Friedrich Kunath

Friedrich Kunath was born in Chemnitz, Germany in 1974 and lives in Los Angeles. He has exhibited widely including solo exhibitions at the Schinkel Pavillon (2011), the Hammer Museum, Los Angeles (2010), Kunstverein Hannover (2009), Kunsthalle Baden-Baden (2009), Aspen Art Museum (2008) . Group exhibitions include 'The World Belongs to You', Palazzo Grassi, Venice (2011), '11th Triennale für Kleinplastik, Fellbach' (2010) and 'Life on Mars: the 55th Carnegie International' (2008) .

Work

Encompassing painting, sculpture, drawing, video and photography, Friedrich Kunath’s work focuses on universal themes of the human condition: love, loss, loneliness, optimism and dejection, all imparted with a tragicomic pathos.

Kunath draws inspiration from sources such as song titles, lyrics and books, along with art historical influences, including Conceptual Art, German Romanticism and Symbolism. His paintings, which freely bestride the idioms of abstraction and representation, are saturated with washes of colour, which are then overlaid with diverse visual references, from line art satirical cartoons, doodles or chocolate-box imagery to passages of text with nuanced word-play. With titles such as ‘Leaving is overrated’, ‘I may not always love you’ and ‘Bureau of Sad Endings’, the work strikes a balance between irony and desolation.

For a number of recent exhibitions, Kunath has created all-encompassing, multi-media environments. Some of the works feature characters who serve as substitutes for the artist – sculptural figures modelled on his own body, or paintings with a melancholic 'everyman', full of longing for home. In ‘The tear will love us apart’, a Modernist reclining sculpture lies on a day-bed watching a film that charts a journey simultaneously looking towards and future and back to the past; filmed from the front of a train moving forward through a bucolic landscape and overlaid with a ghostly image of a figure repeatedly hitting a tennis ball against a wall emblazoned with the slogan ‘The Past’. Absurdist in content, a sense of faux nostalgia permeates the scene.

Kunath relocated a number of years ago from his native Germany to Los Angeles, and the tropes of Californian counter-culture provides source material for works such as ‘California Dreaming’ in which a sleeping figure lies aboard a ramshackle raft caught up in a ferocious sea; above him a contorted chorus from the song of the title: ‘All the sleeves are brown, and the tie is grey’. In 'Pet Shop Sounds', the Beach Boys seminal album morphs into a pair of bickering love birds. 'I saw God's shadow on this world', features an expressionistic backdrop that doubles as a parched desert landscape, complete with a series of cacti providing shade and respite from the brutal sun. As Kunath himself has noted, his new surroundings have borne influence on the work: 'I guess the colours got brighter and the topics got darker. Sunshine and Noir'.

Selected exhibitions

2000

• One Day It Will All Make Sense, The Modern Institute, Glasgow

2001

• Peter Mertes Stipendium, Bonner Kunstverein, Bonn

2003

• Statements, Art Basel 34, Basel

2004

• Rhinegold: Art from Cologne, Tate Gallery Liverpool

2005

• The Gravity in Art, De Appel, Amsterdam

2006

• Esquidor en el fondo de un pozo, Fundacci ón/ Colección Jumex, Mexico City

2007

• Learn To Read, Tate Modern, London
• Twilight, Andrea Rosen Gallery, New York
• MMK, Frankfurt am Main

2008

• The Leisure Suite, LeRoy Neiman Gallery, Columbia University, New York
• Aspen Art Museum, Aspen
• Life on Mars, the 2008 Carnegie International [1]

2009

• Kunstalle Baden-Baden, Baden-Baden, Germany

2010

• "Friedrich Kunath," The Hammer Museum, Los Angeles, California
• "I used to be darker, but then I got lighter and then I got dark again," Kaikai Kiki Gallery, Tokyo, Japan

References

2011 - White Cube, London

External links

• Friedrich Kunath at Blum and Poe
• More information and images from Andrea Rosen Gallery
• Friedrich Kunath on ArtFacts.net
• Friedrich Kunath on ArtNet.com
• Further information from the Saatchi Gallery