||This article relies largely or entirely upon a single source. (December 2009)|
Frederick William "Freddie" Green (March 31, 1911 – March 1, 1987) was an American swing jazz guitarist. He was especially noted for his sophisticated rhythm guitar in big band settings, particularly for the Count Basie orchestra, where he was part of the "All-American Rhythm Section" with Basie on piano, Jo Jones on drums, and Walter Page on bass.
Early life and education 
He was born in Charleston, South Carolina on March 31, 1911. He was exposed to music from an early age, and learned the banjo before picking up the guitar in his early teenage years. A friend of his father by the name of Sam Walker taught a young Freddie to read music, and keenly encouraged him to keep up his guitar playing. Walker gave Freddie what was perhaps his first gig, playing with a local community group with whom Walker was an organizer. Interestingly, another member of the group was a young William "Cat" Anderson, who went on to become an established trumpeter, working with notable figures such as Duke Ellington.
It was around this time that Green's parents died, and he moved to New York to live with his aunt and continue his education. The move opened up a new musical world to Freddie. While still in his teens, he began to play around the clubs of the city, earning money and a reputation. In one of these gigs, he was noticed by the legendary talent scout John H. Hammond, who realized the potential of Green and introduced him to Basie.
In 1937, Basie and his ensemble went to one of Green's gigs on the advice of an associate. Basie was an immediate fan, and approached Green with a job offer, which he accepted. Except for a brief interruption, Freddie Green would remain a pivotal fixture of the Count Basie Band for the next fifty years.
"You should never hear the guitar by itself. It should be part of the drums so it sounds like the drummer is playing chords—like the snare is in A or the hi-hat in D minor"—Freddie Green, (Denyer 1992, p. 88)
Throughout his career, Green played rhythm guitar, accompanying other musicians, and he rarely played solos. "His superb timing and ... flowing sense of harmony ... helped to establish the role of the rhythm guitar as an important part of every rhythm section". Green did play a solo on the January 16, 1938 Carnegie Hall concert that featured the Benny Goodman big band. In the jam session on Fats Waller's "Honeysuckle Rose", Green was the rhythm guitarist for the ensemble, which featured Basie, Page, and musicians from Duke Ellington's band. After Goodman's solo, he signalled to Green to take his own solo, which the musician Turk van Lake described in his commentary on the reissued 1938 Carnegie Hall concert as a "startling move". Green's solo occurs between those of Goodman and trumpeter Harry James.
He rapidly changed chords, often with every beat, rather than every measure. His chord fingering often involved him covering four strings with his fingers, while depressing only a subset of the notes. He dampened the unsounded notes from chords his left hand. This technique gave a 'chunky' rhythm sound without creating unnecessary harmonic presence that might interfere with notes sounded by other members of the orchestra. Green's playing on his signature Stromberg guitar was the model for Ralph Patt's big-band playing.
Freddie Green died at the age of 75 in 1987.
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With Sonny Stitt
- Sonny Stitt Plays Arrangements from the Pen of Quincy Jones (1955, Roost)
- Sonny Stitt Plays (Roost, 1955)
With Teri Thornton
- Devil May Care (1961, Riverside)
With Count Basie
- Count Basie and the Kansas City 7 (1962, Impulse!)
- Basie Swingin' Voices Singin' (1966, EMI)
- Loose Walk (with Roy Eldridge) (1972, Pablo)
- Satch and Josh (with Oscar Peterson)
- Kansas City 8: Get Together (1979, Pablo)
- Mostly Blues...and Some Others (1983, Pablo)
With Sarah Vaughan
- Sarah Vaughan in Hi-Fi (1949, Columbia)
- No Count Sarah (with the Count Basie Orchestra) (1958), EmArcy)
- Count Basie/Sarah Vaughan (with the Count Basie Orchestra) (1961, Roulette)
- Send in the Clowns (with the Count Basie Orchestra) (1981, Pablo)
- "Swing Music History", Retrieved January 12, 2010
- Denyer (1992, p. 100)
- Turk van Lake, Notes to Benny Goodman 1938 Carnegie Hall Concert (full edition, remastered), Sony/Columbia 65143 (CD-set).
- Michael Petersen.
- "Distilling Big Band Guitar: The Essence of Freddie Green". Downbeat magazine (October 2000)
- Freddie Green's Rhythm Guitar Style Revisited. Downbeat (February 2004)
- Peterson (2002, p. 36)
- Denyer, Ralph (1992) . "Playing the guitar". The guitar handbook. Special contributors Isaac Guillory and Alastair M. Crawford (Fully revised and updated ed.). London and Sydney: Pan Books. pp. 65–160. ISBN 0-330-32750-X. Unknown parameter
- Peterson, Jonathon (2002). "Tuning in thirds: A new approach to playing leads to a new kind of guitar". American Lutherie: The Quarterly Journal of the Guild of American Luthiers (8222 South Park Avenue, Tacoma WA 98408: USA.: The Guild of American Luthiers). Number 72 (Winter): 36–43. ISSN 1041-7176.