Promotional US poster
|Directed by||Richard T. Heffron|
|Produced by||Richard T. Heffron
Samuel Z. Arkoff
James T. Aubrey
Paul N. Lazarus III
|Written by||George Schenck
|Music by||Fred Karlin|
|Edited by||James Mitchell|
|The Aubrey Company|
|Distributed by||American International Pictures
|Running time||104 minutes|
Futureworld is a 1976 sequel to the 1973 science fiction film Westworld. It was written by George Schenk and Mayo Simon, and directed by Richard T. Heffron. The cast included Peter Fonda, Blythe Danner, and Arthur Hill. There is also a cameo appearance by Yul Brynner in a dream sequence. Other than Brynner, none of the cast members from the original film appear, and original writer-director Michael Crichton was not involved.
The film attempted to take the plot in a different direction from Westworld, but it was not generally well received by the critics. Futureworld was deemed as lacking in action and the acting was not engaging. It was made by AIP (its predecessor was made by Metro-Goldwyn-Mayer, which later bought AIP's successors Orion Pictures).
Afterward, there was a short-lived television series called Beyond Westworld.
Two years after the Westworld tragedy, the Delos corporation owners have reopened the park following $1.5 billion in safety improvements. For publicity purposes, newspaper reporter Chuck Browning and TV reporter Tracy Ballard are invited to review the park. Just before the junket is announced, Browning arranges to meet with a Delos employee who promises he has dirt on the corporation. During the meeting, the tipster is shot in the back and dies after giving Browning an envelope.
At the resort, guests choose from a range of theme parks: Medievalworld, Romanworld, and Futureworld (Westworld is abandoned). Browning and Ballard choose Futureworld, which simulates an orbiting space station. Robots are available for sex as well as amusements like boxing, where the humans control robot boxers. They are guided through the resort by Dr. Duffy, who shows them the marvels of Delos, demonstrating that all the problems have been fixed.
The reporters are stunned to find that the control center is staffed entirely by robots. That night their dinners are drugged. While they sleep, medical tests are conducted so Delos can make clones of the reporters. A visiting Russian general and a Japanese politician are also tested for cloning. Back in her room a few hours later, Ballard wakes in a fright, thinking the experience was a nightmare.
Ballard and Browning sneak out to explore the resort's underground areas. They end up triggering a cloning machine which generates three samurai. Just as they are about to be captured by the samurai, a mechanic named Harry (Stuart Margolin) saves them. He takes them back to his quarters, where he co-habitates with a mechanic robot he's named Clark (James M. Connor) after Superman's alter-ego . The reporters interview Harry, but they are interrupted and returned to their rooms.
The following day, while Ballard is testing out a Delos dream recording device, Browning slips out to see Harry. Harry takes Browning to a locked door that he has never been able to enter, although robots routinely enter. Realizing the key is in the robot's eyes, Harry destroys a robot and steals its face. They return with Ballard and open the door. Inside, they find clones of themselves as well as the Russian and Japanese leaders. The clones are being programmed through subliminal messages; they are instructed to always work for the good of Delos and to destroy their originals. Browning explains that his tipster's envelope was filled with clippings about leaders from around the world, realizing that Delos must be cloning the rich and powerful.
The trio decides to flee the resort on the next plane. The reporters return to their apartment where Duffy is waiting for them, who explains that by cloning world leaders they can ensure that nothing harms Delos' interests. Cloning the reporters would ensure favorable coverage, letting people forget about the Westworld tragedy. Duffy also believes that humans will eventually destroy the planet. Browning attacks Duffy, but is easily overpowered with unnatural strength. Ballard shoots the doctor twice. He then peels back Duffy's face to reveal that he is a robot. As Harry races to meet up with the reporters, he runs into Browning's clone, who kills him. Ballard and Browning are then chased by their own duplicates, all the while taunting them with details about their lives. Eventually, one of each pair is killed, though which one is left unclear. When they find each other, Browning seizes and kisses Ballard.
In the end, as they leave the resort with the other guests, Dr. Schneider stops them to make sure they are the clones. The reporters confirm that they will be writing positive reviews for Delos, but just as they reach the exit, Ballard's badly injured clone stumbles towards him and Schneider realizes too late that he has been fooled. On the jetway, Browning tells Ballard that his editor is running the expose on Delos and the whole world will know what they are up to, and that kissing her was his idea to figure out whether or not she was a duplicate.
- Peter Fonda as Chuck Browning
- Blythe Danner as Tracy Ballard
- Arthur Hill as Dr. Duffy
- Yul Brynner (cameo) as The Gunslinger
- John Ryan as Dr. Schneider
- Stuart Margolin as Harry
- James M. Connor as Clark the robot
- Allen Ludden as Game show host
- Robert Cornthwaite and Angela Greene as Mr. and Mrs. Reed
- Darrell Larson as Eric
- Nancy Bell as Erica
- Bert Conroy and Dorothy Konrad as Mr. and Mrs. Karnovsky
The film was developed by MGM, the studio who had produced Westworld. However MGM decided to make Logan's Run instead and put Futureworld into turnaround. It was picked up by AIP.
Futureworld was the first major feature film to use 3D computer-generated imagery (CGI). CGI was used for an animated hand and face. The animated hand was a digitized version of Edwin Catmull's left hand, taken from his 1971 experimental short subject A Computer Animated Hand. The film also used 2D digital compositing to materialize characters over a background.
Much of the film was shot in the greater Houston area, including Intercontinental Airport, Jones Hall, and the Johnson Space Center. The film includes a chase scene through the space center's underground tunnel system.
For its initial television broadcast, an alternate version of the scene where Chuck Browning extends his middle finger to Dr. Schneider was shot. Instead, he performs a Bras d'honneur.
Variety called it a "strong sequel." Richard Eder panned the film in The New York Times, quoting Ballard's line from the movie, "This is about as exciting as a visit to the water works." Coining his own variation on the phrase, Eder also claimed the film is "as much fun as running barefoot on Astroturf". He found the film entirely predictable and devoid of much dramatic tension. Writing that Danner and Fonda have "absolutely nothing to do" in the film, he concludes that "starring in Futureworld must be the actor's equivalent of going on welfare."
In 1979 the film became the first modern American movie to achieve general theatrical release in communist China.
As of 2011, Futureworld was released on VHS and LaserDisc in the U.S., and on DVD from MGM on December 2010, as well as released in a number of foreign territories in the DVD format. On December 2, 2011, Futureworld was released in Germany on Blu-ray Disc (German and English audio tracks). The digital release is in the widescreen format.
- Movies: Aubrey--Auguring Well Into the Future Millar, Jeff. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 09 May 1976: s34.
- "Futureworld (1976) - Trivia". The Internet Movie Database. IMDb.com, Inc. Retrieved 2009-01-02.
- "Pixar founder’s Utah-made Hand added to National Film Registry". The Salt Lake Tribune. December 28, 2011. Retrieved January 8, 2012.
- "Futureworld (1976) - Filming locations". The Internet Movie Database. IMDb.com, Inc. Retrieved 2009-01-02.
- Variety Staff. December 31, 1975. "Futureworld", Variety.
- Eder, Richard, August 14, 1976., Robots in Dominant Roles, The New York Times.
- AMERICAN INTERNATIONAL EPIC: CHINESE BOOK U.S. FILM 'FUTUREWORLD' Bry, Barbara. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 05 Jan 1979: d16.
- "Blu-ray Review: Futureworld". High-Def Digest. 17 March 2013. Retrieved 2013-08-05.