Fruits Basket

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Fruits Basket
Fruits Basket manga.jpg
Cover of the English release of Fruits Basket volume 1
Genre Fantasy, Romance, Comedy-drama, Reverse Harem
Manga
Written by Natsuki Takaya
Published by Hakusensha
English publisher
Demographic Shōjo
Magazine Hana to Yume
Shōjo Stars
Original run July 1998November 2006
Volumes 23 (List of volumes)
Anime television series
Directed by Akitaro Daichi
Written by Higuchi Tachibana
Studio Studio Deen
Licensed by
MVM Films (2004–2006, 2012–present)
Revelation Films (2006–2009)
Network TV Tokyo
English network
Original run July 5, 2001December 27, 2001
Episodes 26 (List of episodes)
Portal icon Anime and Manga portal

Fruits Basket (Japanese: フルーツバスケット Hepburn: Furūtsu Basuketto?), sometimes abbreviated Furuba, or Fruba (フルバ?), is a Japanese shōjo manga series written and illustrated by Natsuki Takaya. It was serialized in the semi-monthly Japanese magazine Hana to Yume, published by Hakusensha, from 1998 to 2006. The series was also adapted into a 26-episode anime series, directed by Akitaro Daichi. The series tells the story of Tohru Honda, an orphan girl who, after meeting Yuki, Kyo, and Shigure Sohma, learns that twelve members of the Sohma family are possessed by the animals of the Chinese zodiac (十二支 Jūnishi?) and are cursed to turn into their animal forms when they are weak, stressed, or when they are embraced by anyone of the opposite sex that is not possessed by a zodiacal spirit. In the anime it is possible to transform through torso contact.

The word "Fruits" in the title is always plural; the spelling originates from the transcription of the English word "fruit" into Japanese, where because there is no "tu" sound, "tsu" is used instead. The title comes from the name of a popular game played in Japanese elementary schools, which is alluded to in the series.

Plot[edit]

When high school student Tohru Honda's mother dies in a car crash on her way to work, she decides to live with her grandfather. Renovations on the house cause her to move out of her grandfather's house temporarily, and since she has nowhere else to go, Tohru begins living in a tent and supporting herself. That is, until she finds a home in the least likely of places, inhabited by her popular classmate Yuki Sohma and his cousins Shigure and Kyo. The Sohmas however, live with a curse. Twelve (not including Kyo, who is the cat) members of the family are possessed by spirits of the Chinese zodiac and turn into their zodiac animal when they are weak, under stress, or when hugged by someone of the opposite gender.

When Tohru discovers the Sohmas' secret, she promises not to tell and is allowed to keep living with them. Although the Sohmas' curse is deeper and darker than Tohru realized, her presence and her acceptance of them soon becomes a large, positive influence on those possessed by the zodiac. She sets out to break the curse, and on the way, meets and discovers each of the Sohma's vengeful zodiac spirits. Each has a different personality, just like the animals in the Chinese zodiac. Tohru's existence changes the Sohma clan's lives forever.

Differences between manga and anime[edit]

The anime itself is based, pretty faithfully, on the original manga by Natsuki Takaya.[1] As the manga was still ongoing during the anime's production, the animated series makes some changes to the story. Several events are combined, and some events, such as Tohru's first meeting with Momiji and all references to Tohru's baseball cap, never happen. The anime makes no mention of the fact that Yuki and Kyo have met Tohru's mother, or that Kyo blames himself for her death. Many of the events surrounding the revealing of Kyo's true form are greatly changed in the anime, including adding an extended chase sequence and Tohru meeting Akito in the woods.[2][3] none of which happen in the manga.[4]

While the anime faithfully adapts most of the characters from the manga series, it does make some changes. In the manga, Momiji is half-German and half-Japanese and regularly speaks German, particularly when he first meets Tohru, while in the anime no German is spoken.[5] Shigure's darker side is toned down in the anime, and many remarks he makes in the manga that hint at a hidden agenda are left out, along with most of his early scenes with Akito.[5] In the anime, Akito is biologically male and will die at a young age because of the curse,[6] while in the manga, Akito is biologically female but brought up as male and is not dying. This served as a shocking plot twist in the manga, since almost everybody thought that Akito was male.[7] Additionally, Isuzu "Rin" Sohma, the Horse, and Kureno Sohma, the Rooster, are never mentioned or shown in the anime and are only in the manga. Finally, the curse is not lifted in the anime because it only covers the first half of the manga, at the most, and the happy ending does not occur until the series is finished.

