Free as a Bird
|"Free as a Bird"|
|Single by The Beatles|
|from the album Anthology 1|
|B-side||"Christmas Time (Is Here Again)"|
|Released||4 December 1995 (UK)
12 December 1995 (US)
|Recorded||New York City, c. 1977
Sussex, England, February–March 1994
|Writer(s)||Original composition by Lennon; the Beatles version by Lennon, McCartney, Harrison and Starkey|
|Producer||Jeff Lynne, John Lennon, Paul McCartney, George Harrison, Ringo Starr|
|The Beatles singles chronology|
"Free as a Bird" is a song originally composed and recorded in 1977 as a home demo by John Lennon. In 1995 a studio version of the recording, incorporating contributions from Paul McCartney, George Harrison and Ringo Starr, was released as a single by the Beatles, 25 years after their break-up and 15 years after the death of Lennon.
The single was released as part of the promotion for The Beatles Anthology video documentary and the band's Anthology 1 compilation album. For the Anthology project, McCartney asked Lennon's widow Yoko Ono for unreleased material by Lennon to which the three remaining ex-Beatles could contribute. "Free as a Bird" was one of two such songs (along with "Real Love") for which McCartney, Harrison, and Starr contributed additional instrumentation, vocals, and arrangements. Jeff Lynne of Electric Light Orchestra, who had worked with Harrison on Harrison's album Cloud Nine and as part of the Traveling Wilburys, was asked to co-produce the record.
The music video for "Free as a Bird" was produced by Vincent Joliet and directed by Joe Pytka; from the point of view of a bird in flight, it depicts many references to Beatles songs, such as "Strawberry Fields Forever," "Penny Lane", "Paperback Writer", "A Day in the Life", "Eleanor Rigby" and "Helter Skelter". "Free as a Bird" won the 1997 Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was The Beatles' 34th Top 10 single in the United States. The song secured the group at least one Top 40 hit in four different decades (1960s, 1970s, 1980s and 1990s). There is a span of 25 years between the Beatles' break-up and the song's charting.
McCartney, Harrison and Starr originally intended to record some incidental background music, as a trio, for the Anthology project, but later realised, according to Starr, that they wanted to record "new music". According to Harrison, they had always agreed that if one of them wasn't in the band, the others would never replace them and, " ... go out as the Beatles", and that the "only other person that could be in it was John."
McCartney then asked Ono if she had any unreleased recordings by Lennon, so she sent him cassette tapes of four songs. "Free as a Bird" was recorded by Lennon in 1977, in his and Ono's Dakota building apartment in New York City, but was not complete. Lennon introduced the song on the cassette by imitating a New York accent and saying, "Free — as a boid" (bird). The other songs were "Grow Old With Me", "Real Love", and "Now and Then". Ono says that it was Harrison and former Beatles road manager Neil Aspinall who initially asked her about the concept of adding vocals and instrumentation to Lennon's demo tapes. Ono stated: "People have said it was all agreed when Paul came over to New York to induct John into "The Rock And Roll Hall of Fame", but it was all settled before then. I just used that occasion to hand over the tapes personally to Paul."
McCartney went to Ono's home after the induction ceremony at the The Rock And Roll Hall Of Fame to listen to, and receive, the Lennon demo tapes; he recalls the meeting with Ono:
She was there with Sean ... and she played us a couple of tracks. There were two newies on mono cassettes which he did at home ... [s]o I checked it out with Sean, because I didn't want him to have a problem with it. He said, "Well, it'll be weird hearing a dead guy on lead vocal. But give it a try." I said to them both, If it doesn't work out, you can veto it. When I told George and Ringo I'd agreed to that they were going, "What? What if we love it?" It didn't come to that, luckily. I said to Yoko, "Don't impose too many conditions on us, it's really difficult to do this, spiritually. We don't know, we may hate each other after two hours in the studio and just walk out. So don't put any conditions, it's tough enough."
During an interview for the Anthology project, McCartney revealed that he was surprised to learn that Lennon's demos of "Free as a Bird" and "Real Love" had already been released and were well known by Lennon fans. Starr admitted that when he first listened to the recording he found it very emotional.
