a typically campy horror, filmed in 1959, in which the owner of a cosmetics business (Susan Cabot) becomes the titular monster after using one of her own experimental rejuvenating formulas. Wolff has a single, memorable scene.

Later in the year, however, Wolff's billing dramatically increased to co-lead status in his next two Corman productions, scripted by Charles B. Griffith, Beast from Haunted Cave and Ski Troop Attack. Shot back-to-back in the snowy wilderness outside Deadwood, South Dakota, the films used the same crew and cast, which, in addition to Wolff, included Michael Forest, Wally Campo, Richard Sinatra (Frank's nephew) and Sheila Carol. The first of the two, Beast, directed for Corman by Wolff's UCLA friend, Monte Hellman, remains a well-remembered low-budget horror title, with a spider-like creature menacing a trio of robbers, led by Wolff, trapped in a ski lodge. In contrast, the equally poverty-budgeted Attack, on which Corman himself took over the directorial reins, turned out to be a little-noticed World War II quickie in which a quartet of GIs on skis slog through a snowbound landscape. The group's leader, a tall, stalwart lieutenant (Michael Forest), who played a similarly characterized forest ranger in Beast, is continually challenged by the disdainful sergeant (Wolff). Beast was first shown in October 1959, but eventually paired on a double bill with The Wasp Woman which, in line with the other films' Dakota link, premiered in Bismarck, North Dakota on February 12, 1960. The previous month, Wolff was seen in three TV appearances, The Untouchables (January 7), The Lawless Years (January 19) and Rawhide (January 29). He also had the third-billed role of Baron, a nightclub owner who refuses to give another chance to alcoholic trumpet player Jack Klugman in The Twilight Zone episode "A Passage for Trumpet", broadcast on May 20.

In 1958, he appeared with another guest star, Strother Martin, in the episode "Pete Henke" of the NBC western series, Jefferson Drum, starring Jeff Richards as a crusading newspaper editor.[2]

Moving to Europe[edit]

In autumn 1960, Frank Wolff traveled to Greece to co-star in another Roger Corman-directed, Charles B. Griffith-scripted low-budgeter, Atlas (released in May 1961). The title role was again assigned to the brawny Corman regular, Michael Forest, while the female lead went to Barboura Morris who, between 1957 and 1967, worked exclusively for Corman, appearing in thirteen of his films, including The Wasp Woman. In Atlas, Wolff was cast as the treacherous King Praximedes, a scene-stealing lead villain who was singled out by the few critics who reviewed the film. Sporting a short beard, Praximedes was alternately charming, witty, overbearing and menacing.

On Corman's advice, Frank Wolff remained in Europe and became a well-known character actor in over fifty, mostly Italian-made, films of the 1960s, including crime/suspense "gialli" and spaghetti westerns. Early in his European career, he returned to Greece to essay a major, second-billed role in his most prestigious movie, the 1963 "Best Picture" Oscar nominee America, America, which producer-director-writer Elia Kazan filmed on location. As Vartan Damadian, the Armenian friend of the central character, played by Stathis Giallelis, a heavily-mustached Wolff assayed a complex, multi-layered personality.

Wolff's numerous Italian films of the 60s included The Four Days of Naples, Salvatore Giuliano, La morte risale a ieri sera, The Great Silence, God Forgives... I Don't!, One Dollar Too Many, and Once Upon a Time in the West. He was also seen a few episodes of British-produced TV series, such as The Saint and The Baron.

Death[edit]

Frank Wolff committed suicide in his Rome hotel room at the age of 43.[3] His final two Italian-made films, Milan Caliber 9 and When Women Lost Their Tails were released posthumously in 1972. His voice in Milan Caliber 9 was dubbed in by his frequent co-star and roommate at the time of his death Michael Forest.

References[edit]

  1. ^ a b "Frank Wolff". The New York Times. 
  2. ^ "Jefferson Drum". ctva.biz. Retrieved December 22, 2012. 
  3. ^ "Movie OK!!!". Retrieved 16 April 2009. 

External links[edit]