On a less important note, Tohru's eye color is changed to blue in the anime, as her eye color in the manga is originally brown.

Main characters[edit]

Tohru Honda (本田 透 Honda Tōru?)
A kind hearted orphaned high school student who, at the start of the story, begins living in a tent. She is then found by Shigure and Yuki, who offer to take her in exchange for housekeeping. She loves to cook and describes herself as an excellent housekeeper. She also has an after-school job as a janitor to pay her tuition fees to avoid being a burden on her grandfather.[8] She is depicted as polite, optimistic, extremely kind, and selfless;[9][10] several other characters, including Kyo,[11] Rin,[12] and Hanajima,[13] tell her she needs to look out for her own interests and not shoulder everyone else's burdens. In the anime, she is also clumsy and often scatter-brained. In the original Japanese, Tohru habitually speaks formally (see Honorific speech in Japanese), but not always correctly,[14] a habit she picked up from her father, Katsuya, after he died when she was three, as a way of replacing him in her mother's eyes.[15] Tohru's mother, Kyoko, raised her alone until she died in a car accident shortly after Tohru entered high school, a few months before the start of the story. Tohru repeatedly calls Kyoko the most important person in her life and treasures her photograph;[16] when she falls in love with Kyo she feels guilty of being "unfaithful" to her mother's memory.[17]
In the first half of the series, as Tohru learns about the zodiac curse and its effects on those she loves, she becomes distressed, and when she learns that the dangerous Akito is the "god" of the zodiac, she resolves to break the curse.[18] Only later does she admit that she wants to free Kyo most of all.[19] Despite setbacks, she stubbornly persists in her goal and eventually frees Kyo and her friends.[20] In the last chapter, she begins moving with Kyo to another city so he can continue his martial arts training, and in the final pages they are shown as a loving elderly couple with a granddaughter.[21] Voiced by: Yui Horie (Japanese), Laura Bailey (English)
Kyo Sohma (草摩 夾 Sōma Kyō?)
Kyo is cursed by the cat, an animal not in the Chinese zodiac but which legend says would have been if it had not been tricked by the Rat into missing the induction feast (see Zodiac origin stories).[8] He is depicted as an orange-haired young man who is short-tempered and charismatic, if initially awkward around people; Arisa Uotani once calls him "anger management boy,"[22] and Yuki Sohma expresses envy of his ability to make friends easily.[23] In the anime, he can be kind of shy at first but opens up quickly and can be himself. He is also fiercely competitive, and can be easily manipulated into doing things he does not want to by turning it into a competition—especially against Yuki. As the cat, Kyo hates Yuki, the current Rat of the zodiac, who he sees as never having to work hard at anything,[22] and has dedicated his life to defeating him. Shortly before the series beginning, Kyo made a bet with Akito: if he defeats Yuki before graduating high school, he would officially be accepted as part of the zodiac; however, if he does not, Kyo would be confined inside the Sohma estate for the rest of his life.[24] Despite many months of strict training, however, Kyo never lands a decent blow on Yuki. Their rivalry distresses Tohru, who likes them both, but she comes to worry even more when they do not fight.[25] The two eventually tell each other, during an argument, they envy as well as despise each other and come to a truce for Tohru's sake.[26]
