|This article needs additional citations for verification. (October 2010)|
June 18, 1907|
|Died||May 5, 1998
Bloomington, Indiana, U.S..
Frithjof Schuon (//; German: [ˈfʀiːtˌjoːf ˈʃuː.ɔn]; June 18, 1907 – May 5, 1998) was born to German parents in Basel, Switzerland. He is known as a philosopher, metaphysicist inspired by the Hindu philosophy of Advaita Vedanta, and author of numerous books on religion and spirituality.
Schuon was recognized during his lifetime as a world authority on philosophy, spirituality and religion, and was an exponent of the Religio Perennis, inspired by Advaita Vedanta and one of the chief representatives of the Perennialist School. Though he was not officially affiliated with the academic world, his writings have been noticed in scholarly and philosophical journals, and by scholars of comparative religion and spirituality. Criticism of the relativism of the modern academic world is one of the main aspects of Schuon's teachings. In his teachings, Schuon expresses his faith in an absolute principle, God, who governs the universe and to whom our souls would return after death. For Schuon the great revelations are the link between this absolute principle—God—and mankind. He wrote the main bulk of his metaphysical teachings in French. In the later years of his life Schuon composed some volumes of poetry in his mother tongue, German. His articles in French were collected in about twenty titles in French which were later translated into English as well as many other languages. The main subjects of his prose as well as his poetic compositions are metaphysical doctrine and spiritual method.
Schuon was born in Basel, Switzerland, on June 18, 1907. His father was a native of southern Germany, while his mother came from an Alsatian family. Schuon's father was a concert violinist and the household was one in which not only music but literary and spiritual culture were present. Schuon lived in Basel and attended school there until the untimely death of his father, after which his mother returned with her two young sons to her family in nearby Mulhouse, France, where Schuon was obliged to become a French citizen. Having received his earliest training in German, he received his later education in French and thus mastered both languages early in life.
From his youth, Schuon's search for metaphysical truth led him to read the Hindu scriptures such as Upanishads and the Bhagavad Gita. While still living in Mulhouse, he discovered the works of René Guénon, the French philosopher and Orientalist, which served to confirm his intellectual intuitions and which provided support for the metaphysical principles he had begun to discover.
Schuon journeyed to Paris after serving for a year and a half in the French army. There he worked as a textile designer and began to study Arabic in the local mosque school. Living in Paris also brought the opportunity to be exposed to various forms of traditional art to a much greater degree than before, especially the arts of Asia with which he had had a deep affinity since his youth. This period of growing intellectual and artistic familiarity with the traditional worlds was followed by Schuon's first visit to Algeria in 1932. It was then that he met the celebrated Shaykh Ahmad al-Alawi and was initiated into his order. On a second trip to North Africa, in 1935, he visited Algeria and Morocco; and during 1938 and 1939 he traveled to Egypt where he met Guénon, with whom he had been in correspondence for 27 years. In 1939, shortly after his arrival in Pie, India, World War II broke out, forcing him to return to Europe. After having served in the French army, and having been made a prisoner by the Germans, he sought asylum in Switzerland, which gave him Swiss nationality and was to be his home for forty years. In 1949 he married, his wife being a German Swiss with a French education who, besides having interests in religion and metaphysics, is also a gifted painter.
Following World War II, Schuon accepted an invitation to travel to the American West, where he lived for several months among the Plains Indians, in whom he always had a deep interest. Having received his education in France, Schuon has written all his major works in French, which began to appear in English translation in 1953. Of his first book, The Transcendent Unity of Religions (London, Faber & Faber) T. S. Eliot wrote: "I have met with no more impressive work in the comparative study of Oriental and Occidental religion."
While always continuing to write, Schuon and his wife traveled widely. In 1959 and again in 1963, they journeyed to the American West at the invitation of friends among the Sioux and Crow American Indians. In the company of their Native American friends, they visited various Plains tribes and had the opportunity to witness many aspects of their sacred traditions. In 1959, Schuon and his wife were solemnly adopted into the Sioux family of James Red Cloud. Years later they were similarly adopted by the Crow medicine man and Sun Dance chief, Thomas Yellowtail. Schuon's writings on the central rites of Native American religion and his paintings of their ways of life attest to his particular affinity with the spiritual universe of the Plains Indians. Other travels have included journeys to Andalusia, Morocco, and a visit in 1968 to the home of the Holy Virgin in Ephesus.
Through his many books and articles, Schuon became known as a spiritual teacher and leader of the Traditionalist School. During his years in Switzerland he regularly received visits from well-known religious scholars and thinkers of the East.
