Göta kanal eller Vem drog ur proppen?
|Göta kanal eller Vem drog ur proppen?|
|Directed by||Hans Iveberg|
|Produced by||Göran Lindström|
|Written by||Hans Iveberg|
|Music by||Björn Isfält|
|Edited by||Roger Sellberg|
|Running time||99 minutes|
|Box office||SEK 27,609,579 (Sweden)|
A rich Arab wants to place a huge order of 1000 motorboats. The multinational Uniship and the smaller company Anderssons båtvarv compete for the contract. When the buyer can't reach a decision he wants the boats to compete in a race from Stockholm, through Göta kanal, to Göteborg. The winner of the race will win the contract. The competitors are ready to win at all cost.
- Magnus Härenstam - Peter Black, kronofogde
- Rolv Wesenlund - Ole
- Per Oscarsson - Exportföreningens representant
- Georg Rydeberg - Gustav, slussvakt
- Peter Harryson - Polis
- Svante Grundberg - Kanotisten
- Lars Amble - Leif Andersson
- Marie Göranzon - Astrid Ohlson
- Frank Andersson - Man i båt
- Kent Andersson - Göteborgare
- Weiron Holmberg - Göteborgare
- Gösta Engström - Husvagnskille
- Sune Mangs - Serviceman
- Bertil Norström - Slussvakt
- Anders Nyström - Tage, fiskare
- Bosse Parnevik - Carl XVI Gustaf
- Christer Lindarw - Queen Silvia
- Anna-Lotta Larsson - Spådam
- Ulf Brunnberg - Båtpolis
- Michael Segerström - Slussvakt
- Mona Seilitz - Sivan
- Johan Thorén - stuntman
- Jannis Pesketzis - Grek
Filming took place between 13 July - 30 September 1981.
The two boats in the film are Orrskär 1000 (Carina) and Storebro's Storö 31 Baltic (Uniship).
A documentary, Hur dom drog ur proppen, was made about the, by Swedish means, advanced stunts.
It's hard and an unnecessary waste of space to grade this misery. Hardest, perhaps, is to watch prominent actors make cameos as imbecile canal guardians without succeeding transforming the idiocy to humour.
The film was a huge success in Sweden and was seen by over 1.5 million people. A sequel was made, and a second sequel is planned to be released Christmas 2009.
The audience criticized the film for the sound. The film's screen writer and director Hans Iveberg answered in Expressen by blaming the tradition in Swedish film making where sound almost resembles that of radio theatre.
In 1983 an article in Eskilstuna-Kuriren reported about a conference where the use of product placement in the film was an issue. There was discussions on whether the film should be taxed for this. Iveberg denied being sponsored but Urban Jäfvert and Per Håkansson at University of Stockholm had confirmed that products were exposed in the film in exchange for the crew using them.