Future 2 Future

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Future 2 Future
Studio album by Herbie Hancock
Released 2001
Recorded 2001
Genre Jazz
Electronica
Jazz fusion
Label Transparent, Columbia (Japan)
Herbie Hancock chronology
Gershwin's World
(1998)
Future2Future
(2001)
Directions in Music: Live at Massey Hall
(2002)
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars[1]
Wilson & Alroy 2/5 stars[2]

Future 2 Future is the forty-third album by Herbie Hancock. Hancock reunited with bass player Bill Laswell (who worked on Future Shock, Sound-System and Perfect Machine) and the two of them tried to recapture the success of the three previous albums.

In yet another innovative stylistic move, Herbie reunited with Bill Laswell in the creation of a 21st Century collaboration with some of the young hip-hop and techno artists who have drawn on his massive influence to create their own music of the future. The album was released in spring, 2001, and is entitled FUTURE2FUTURE.[3]

This group of artists (minus Tony Williams, due to his death four years prior) would go on tour, and produce a live concert that would eventually go on DVD (which features live versions of his songs "Rockit" and "Chameleon").

Personnel[edit]

Guest artists[edit]

Track listing[edit]

  1. Kebero Part I - 3:10
  2. Wisdom - 0:33
  3. The Essence (featuring Chaka Khan) - 4:54
  4. This Is Rob Swift - 6:55
  5. Black Gravity - 5:29
  6. Tony Williams - 6:09
  7. Be Still - 5:12
  8. Ionosphere - 3:59
  9. Kebero Part II - 4:47
  10. Alphabeta - 5:29
  11. Virtual Hornets - 8:51

Album Notes[edit]

Future2Future is the only album Hancock released on Transparent Music, a label he created in the late 90's with Chuck Mitchell (one time president of Verve Records) and David Passick (Hancock's manager). The main collaborative source is in Bill Laswell, who Hancock had worked with many times before, including the incredibly successful Future Shock (most known for the club hit "Rockit"). Future2Future is very different from previous efforts due to its attempt to delve further into electronica. Hancock keeps most of his playing relatively conservative, holding to chords and sweeps while Laswell has short grooves on the bass guitar. The more intricate sounds on each track are in the drum beats (whether played on a kit or electronically generated) and the use of turntables.

Tony Williams, a drummer Hancock had worked with multiple times throughout his career, is sampled on track 6 under softly spoken poetry by Dana Bryant.

An album of remixes was released to make some of the songs more pop accessible. After releasing the album the band took the tracks on tour, and a film of the tour's stop at the Knitting Factory in Hollywood was made.

Critical Reviews[edit]

The album met with mixed to positive reviews.

  • All Music Guide - gave a positive 3/5 review, stating that while the album does not fully live up to expectations, it is still and "an enjoyable exercise in watching one of the greats in jazz music redefine himself with the times once again." [4]
  • Grove Dictionary of Music - 3/5[5]
  • Wilson & Alroy's Record Reviews - 2/5[6] The indie review site says the album is more passive or reminiscent of New Age music
  • JazzTimes.com - no numeric rating[7] States the album is unfocused on the whole, with uninspired performances by performers and guests. The best tracks are the last four instrumentals (Ionosphere, Kebero Part II, Alphabeta, Virtual Hornets).

References[edit]