During his life, Schuon reported several visions of the Virgin Mary, which would color his writings, Sufi teachings and paintings with a particular Marian presence. His Mariology has been studied in detail by American Professor James Cutsinger. Hence the name, Maryamiya (in Arabic, “Marian”), of the Sufi order he founded as a branch of the Shadhiliya-Darqawiya-Alawiya. When asked by one of his disciples about the reason for this choice of name, Schuon replied: “It is not we who have chosen her; it is she who has chosen us.”
In 1980, Schuon and his wife emigrated to the United States, settling in Bloomington, Indiana, where a community of disciples from all over the world would gather around him for spiritual direction. The first years in Bloomington saw the publication of some of his most important late works: From the Divine to the Human, To Have a Center, Survey of Metaphysics and Esoterism and others. Schuon continued to write poetry in his native German, to receive visitors and maintain a busy correspondence with followers, scholars and readers until his death in 1998.
Apart from regular strictly Islamic Sufi gatherings of invocation (majalis al-dhikr), Schuon would occasionally lead in Bloomington gatherings involving the wearing of American Indian attire, and also some degree of ritual nudity. These gatherings were understood by disciples as a sharing in Schuon's personal insights and realization, not as part of the initiatic method he transmitted, centered on the invocation of a Divine Name. This has drawn criticism from various quarters and given rise to morbid scholarship and dramatic accounts, but apparently has posed no problems to prominent scholarly Traditionalists who have continued to respect Schuon's authority.
In 1991, one of Schuon's followers tried to accuse him of gestures alleged to be the "fondling" of three young girls during “primordial gatherings”. A preliminary investigation was begun, but the chief prosecutor eventually concluded that there was no proof, noting that the plaintiff was of extremely dubious character. The prosecutor declared that there were no grounds for prosecution, and the local press made amends. According to Aymard: “Despite his age —he was then 84— and his heart problems, Schuon showed throughout the ordeal a detachment and serenity in every respect worthy of his writings.” Some online and printed articles and books dwell on these accusations and on all the details of a perceived “dark side” of Schuon and his teachings, but the locus classicus for these darker speculations continues to be Mark Sedgwick's Against the Modern World. Schuon’s visions of the Virgin Mary and his paintings have been associated with the “primordial gatherings”.
Transcendent unity of religions
The traditionalist or perennialist perspective began to be enunciated in the 1920s by the French philosopher René Guénon and, in the 1930s, by Schuon himself. The Harvard orientalist Ananda Coomaraswamy and the Swiss art historian Titus Burckhardt also became prominent advocates of this point of view. Fundamentally, this doctrine is the Sanatana Dharma – the "eternal religion" – of Hindu Neo-Vedanta. It was supposedly formulated in ancient Greece, in particular, by Plato and later Neoplatonists, and in Christendom by Meister Eckhart (in the West) and Gregory Palamas (in the East). Every religion has, besides its literal meaning, an esoteric dimension, which is essential, primordial and universal. This intellectual universality is one of the hallmarks of Schuon's works, and it gives rise to insights into not only the various spiritual traditions, but also history, science and art.
The dominant theme or principle of Schuon's writings was foreshadowed in his early encounter with a Black marabout who had accompanied some members of his Senegalese village to Switzerland in order to demonstrate their culture. When the young Schuon talked with him, the venerable old man drew a circle with radii on the ground and explained: God is in the center; all paths lead to Him.
For Schuon, the quintessence of pure metaphysics can be summarized by the following vedantic statement, although the Advaita Vedanta's perspective finds its equivalent in the teachings of Ibn Arabi, Meister Eckhart or Plotinus: Brahma satyam jagan mithya jivo brahmaiva na'parah (Brahman is real, the world is illusory, the self is not different from Brahman).
The metaphysics exposited by Schuon is based on the doctrine of the non-dual Absolute (Beyond-Being) and the degrees of reality. The distinction between the Absolute and the relative corresponds for Schuon to the couple Atma/Maya. Maya is not only the cosmic illusion: from a higher standpoint, Maya is also the Infinite, the Divine Relativity or else the feminine aspect (mahashakti) of the Supreme Principle.
Said differently, being the Absolute, Beyond-Being is also the Sovereign Good (Agathon), that by its nature desires to communicate itself through the projection of Maya. The whole manifestation from the first Being (Ishvara) to matter (Prakriti), the lower degree of reality, is indeed the projection of the Supreme Principle (Brahman). The personal God, considered as the creative cause of the world, is only relatively Absolute, a first determination of Beyond-Being, at the summit of Maya. The Supreme Principle is not only Beyond-Being. It is also the Supreme Self (Atman) and in its innermost essence, the Intellect (buddhi) that is the ray of Consciousness shining down, the axial refraction of Atma within Maya.