At the start of the story, Kyo moves into Shigure's house with Yuki and Tohru.[8] When Kyo was young, his mother died in an accident rumored to be suicide over her son's curse, and after his father rejected him, Kyo was taken in by Kazuma Sohma. The two love each other as father and son,[27] but Kazuma insists he continue to live with Shigure because he believes Tohru is helping him open up.[28] Aside from his foster father, however, Kyo runs away from the people who want to help him, because he is ashamed of his true form—a grotesque, foul-smelling, larger version of his zodiac animal—which he turns into when his bone juzu bead bracelet is removed.[27] When Tohru sees his true form, however, she is initially repulsed but follows him to beg him stay with her, which strengthens their bond.[27] However, Kyo also blames himself for the death of Tohru's mother, whom he could have saved at the risk of turning into a cat, and he was shaken by Kyoko's last words, "I'll never forgive you..."[29] As the story progresses, Kyo falls in love with Tohru, but he refuses to subject her to the pain he is convinced he will cause, so when she confesses she loves him, he calls her "delusional."[29] Only when Uotani, Hanajima, and Yuki impress upon him how deeply his rejection hurt Tohru does he get up the courage to accept her, and when he does finally confess to her, his curse lifts—along with the rest of the zodiac.[20] In the last chapter, he and Tohru begin moving out of Shigure's house to another city, where he will study at another dojo in preparation for inheriting Kazuma's, and in the final pages they are shown as a loving couple with a granddaughter.[21] Voiced by: Tomokazu Seki (Japanese), Jerry Jewell (English)
Yuki Sohma (草摩 由希 Sōma Yuki?)
Yuki is the Rat of the Chinese zodiac. Yuki is depicted as an attractive, reserved, mysterious, and accomplished young man with many admirers, but who finds being friendly difficult. In the anime, he is soft-spoken, kindhearted, and shy. When Yuki was young, Akito Sohma kept him isolated and convinced him no one liked him;[30] because of this, Yuki has low self-esteem and feels isolated.[31] He is known as "Prince Yuki" and "Prince Charming" at school, where he has a fan club headed by Motoko Minagawa that tries to "protect" him from other admirers, with the result that Yuki is further isolated,[32] and he is pressured by his popularity to become president of the student council despite his misgivings.[33] Yuki, however, wishes that he could be with people as friends, rather than be admired from afar, and envies both Kyo Sohma's and Kakeru Manabe's easy ways with others.[23][34] He is touched when, faced with the prospect of having her memory of the Sohma family secret erased, Tohru Honda asks that he remain her friend,[35] which no one had asked him before.[36] With Tohru's help Yuki is gradually able to "open the lid" on his feelings, and the summer after she begins living in Shigure's house, Yuki admits to himself that he loves her.[37]
When Yuki was around six or seven years old, he ran away from Akito and was the one who returned Tohru to her mother when she was lost.[38] For that, Yuki has always had fond feelings for Tohru for actually "needing" him.[38] However, he later admits to Manabe that he was looking for a mother-figure and found her in Tohru.[36] As the Rat, Yuki despises the current cat, Kyo, despite envying him, and is contemptuous of his attempts to defeat him. Even when he recognizes the true nature of his feelings for Tohru, Yuki is uncomfortable when he recognizes her and Kyo's growing feelings for each other.[39] Yuki becomes attracted to Machi Kuragi, a student council secretary who also had a traumatic childhood,[40] and falls in love with her. When he knows that Kyo will be confessing to Tohru that he loves her, Yuki meets with Machi, and is with her when his curse lifts, whereupon the first thing he does is embrace her.[20] In the last chapter, he gives Machi a key to his new apartment, where he will be living as he attends university.[21] Voiced by: Aya Hisakawa (Japanese), Eric Vale (English)