The remaining Beatles decided that Lynne would produce the record (as he had worked with George Harrison as part of the Traveling Wilburys) and not George Martin, who had produced most Beatles' material before then, because of Martin's problems with his hearing.[unreliable source?] McCartney said: "George wasn't involved, no. George doesn't want to produce much any more 'cause his hearing's not as good as it used to be. He's a very sensible guy, and he says, 'Look, Paul I like to do a proper job', and if he doesn't feel he's up to it he won't do it. It's very noble of him, actually — most people would take the money and run".[unreliable source?]
The original tape of Lennon singing the song was on a cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song. Starr said that as Lennon was not in the studio, the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining ex-Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo. This is the only recording that has Lennon, McCartney and Harrison singing separate lead vocals on the same song, with the exception of the fan club exclusive "Christmas Time (Is Here Again)", which features brief vocal turns from all four members, and "Shout" from Anthology 1, which features all four Beatles singing separate lead vocals.[original research?]
The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby, Jr. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [The Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like The Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them [The Beatles] if it is them... It sounds like them now" [in the present].
McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release) as it was almost finished, they had very little input, and felt like sidemen for Lennon.
The song is the key of A Major, in a meter of 4/4, and uses the I-vi-iv-V7 model, with the exception that (in typical Lennon style—see "In My Life") the iv chord is rendered as a minor chord (in this case Dm rather than D major). The structure is composed of:
Intro – verse chords
Verse – Lennon (A F#m F E / A F#m Dm E / A F#m Dm G / C Am Esus E)
Verse – Lennon
Bridge – McCartney (F F#° G A / F F#° G Esus E)
Verse – Lennon
Verse – Lennon (A F#m F E / A F#m Dm E / A F#m Dm G / C Am Ab+ G)
Bridge – Harrison (F F#° G Esus E) – (half-length)
Verse – Guitar Solo – (C Am Ab G / C Am Fm G / C Am Fm G)
Verse – Lennon
Outro – (A F#m Dm G)
- McCartney and Harrison provide backing and harmony vocals in each section of the song.
The music video for "Free as a Bird" was produced by Vincent Joliet and directed by Joe Pytka and depicts, from the point of view of a bird in flight, many references to Beatles songs, such as "Penny Lane", "Paperback Writer", "A Day in the Life", "Eleanor Rigby", "Helter Skelter", "Piggies", "The Continuing Story of Bungalow Bill", "Strawberry Fields Forever", "Doctor Robert", and "The Fool on The Hill". Between 80 and 100 allusions to the Beatles' story, music and lyrics in the video have been estimated. Although the bird can be heard at the beginning of the video, it is never seen. Neil Aspinall (Apple Records executive at the time) said that this was because no-one could agree on what kind of bird it should be. Pytka had to send his ideas to McCartney, Harrison and Starr, as well as Ono, to make sure they all agreed before he could proceed with the filming of the video. Derek Taylor (ex-Apple Records executive) sent a two-page letter to Pytka confirming that he could proceed, and personally encouraged and supported Pytka's ideas. The video was filmed in as many authentic locations as possible: Penny Lane was made by Pytka's art department to look as it was in the 1950s, and other locations filmed were The Liver Building, and Liverpool Docks (as a reference to Lennon's father Alfred Lennon).
Although Pytka fixed the ideas on a storyboard, he abandoned it as soon as filming began, and followed ideas based on what angles and perspectives the steadycam camera produced. One instance was the filming of the car crash, which Pytka filmed for hours from above, but realised that a steadycam shot on the ground was a much better idea. Archive footage was used by imposing it on scenes shot by Pytka, who utilised a greenscreen stage to digitally blend it into the finished film, such as Paul's Old English Sheepdog in the graveyard, and the elephant in the ballroom procession scene. The elephant was put in last, as Aspinall phoned Pytka and said that Starr liked the scene, but insisted an elephant be put in it, which Pytka later did, as he had already put a sitar in at the request of Harrison. Apart from the steadycam shots, Pytka used a Russian-made Akil-crane for sweeping overhead shots, such as the Abbey Road zebra crossing shot at the end, as well as a remote-controlled toy helicopter with a camera added to it for intricate aerial shots. To make it more interesting, two Blue Meanies make cameoes.
Harrison played the ukulele in the studio for the song, and asked to appear as the ukulele player seen only from behind at the very end of the video. Pytka resisted this, as he felt it would be wrong for any contemporary members of the Beatles to appear on screen. Pytka later stated that it was "heartbreaking" that Harrison had not played the role, particularly after Harrison's death in 2001 and upon discovering that the ukulele was not a sample of an old song as Pytka had assumed. The video won the Grammy Award for Best Short Form Music Video in 1997.