Schuon, in more than twenty books written mainly in French, explains the metaphysical principles as well as the spiritual and moral aspects of human life. Schuon's religio perennis cannot be called a new religion with its own dogma and practices. For Schuon, the religio perennis is the underlying religion, the religion of the heart or the religio cordis. Esoterists in every orthodox tradition have a more or less direct access to it, but it cannot be a question of practising the religio perennis independently. Religious forms can be more or less transparent but religious diversity is not denied for its raison d'être is metaphysically explained. On the one hand, formal religions are upaya (providential saving stratagem), different manifestations of the core-essence of the religio perennis. On the other hand, religious forms correspond to as many archetypes in the divine Word itself. Religious forms are willed by God and each religion corresponds to a particular and homogenous cosmos, characterized by its own perspective of the Absolute.
The Perennialist perspective itself can thus be characterized as essentially metaphysical, esoteric, primordial but also traditional. For Schuon, there is no spiritual path outside of a revealed religion, which provides spiritual seekers with a metaphysical doctrine and a spiritual method, but also with a spiritual environment of beauty and holiness.
According to Schuon the spiritual path is essentially based on the discernment between the "Real" and the "unreal" (Atma / Maya); concentration on the Real; and the practice of virtues. Human beings must know the "Truth". Knowing the Truth, they must then will the "Good" and concentrate on it. These two aspects correspond to the metaphysical doctrine and the spiritual method. Knowing the Truth and willing the Good, human beings must finally love "Beauty" in their own soul through virtue, but also in "Nature". In this respect Schuon has insisted on the importance for the authentic spiritual seeker to be aware of what he called the "metaphysical transparency of phenomena".
Schuon wrote about different aspects of spiritual life both on the doctrinal and on the practical levels. He explained the forms of the spiritual practices as they have been manifested in various traditional universes. In particular, he wrote on the Invocation of the Divine Name (dhikr, Japa-Yoga, the Prayer of the Heart), considered by Hindus as the best and most providential means of realization at the end of the Kali Yuga. As has been noted by the Hindu saint Ramakrishna, the secret of the invocatory path is that God and his Name are one.
Guénon had pointed out at the beginning of the twentieth century that every religion comprises two main aspects: "Esoterism" and "Exoterism". Schuon explained that the esoterism itself displays two aspects, one being an extension of exoterism and the other one independent of exoterism; for if it be true that the form "is" in a certain way the essence, the essence on the contrary is by no means totally expressed by a single form; the drop is water, but water is not the drop. This second aspect is called "quintessential esoterism" for it is not limited or expressed totally by one single form or theological school and, above all, by a particular religious form as such.
Criticism of modernity
In his essay 'The Contradictions of Relativism' Schuon wrote that uncompromising relativism that underlies many modern philosophies had fallen into an intrinsic absurdity in declaring that there is no absolute truth and then attempting to put this forward as an absolute truth. Schuon notes that the essence of Relativism is found in the idea that we never escape from human subjectivity whilst its expounders seem to remain unaware of the fact that Relativism is therefore also deprived of any objectivity. Schuon further notes that the Freudian assertion that rationality is merely a hypocritical guise for a repressed animal drive results in the very assertion itself being devoid of worth as it is itself a rational judgment.
- Adastra and Stella Maris: Poems by Frithjof Schuon, World Wisdom, 2003
- Art from the Sacred to the Profane: East and West, (A selection from his writings by Catherine Schuon), World Wisdom, Inc, 2007. ISBN 1933316357
- Castes and Races, Perennial Books, 1959, 1982
- Christianity/Islam, World Wisdom, 1985
- New translation, World Wisdom, 2008
- Echoes of Perennial Wisdom, World Wisdom, 1992
- Esoterism as Principle and as Way, Perennial Books, 1981, 1990
- The Essential Frithjof Schuon, World Wisdom, 2005
- The Essential Writings of Frithjof Schuon (S.H. Nasr, Ed.), 1986, Element, 1991
- The Eye of the Heart, World Wisdom, 1997
- The Feathered Sun: Plain Indians in Art & Philosophy, World Wisdom, 1990
- Form and Substance in the Religions, World Wisdom, 2002
- From the Divine to the Human, World Wisdom, 1982
- Gnosis: Divine Wisdom, 1959, 1978, Perennial Books 1990
- New translation, World Wisdom, 2006
- Images of Primordial & Mystic Beauty: Paintings by Frithjof Schuon, Abodes, 1992, World Wisdom
- In the Face of the Absolute, World Wisdom, 1989, 1994
- In the Tracks of Buddhism, 1968, 1989
- New translation, Treasures of Buddhism, World Wisdom, 1993
- Islam and the Perennial Philosophy, Scorpion Cavendish, 1976.