Production notes[edit]

Series title[edit]

The title of the series is taken from a children's game, Fruits Basket (フルーツバスケット furūtsu basuketto?, where the 'tsu' represents the 't' in "fruit", making it plural in an incorrect way), in which the participants sit in a circle, and the leader of the game names each person after a type of fruit; when the name of a child's fruit is called, that child gets up and has to find a new seat. When the protagonist, Tohru Honda first plays this game in kindergarten, she is assigned "onigiri", by her cruel classmates, but she does not mind because she thinks onigiri are delicious. Once the game is finished, and all of the children but Tohru are called, Tohru realizes that onigiri are not a type of fruit at all, and she realizes that she does not belong. Tohru comes to associate this game with the Sohma family, and that she does not fit in among them any more than an onigiri does in a basket of fruit. In volume 1 of the manga, after Yuki and Kyo bring Tohru home from her grandfather's house, she begins to feel like she belongs with the Sohma family. After this, she imagines herself as a child hearing "onigiri" called in the game, symbolizing that she has finally found her place.[41]

Character names[edit]

Natsuki Takaya named most of the twelve Sohmas cursed by zodiac animals after archaic names of month in the former Japanese lunisolar calendar that corresponds to their zodiac animal.[42] The exceptions are Kureno and Momiji, whose names were swapped by mistake;[43] Kyo, because he's the cat, is not part of the official zodiac.[44]

Media[edit]

Manga[edit]

The 136 chapters of Fruits Basket were originally serialized in Japan by Hakusensha in Hana to Yume from July 1998 to November 2006. These were collected in 23 tankōbon volumes, with the final volume published in Japan on March 19, 2007.[45]

The series is licensed in English in North America and the United Kingdom by Tokyopop[46] and in Singapore by Chuang Yi.[47] The Singapore edition is licensed to be imported to Australia and New Zealand by Madman Entertainment.[48] All 23 English-language volumes have been released in North America and Singapore. In addition, Tokyopop released a box set containing the first four volumes in October 2007, and started re-releasing earlier volumes in "Ultimate Editions" combining two sequential volumes in a single larger hard-cover volume with new cover art. The first Ultimate Edition release met with mixed reviews, however, because they exactly reproduce the first two volumes without correcting changed page numbers or prior errors.[49] As of June 2008, six Ultimate Editions have been released, covering the first twelve volumes of the series.

Chuang Yi also publishes in Singapore a Simplified Chinese edition as well as English. In Europe, Fruits Basket is licensed in French by Delcourt, in Spanish by Norma Editorial, in Italian by Dynit, in Dutch by Glénat, in German and Swedish by Carlsen Comics, in Finnish by Sangatsu Manga, and in Polish by Japonica Polonica Fantastica. In Latin America, Editorial Vid has released the complete series in Mexico in Spanish, and Editora JBC has released the complete series in Portuguese in Brazil with the first volume released in April 2005.

Anime[edit]

Directed by Akitaro Daichi, the twenty-six episode Fruits Basket anime series was animated and produced by Studio DEEN. It premiered on TV Tokyo on July 5, 2001, with the final episode airing on December 27, 2001. The series aired in France on France 4, in Spain on Buzz Channel, and in Vietnam on HTV3. FUNimation aired the series, in dubbed English, on their anime television channel as well as on Colours TV.

The series was released in Japan in nine individual DVD volumes by King Records, with each volume containing three episodes except for the first volume, which contained two.[50] The first volume was released on September 29, 2001, with subsequent volumes released on a monthly basis until the final volume was released on May 22, 2002. A series box set was released on April 25, 2007, containing all twenty-six episodes, as well a message card from Natsuki Takaya, a 60-page deluxe booklet, and a bonus Fruits Basket CD soundtrack.[51]

The series is licensed for Region 1 DVD release by FUNimation Entertainment, which released it in the form of four individual volumes containing 6-7 episodes and a complete series box set. On November 20, 2007, FUNimation re-released the series as part of their lower priced Viridian line, with the new release containing the complete series in a thin-packed box set.[52] In the United Kingdom, FUNimation originally distributed the series through MVM Entertainment, but then changed distributors in November 2006 to Revelation Films.[53] Revelation re-released the four individual volumes under their label. They also released the series box set on January 22, 2007.[54] In Region 4, the series was released as a complete series box set by Madman Entertainment on October 15, 2003.[55]

CDs[edit]

As well as the drama CD, there have been two CD releases of Fruits Basket to coincide with the anime adaptation, Memory for You and Four Seasons (also known as Song for Ritsuko Okazaki).

