Fresco-secco
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Fresco-secco (or a secco or fresco finto) is a fresco painting technique in which watercolors are applied to dry plaster that has been moistened to simulate fresh plaster. In true fresco (buon fresco), the plaster is still fresh and has not dried when the watercolors are introduced.
Because the pigments do not become part of the wall, as in buon fresco, fresco-secco paintings are less durable. The colors may flake off the painting as time goes by. But it has the advantage of a longer working time and is retouchable.
The treatise Silparatna by Kumaradeva (8th century) gives an account of the Fresco-secco painting technology in detail. According to this text, a picture should be painted with appropriate colours along with proper forms and sentiments (rasas), and moods and actions (bhavas). White, yellow, red, black and terraverte are pointed out in the text as pure colors. Different shades were also prepared from these original colors. Five types of brushes with various shapes and size (flat, long, medium etc.) made of animal hair and grass fibre are also recommended. [1]
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