- Language of the Self, 1959
- Revised edition, World Wisdom, 1999
- Light on the Ancient Worlds, 1966, World Wisdom, 1984
- New translation, World Wisdom, 2006
- Logic and Transcendence, 1975, Perennial Books, 1984
- The Play of Masks, World Wisdom, 1992
- Prayer Fashions Man, World Wisdom, 2005
- Road to the Heart, World Wisdom, 1995
- Roots of the Human Condition, World Wisdom, 1991
- New translation, World Wisdom, 2002
- Songs for a Spiritual Traveler: Selected Poems, World Wisdom, 2002
- Songs Without Names Vol. I-VI, World Wisdom, 2007
- Songs Without Names VII-XII, World Wisdom, 2007
- Spiritual Perspectives and Human Facts, 1954, 1969
- Stations of Wisdom, 1961, 1980
- Revised translation, World Wisdom, 1995
- Sufism: Veil and Quintessence, World Wisdom, 1981
- Survey of Metaphysics and Esoterism, World Wisdom, 1986, 2000
- The Transcendent Unity of Religions, 1953
- Revised Edition, 1975, 1984, The Theosophical Publishing House, 1993
- The Transfiguration of Man, World Wisdom, 1995
- To Have a Center, World Wisdom, 1990
- Understanding Islam, 1963, 1965, 1972, 1976, 1979, 1981, 1986, 1989
- Revised translation, World Wisdom, 1994, 1998
- World Wheel Vol. I-III, World Wisdom, 2007
- World Wheel Vol. IV-VII, World Wisdom, 2007
Schuon was a frequent contributor to the quarterly journal Studies in Comparative Religion, (along with Guénon, Coomarswamy, and many others) which dealt with religious symbolism and the Traditionalist perspective.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. p. 1. ISBN 0-941532-01-1.
- Frithjof Schuon's life and work.
- Frithjof Schuon, Songs Without Names, Volumes VII-XII, (World Wisdom, 2007) p. 226.
- See “Colorless Light and Pure Air: The Virgin in the Thought of Frithjof Schuon” for some reflections, and J.-B. Aymard’s “Approche biographique” for chronological details.
- Martin Lings, A Return to the Spirit, Fons Vitae, Kentucky, 2005, p. 6.
- J.-B. Aymard, “Approche biographique”, in Connaissance des Religions, Numéro Hors Série Frithjof Schuon, 1999, Coédition Connaissance des Religions/ Le Courrier du Livre.
- See Arthur Versluis, American Gurus: From Transcendentalism to New Age Religion, Oxford University Press, 2014, p. 170. Versluis draws parallels between these facts and themes in Schuon's pictorial and written works.
- See Aymard and Laude, Frithjof Schuon: Life and Teachings, SUNY Press, NY, 2004.
- Cf. in extenso the works of James Cutsinger, Martin Lings, Seyyed Hossein Nasr and Harry Oldmeadow.
- See Aymard's “Approche biographique” for more details.
- Cf. a recent chapter by Hugh Urban “A Dance of Masks: The Esoteric Ethics of Frithjof Schuon”, in Crossing Boundaries: Essays on the Ethical Status of Mysticism, Seven Bridges Press, 2002.
- Oxford University Press, 2004. See three reviews at Studies in Comparative Religion.
- See Versluis (2014) and Urban (2002).
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. pp. i. ISBN 0-941532-01-1.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. pp. Backcover. ISBN 0-941532-01-1.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. p. 21. ISBN 0-941532-01-1.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. p. 37. ISBN 0-941532-01-1.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. p. 43. ISBN 0-941532-01-1.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. p. 59. ISBN 0-941532-01-1.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. p. 61. ISBN 0-941532-01-1.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. p. 73. ISBN 0-941532-01-1.
- Schuon, Frithjof (1982). From the Divine to the Human. USA: World Wisdom Books. p. 85. ISBN 0-941532-01-1.
- Logic and transcendence, Perennial Books, 1975.
- Journal of American Society of Philosophy
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