Other[edit]

In 1999 the magazine Hana to Yume released a special Fruits Basket drama CD which had a four chapter original story and short talk sections between each section. Released before the anime came out, this CD had a completely different voice cast. The CD was a promotional item with a limited run and is now unavailable.[56]

Natsuki Takaya has created one art book and two fan books for Fruits Basket. The art book, containing 101 pages of illustrations, was published by Hakusensha on April 16, 2004.[57] The first fan book, Fruits Basket Fan Book - Cat (フルーツバスケットファンブック〈猫〉 Furūtsu Basuketto Fan Bukku (Neko)?), which contained 192 pages of story summaries, character biographies, and activities, was published in Japan on May 19, 2005.[58] Tokyopop released it in English on September 11, 2007.[59] The second fan book, Fruits Basket Fan Book - Banquet (フルーツバスケットファンブック/宴 Furūtsu Basuketto Fan Bukku /En?), was published in Japan on March 19, 2007 and contained 187 pages;[60] it was scheduled to be published in English by Tokyopop on April 27, 2010.[61]

Fruits Basket has also resulted in the creation of a variety of merchandise, including plushies of the various zodiac animals, wall calendars, clothing items, key chains, wall scrolls, buttons, figurines, and school supplies. A collectible card game based on the series was also created and published by Score Entertainment which can be used for playing Dai Hin Min as well as other games.[62]

In 2008, the all-male theatrical troupe Gekidan Studio Life announced it would be producing a theatrical adaptation of Fruits Basket, using only performers who would be making their stage debuts. The production is expected to run for two weeks at the Galaxy Theater in Tokyo starting February 25, 2009.[63]

Reception[edit]

The Fruits Basket manga series is one of the top manga series in both Japan and in the US. More than 18 million copies have been sold in Japan making it the second best selling shōjo manga series in Japan.[45] It is Tokyopop's best selling manga series, with more than 2 million copies sold as of 2006.[64][65] The fifteenth volume of the English release rose to the 15th position on the USA Today Top 150 Bestselling Books, which is the highest position ever achieved by a volume of manga in the United States.[45] The eighteenth volume debuted at the top of the Nielsen BookScan sales list, while the nineteenth volume was the second bestselling graphic novel in March 2008.[66][67] Despite a slow manga market, Fruits Basket remained the second highest overall selling manga series among the Bookscan companies in 2007.[68] The final volume of the English adaptation was a New York Times manga bestseller from June 28 through July 25, moving from #2 to #1 in the list in the week of July 19–25.[69][70][71] The volume dropped back down to second place the following week, then dropped to 4th place in the week of August 8.[72][73] The final volume remained on the best seller list for 12 weeks.[74]

The Fruits Basket manga received the 2001 Kodansha Manga Award in the shōjo manga category[64] and the "Best Manga" award at the 2007 American Anime Awards.[75] In 2001, the Fruits Basket anime won an Animage Anime Grand Prix award.

Critical reception[edit]

Critics have praised the overall story in Fruits Basket as being intellectual, with even the relatively light-hearted first volume giving hints at something darker in the background that makes the reader "question everything that happens."[76] Some felt the series was getting close to overloading readers with angst in later volumes, and questioned the credulity of the sheer number of bad parents in the series. As one reviewer noted: "in the world of Fruits Basket, good parents are as common as penguins in the Sahara—every single one is either neglectful, smothering, unfeeling, abusive, misguided, or dead."[77] Takaya manages to balance the series' comedic elements with the more dramatic and heartbreaking moments, making it a captivating and engaging story.[78]

As this title progresses the fact that this title was one of the more popular series in Japan becomes clear. The characters get a lot of love. You get to experience them when things are good, as well as when they are struggling. The pacing is perfect. There is a good mix of comedy, fun filler, drama and action (something for everyone). In addition Fruits Basket is easy to relate to. With all the different personalities and the different signs of the zodiac, there is always someone to associate with. There are few titles that can do all that well, Fruits Basket puts all of these aspects together and makes a tasty treat...

—Eduardo M. Chavez, AnimeOnDVD.com[79]

Takaya's artwork is considered to be more than artistically appealing, with Takaya's skills in detailed art, shadowing, and shading allowing her to convey the character's moods and emotions without the character having any dialog at all.[77]

The real strength of Natsuki Takaya's artwork isn't that that it looks good—though it definitely does, from its beautiful characters to the intricately rendered textures of their clothing—but how well it communicates mood and emotions. Not content to rely on facial expressions, though she does them well, Takaya is particularly apt at using shading and shadows to indicate character's mental states... The details of character's emotions—the disparity between Tohru's private emotions and her public front, the punishing intensity of Kyo's feelings for Tohru—are not only discernable but tangible, all without a word being spoken.