"Free as a Bird" was premiered on BBC Radio 1 in the early hours of 20 November 1995. It was released as a single in the UK on 4 December 1995, two weeks after its appearance on the Anthology 1 album. The single sold 120,000 copies in its first week, entering the UK Singles Chart at number 2. It remained in the charts for 8 weeks. In the US, the song reached no.6 on the Billboard Hot 100, becoming The Beatles' 34th Top 10 single in America.
It was the first time a new single containing new material had been released under The Beatles' name since "The Long and Winding Road" in the United States in 1970. The promotional video was broadcast during episode one of The Beatles Anthology that aired on ITV in the UK and ABC in the US.
"Free as a Bird" was greeted with mixed reviews. Its release was criticised by one writer in The Guardian as a publicity gimmick, exploiting the Beatles brand, and owing less to the Beatles than to Lynne. The Independent called the song "disappointingly low-key...George's guitar weeps gently enough when required, but the overall effect is of a dirge." Chris Carter, now the host of Breakfast with the Beatles, commented: "I would value any song (especially if it was great) performed by John, Paul, George and Ringo, no matter how (or when) it was recorded." "Free as a Bird" later won the 1997 Grammy Award for Best Pop Performance by a Duo or Group with Vocal. In the United States, the song continued the group's streak of having at least one single chart in the Top 40 in every decade since the 1960s.
- John Lennon – vocals, piano
- Paul McCartney – vocals, bass, acoustic guitar, piano, keyboards
- George Harrison – vocals, electric slide guitar, acoustic guitar, ukulele
- Ringo Starr - vocals, drums
- Jeff Lynne - harmony vocals, guitar
All songs written by John Lennon, Paul McCartney, George Harrison and Ringo Starr, except where noted.
- 7" UK: R6422 / USA: NR-58497
- "Free as a Bird" – 2:42
- "Christmas Time (Is Here Again)" – 3:02
- CD UK: CDR6422 / USA: CDP 58497
- "Free as a Bird" – 4:26
- "I Saw Her Standing There" (Lennon–McCartney) – 2:51
- "This Boy" (Lennon–McCartney) – 3:17
- Recorded 17 October 1963 at EMI Studios, London
- Produced by George Martin
- Two incomplete versions (takes 12 and 13), which both break down into laughter.
- "Christmas Time (Is Here Again)" – 3:02
- Anthology 1 (Media notes). The Beatles. Apple Records. 1995. CDP 7243 8 34445 2.
- "RIAA Gold & Platinum Searchable Database - The Beatles Gold Singles". Retrieved 2009-07-20.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:00:50-0:01:04) Starr talking about the idea of recording incidental music for the Anthology project.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:01:25-0:01:46) Harrison talking about their agreement that if one of them wasn't there, they could be not replaced, and that only Lennon could be the fourth Beatle.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:02:07-0:02:17) Starr talking about McCartney asking Ono for unreleased songs by Lennon.
- "Bands tempted by reunion lucre". BBC. 2001-12-20. Retrieved 2008-02-19.
- Corliss, Richard (2001-06-24). "Free as a Beatle". Time. Retrieved 2008-02-22.
- "The Beatles' biography". Rolling Stone. Archived from the original on 2008-02-16. Retrieved 2008-02-19.
- Facts, Song. "Free As A Bird by The Beatles". Songfacts. Retrieved 2008-02-21.
- Everett 1999, p. 8
- Harry 2002, p. 346
- Du Noyer, Paul, "They Were the Most Brilliant, Powerful, Lovable Pop Group on the Planet ... But Now They're Really Important", Q Magazine, December 1995, in Sawyer 2006, p. 179
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:02:17-0:02:28) McCartney talking about how Lennon versions of "Free As A Bird" and "Real Love" were released and heard by fans even before the surviving ex-Beatles had heard them.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:02:28- 0:03:10) Starr talking about how emotional the recordings were.
- "Jeff Lynne & the Beatles". Face the Music. 2000-02-26. Retrieved 2008-02-22.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:03:10-0:03:32) McCartney talking about the quality of Lennon's demo cassette.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:03:33-0:04:00) Lynne talking about the quality of, and working with Lennon's demo cassette.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:02:28-0:03:10) Starr talking about the absence of Lennon during the recordings.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:03:33) Starr talking about the musical gaps in the song.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:03:50) Harrison talking about changing chords and arrangement in the song.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:06:47) McCartney talking about recording and finishing the song.
