From the Terrace
|From the Terrace|
Original Theatrical Poster
|Directed by||Mark Robson|
|Produced by||Mark Robson|
|Written by||John O'Hara (novel)
|Music by||Elmer Bernstein|
|Edited by||Dorothy Spencer|
|Distributed by||20th Century Fox|
|Box office||$5.2 million (US/ Canada rentals) |
The screenplay was written by Ernest Lehman based on the 1958 novel by John O'Hara that tells the story of the estranged son of a Pennsylvania factory owner who marries into a prestigious family and moves to New York to seek his fortune.
||This article's plot summary may be too long or excessively detailed. (July 2009)|
In 1946, David Alfred Eaton returns home from the war to Philadelphia. Finding his mother Martha driven to alcoholism by years of neglect and abuse from her husband Samuel Eaton, owner of a prestigious iron and steel company. Having withdrawn from his family after the death of his firstborn son thirteen years earlier, Samuel's resentment drove Alfred to turn his back on the family business and strike out on his own with his closest friend, Lex.
While attending a party at the estate of Lex's wealthy uncle, Alfred is dazzled by Mary St. John, the daughter of a wealthy family. Mary is drawn into a relationship with Alfred and breaks off her secret engagement to Dr. Jim Roper, defying her parents. After a humiliating argument, Alfred's father falls ill, and Alfred shuns the family business once again to start an aviation company with Lex.
On his wedding day, Alfred receives word that his father has died. Certain that Samuel has timed his death to spite him, Alfred goes ahead with the ceremony. With his uncle's money, Lex and Alfred then fund the Nassau Aircraft Corporation, but when Lex shows more interest in perfecting aircraft designs than in selling planes, Alfred becomes impatient.
One wintry day, Alfred and Mary are driving home from a party when they see a little boy fall through the thin ice of a frozen pond. Alfred plunges into the icy waters to save him. The boy's grandfather, James Duncan MacHardie, the most famous financier in America, invites Alfred and Mary to dinner. MacHardie, a shrewd businessman, sensing Alfred's drive and ambition, offers him a job in his investment firm.
Obsessed by the need to outdo his father, Alfred travels the country for MacHardie, leaving Mary alone for months at a time. Lonely and self-pitying, Mary begins to resent Alfred's constant absences. Creighton Duffy, MacHardie's son-in-law, whose position is threatened by Alfred's acumen, suggests that Alfred spend two months in rural Pennsylvania checking out the business aptitude and prospects of Ralph Benziger, a prosperous coal mine owner.
After an ugly argument with his wife, Alfred goes to Pennsylvania. Invited to dinner at Benziger's home, he meets the man's beautiful and compassionate daughter, Natalie. Lonely and overwhelmed by her sensitivity, Alfred impetuously invites her on a date, but she refuses because he is married. Later that night, however, Natalie reconsiders and arranges to meet him at a drive-in movie the following evening.
Alfred confides to Natalie that her warmth and generosity has made him realize what a sham his marriage is. They share a kiss but Natalie still believes they must end this relationship before it goes any further, for both their sakes.
Upon returning to New York, Alfred is immediately summoned to MacHardie's office. He is informed that Mary has been having an affair with Dr. Roper. But the archly conservative MacHardie proceeds to warn Alfred that he will not tolerate divorce within his firm, considering it a failure in the employee's character. MacHardie also assigns him to analyze the Nassau Aircraft Corp., his former firm, as a possible investment.
One night, while leaving a party with his wife, Alfred unexpectedly encounters Natalie in front of the hotel. Sensing that Alfred and Natalie were intimate, Mary vindictively calls Roper and makes a date with him. Alfred goes to meet Natalie and tells her that although he is estranged from Mary, his career prevents him from requesting a divorce.
Alfred begins to investigate Nassau Aircraft's business practices. Duffy, who has become unethically involved with Nassau and will reap a financial windfall if MacHardie invests in the company, threatens to blackmail Alfred unless he suppresses his report.
Alfred and Natalie find themselves unable to resist their attraction to each other and a tryst in a hotel room ensues. Photographers hired by Duffy burst in and capture their indiscretion. Natalie, uncertain if Alfred's main concern is to save her reputation or his career, decides to leave. Mary, meanwhile, suggests to her husband that they share an open marriage, seeing whomever they please. After she seductively retires to her bedroom, the scandalous photos are delivered to Alfred at his home.
At work the next day, MacHardie ushers in Mary to celebrate Alfred's surprise promotion to partner. Duffy smirks, only to see Alfred rise and denounce MacHardie's hypocrisy of placing success and social position above personal responsibility and happiness. Alfred then issues the uncensored report exposing Duffy's duplicity and walks out. Mary runs after him, but it is too late. He leaves her for good and returns to Natalie's home and a new life.
- Paul Newman as David Alfred Eaton
- Joanne Woodward as Mary St. John
- Ina Balin as Natalie Benziger
- Myrna Loy as Martha Eaton
- Leon Ames as Samuel Eaton
- Elizabeth Allen as Sage Remmington
- Barbara Eden as Clemmie Shreve
- George Grizzard as Lex Porter
- Patrick O'Neal as Dr. Jim Roper
- Felix Aylmer as James MacHardie
- Raymond Greenleaf as Fritz Thornton
- Malcolm Atterbury as George Fry
- Raymond Bailey as Mr. Eugene St. John
- Ted de Corsia as Ralph Benziger
- Howard Caine as Creighton Duffy
- Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p252
- "All-Time Top Grossers", Variety, 8 January 1964 p 69
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