—Carl Kimlinger, Anime News Network[77]

In Manga: The Complete Guide, Jason Thompson gave the manga 3 and a half out of four stars. While finding the series to be "surprisingly sad" and praising the well-defined characters, he felt the series was "neither particularly well drawn nor incredibly witty". As a whole, he considered it "a fascinating manga, like a sweet, melancholy dream."[80] Animerica reviewers felt the anime adaptation was similar to Ranma ½ in terms of premise and its using a similar musical score. Julie Davis found the characters to be "superficially pretty" and "so-clean-they-look-almost-like-paper-cutouts" with "really, really gigantic eyes", though she notes that the animal alter forms of the zodiac members were "cute and cuddly". Fellow reviewer Urian Brown disagreed, stating that "the characters are designed in a sleek stylish manner that is classy" and felt the animation was "refined".[81] A factor in the success of Fruits Basket in English-speaking countries was that the books were being sold in bookstores, rather than comic book shops, which are considered to be a predominantly male domain.[82]

The Fruits Basket anime adaptation has also been well received, ranking third in Anihabara's list of top televised anime series in Japan for February 2002.[83] In the June 2002 issue of Animage magazine, the series was first in a list of the best twenty anime series in Japan.[84] In 2006, five years after the series finished airing in Japan, it was 93rd in TV Asahi's list of Japan's 100 favorite animated TV series.[85] Though it only covers part of the manga, critics felt the ending brought the story to a good stopping point while making it clear that there was much left for the Sohma and Tohru to deal with, including the curse and Tohru's future choice between Kyo and Yuki.[86][87] Though some felt the plot was lacking in development, they also praised the series for the strength of its character relationships.[87]

The entire series of Fruits Basket proves to be a true emotional roller coaster, hiding truly deep and heartfelt drama behind a candy coating of fun and humor. Deep down, it explores many aspects of emotion as the various characters search for their place in the world, gaining strength from each other.

—Allen Divers, Anime News Network[86]

In April 2005 Funimation Entertainment started a project calling for convention attendees to help them fold 1000 origami paper cranes. In Japanese folklore, folding 1000 paper cranes would grant someone a wish. When they had at least 1000 cranes, Funimation sent the cranes and pictures of the events to Studio Deen and Hakusensha to try to convince the company to produce a second season of the Fruits Basket anime.[88] Fans successfully folded the minimal of 1000 cranes by the end of the 2005 convention season, however at this time, there is still no sign that a second season of the anime series will be forthcoming.[89]

References[edit]