- Montagne's, Renee (2002-11-26). "Paul McCartney Gets Back to The Beatles". NPR. Retrieved 2008-01-28.
- O'Hagan, Sean (2005-09-18). "Macca beyond". The Observer. Retrieved 2008-01-28.
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:06:26) Starr talking about how the finished song sounded "just like them" (The Beatles).
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:06:47) Lynne and Harrison talking about how the finished song sounded "just like them" (the Beatles).
- "The Beatles Anthology" DVD 2003 (Special Features: Recording Free as a Bird and Real Love - 0:08:09) McCartney talking about recording "Real Love".
- Pollack, Allan W. "Notes on "Free As A Bird"". Allan W. Pollack. Retrieved 2008-02-22.
- Ingham, Chris (2003). The Rough Guide To the Beatles. Rough Guides. p. 93. ISBN 1-84353-140-2.
- "The Beatles Anthology" DVD 2003 (Special Features: Making the Free as a Bird video - 0:00:17) Pytka and Aspinall talking about the idea of a bird and song titles on the "Free as a Bird" video.
- "The Beatles Anthology" DVD 2003 (Special Features: Making the Free as a Bird video - 0:01:06) Pytka talking about the agreement for his ideas.
- "The Beatles Anthology" DVD 2003 (Special Features: Making the Free as a Bird video - 0:02:01) Pytka talking about the locations.
- "The Beatles Anthology" DVD 2003 (Special Features: Making the Free as a Bird video - 0:04:44) Pytka talking about the storyboard.
- "The Beatles Anthology" DVD 2003 (Special Features: Making the Free as a Bird video - 0:05:50) Pytka talking about the greenscreen.
- "The Beatles Anthology" DVD 2003 (Special Features: Making the Free as a Bird video - 0:07:06) Pytka talking about the elephant and the sitar.
- "The Beatles Anthology" DVD 2003 (Special Features: Making the Free as a Bird video - 0:07:38) Pytka talking about the Akila crane and the remote-controlled toy helicopter.
- "The Beatles Anthology" DVD 2003 (Special Features: Making the Free as a Bird video - 0:10:16) Pytka talking about Harrison and the ukulele player.
- Ingham, Chris (2003). The Rough Guide to the Beatles. Rough Guides. p. 92. ISBN 1-84353-140-2.
- British Hit Singles and Albums. Guinness World Records. 2006. p. 49. ISBN 1-904994-10-5.
- "Free as a Bird chart position". Billboard. Retrieved 2008-03-08.[dead link]
- Gilmore, Mikal (2005-12-05). "Lennon Lives Forever". Rolling Stone. Archived from the original on February 13, 2008. Retrieved 2008-02-22.
- "Sir Paul McCartney - Singer/Songwriter". BBC h2g2. Retrieved 2008-02-22.
- Sullivan, Caroline (21 November 1995). "Do they believe in yesterday?". The Guardian. Retrieved 29 October 2011.
- Gill, Andy (1995-11-22). "Money can buy you love". The Independent. Archived from the original on June 15, 2008. Retrieved 2008-03-10.
- Rense, Rip (2005-08-21). "One More Beatles Song, or Should They Just Let It Be?". The Rip Post. Retrieved 2008-03-10.
- The Beatles (2003). The Beatles Anthology (DVD). Apple records. ASIN B00008GKEG.
- The Beatles (2002). The Beatles Anthology. San Francisco: Chronicle Books. ISBN 978-0-8118-3636-4.
- Everett, Walter (1999). The Beatles As Musicians: Revolver through the Anthology. New York: Oxford University Press. ISBN 978-0-19-512941-0.
- Harry, Bill (2000a). The Beatles Encyclopedia: Revised and Updated. London: Virgin. ISBN 978-0-7535-0481-9.
- Harry, Bill (2000b). The John Lennon Encyclopedia. London: Virgin. ISBN 978-0-7535-0404-8.
- Harry, Bill (2002). The Paul McCartney Encyclopedia. London: Virgin. ISBN 978-0-7535-0716-2.
- Sawyers, June Skinner (editor) (2006). Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter. USA: Penguin (Non-Classics). ISBN 978-0-14-303732-3.