Frevo

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Frevo was included on the UNESCO's list of intangible heritage.[1]

Frevo is a wide range of musical styles originating from Recife, Pernambuco, Brazil, all of which are traditionally associated with Brazilian Carnival. The word frevo is said to come from frever, a misspeaking of the Portuguese word ferver (to boil). It is said that the sound of the frevo will make listeners and dancers feel as if they are boiling on the ground. The word frevo is used for both the frevo music and the frevo dance.

Origins of Frevo[edit]

The frevo music came first. By the end of the 19th century, bands from the Brazilian Army regiments based in the city of Recife started a tradition of parading during the Carnival. Since the Carnival is originally linked to Catholicism, they played religious procession marches and martial music, as well. A couple of regiments had famous bands which attracted lots of followers and it was just a matter of time to people start to compare one to another and cheer for their favorite bands. The two most famous bands were the Espanha (meaning Spain), whose conductor was of Spanish origin, and the 14, from the 14th regiment. The bands started to compete with each other and also started playing faster and faster, louder and louder.

Some tough men used to go ahead of the band, opening space to its parade by bullying people on the streets and threatening them with capoeira (Afro-Brazilian martial art and dancing) and knives. Eventually, when the bands met each other in the streets, fights between the capoeiristas were inevitable. These fights normally ended up with many wounded and even dead.

In order to end the violence, the police started to pursue the capoeiras and arrested many during their exhibitions. The latter reacted in a clever way by carrying umbrellas instead of knives and also disguising the capoeira movements as dance movements. The frevo dance was born.

Development[edit]

Frevo is more than 100 years old (1907) and naturally it has developed throughout this time to reach its current form.

Dance[edit]

In the same spirit of competition that created it, Frevo was developed by transforming the capoeira movements into the quasi-acrobatical movements of the dance. Each dancer worked hard in order to develop a new movement which required much rehearsal, strength, endurance and flexibility and the fight between the groups moved from the physical to the aesthetical field. Frevo dance movements include jumps, coordinated fast leg movements, leg flexions, tumbling etc.

Frevo dance is now known as passo and Frevo dancers as passistas. The clothes of the passistas also developed from regular clothing to a skimpy attire that is more appropriate for the movements. They are also very colorful, so they can be more visible in the crowd.

The umbrella also developed from regular black umbrellas with wooden handles to a small and also colorful umbrella. Umbrella movements are part of the dance and doing acrobatics with them is a common practice. It's not uncommon to see passistas throwing umbrellas in the air, do some movement, and catch them again. They also pass the umbrellas between their legs. The most common movement is just swinging the umbrella and passing it from hand to hand while executing regular movements.

Starting in the 50s, one of the biggest contributors to the passo is the master Nascimento do Passo. It's said that he added more than 100 different movements to the dance since then. He also founded the first Frevo school in Recife in the late 90's. The image of the passista is one of the most prominent icons of the carnival of Pernambuco.

American pop-star Cyndi Lauper is dancing the frevo when she sings her song "Maybe He'll Know".

Music[edit]

Frevo-de-rua[edit]

Frevo-de-Rua (Street Frevo), the most common meaning of the word "frevo", is an instrumental style, played in a fiery fast tempo with brass instruments, namely trumpets, trombones, saxophones and tuba. It is frequently perceived by American ears as resembling Polka.

Frevo-de-Rua bands can often be found playing during football matches in Recife, forming a sort of pep band. A well-known Frevo-de-Rua tune is called "Vassourinhas". A famous conductor in this style is Maestro Duda. In the 2000s the best-known ambassadors of the frevo is the Recife-based big band SpokFrevo Orquestra, led by sax player Inaldo Cavalcante de Albuquerque, better known as Spok. These are 17-18 professional musicians - including two virtuoso drummers and a percussionist - who have made it their mission to introduce the world to frevo music. They embarked on their first US tour in March 2012.

Frevo-de-bloco[edit]

Frevo de Bloco is also sung and string instruments. Capiba was the most famous composer in this style, but one can also cite Getulio Cavalcante. Claudionor Germano (singer) and Antonio Nóbrega (singer and dancer) are two of Frevo de Bloco greatest performers .

Frevo-de-trio[edit]

Adaptation of frevo compositions for smaller formations, commonly without a brass section and made up by Bahian-guitars, drums, bass, electric guitars and a singer. The style developed in the early 50s in Bahia, spurred by a performance given by the "Clube Carnvalesco Misto Vassourinhas of Olinda" in Salvador (Bahia State), and later by the band Trio Elétrico Armandinho, Dodô & Osmar, gave origin to the trio eléctrico tradition of the Bahian carnival.

References[edit]

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