  1. ^ The anime uses the manga as a storyboard.
  2. ^ Fruits Basket. Episode 24. 2001-12-13.
  3. ^ "True Form". Fruits Basket. Episode 25. 2001-12-20.
  4. ^ Takaya, Natsuki (2004-12-14). "Chapter 33–34". Fruits Basket, Volume 6. Los Angeles: Tokyopop. ISBN 978-1-59182-608-8. 
  5. ^ a b RPL. "Manga Reviews: Fruits Basket". UK Anime Net. Retrieved 2007-12-12. 
  6. ^ "Let's Go Home". Fruits Basket. Episode 26. 2001-12-27.
  7. ^ Takaya, Natsuki (2007-08-07). "Chapters 97–98". Fruits Basket, Volume 17. Los Angeles: Tokyopop. ISBN 978-1-59816-799-3. 
  8. ^ a b c Takaya, Natsuki (2004-02-10). "Chapters 1–2". Fruits Basket, Volume 1. Los Angeles: Tokyopop. ISBN 978-1-59182-603-3. 
  9. ^ Liversidge, Ross. "10 of the Best - Fruits Basket". UK Anime Net. Retrieved 2008-04-18. "We meet Tohru Honda, possibly the kindest, gentlest girl on the planet and follow how, through acts of kindness and compassion, her life takes an upward swing after the death of her mother." 
  10. ^ Chavez, Eduardo M. (2004-06-19). "Fruits Basket Vol. #03". Anime on DVD. Retrieved 2008-04-18. "There are times where she sacrifices herself too much to make others happy, eventually causing her stress and more work." 
  11. ^ Takaya, Natsuki (2004-06-08). "Chapter 17". Fruits Basket, Volume 3. Los Angeles: Tokyopop. ISBN 978-1-59182-605-7. 
  12. ^ Takaya, Natsuki (2008-08-08). "Chapter 80". Fruits Basket, Volume 14. Los Angeles: Tokyopop. ISBN 978-1-59532-409-2. 
  13. ^ Takaya, Natsuki (2007-08-07). "Chapter 99". Fruits Basket, Volume 17. Los Angeles: Tokyopop. ISBN 978-1-59816-799-3. 
  14. ^ Takaya, Natsuki (2007-09-11). "Natsuki Takaya Written Interview". Fruits Basket Fan Book - Cat. Los Angeles: Tokyopop. p. 37. ISBN 978-1-4278-0293-4. 
  15. ^ Takaya, Natsuki (2008-03-18). "Chapter 109". Fruits Basket, Volume 19. Los Angeles: Tokyopop. ISBN 978-1-59816-863-1. 
  16. ^ Takaya, Natsuki (2005-02-08). "Chapter 37". Fruits Basket, Volume 7. Los Angeles: Tokyopop. ISBN 978-1-59532-402-3. 
  17. ^ Takaya, Natsuki (2008-03-18). "Chapter 108". Fruits Basket, Volume 19. Los Angeles: Tokyopop. ISBN 978-1-59816-863-1. 
  18. ^ Takaya, Natsuki (2005-08-09). "Chapter 65". Fruits Basket, Volume 11. Los Angeles: Tokyopop. ISBN 978-1-59532-406-1. 
  19. ^ Takaya, Natsuki (2007-11-23). "Chapter 107". Fruits Basket, Volume 18. Los Angeles: Tokyopop. ISBN 978-1-59816-862-4. 
  20. ^ a b c Takaya, Natsuki (2007-07-31). "Chapter 130". Fruits Basket, Volume 22. Singapore: Chuang Yi. ISBN 978-981-269-898-8. 
  21. ^ a b c Takaya, Natsuki (2008-02-01). "Chapter 136". Fruits Basket, Volume 23. Singapore: Chuang Yi. ISBN 978-981-269-900-8. 
  22. ^ a b Takaya, Natsuki (2004-04-14). "Chapter 7". Fruits Basket, Volume 2. Los Angeles: Tokyopop. ISBN 978-1-59182-604-0. 
  23. ^ a b Takaya, Natsuki (2004-02-10). "Chapters 4". Fruits Basket, Volume 1. Los Angeles: Tokyopop. ISBN 978-1-59182-603-3. 
  24. ^ Takaya, Natsuki (2005-08-09). "Chapter 62". Fruits Basket, Volume 11. Los Angeles: Tokyopop. ISBN 978-1-59532-406-1. 
  25. ^ Takaya, Natsuki (2004-10-12). "Chapter 25". Fruits Basket, Volume 5. Los Angeles: Tokyopop. ISBN 978-1-59182-607-1. 
  26. ^ Takaya, Natsuki (2007-05-02). "Chapter 123". Fruits Basket, Volume 21. Singapore: Chuang Yi. ISBN 978-981-269-538-3. 
  27. ^ a b c Takaya, Natsuki (2004-12-14). "Chapter 33". Fruits Basket, Volume 6. Los Angeles: Tokyopop. ISBN 978-1-59182-608-8. 
  28. ^ Takaya, Natsuki (2004-12-14). "Chapter 32". Fruits Basket, Volume 6. Los Angeles: Tokyopop. ISBN 978-1-59182-608-8. 
  29. ^ a b Takaya, Natsuki (2006-10-11). "Chapter 119". Fruits Basket, Volume 20. Singapore: Chuang Yi. ISBN 978-981-269-237-5. 
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