|Primordial Being of the Earth|
Gaia, by Anselm Feuerbach (1875)
|Consort||Uranus, Zeus, Pontus, and Poseidon|
|Parents||Aether and Hemera or Chaos|
|Siblings||Eros, Tartarus, Uranus and Nyx|
|Children||Cronus, Pontus, the Ourea, Hecatonchires, Cyclopes, Titans, The Gigantes, Nereus, Thaumus, Phorcys, Ceto, Eurybia, and Typhon|
In Greek mythology, Gaia (// or //; from Ancient Greek Γαῖα, a poetical form of Gē Γῆ, "land" or "earth"; also Gaea, or Ge) was the personification of the Earth, one of the Greek primordial deities. Gaia was the great mother of all: the primal Greek Mother Goddess; creator and giver of birth to the Earth and all the Universe; the heavenly gods, the Titans and the Giants were born from her union with Uranus (the sky), while the sea-gods were born from her union with Pontus (the sea). Her equivalent in the Roman pantheon was Terra.
The Greek word "γαῖα" (trans. as gaia or gaea pronounced: Geea) is a collateral form of "γῆ" (gē, Doric "γά" - ga and probably "δᾶ" da) meaning Earth, a word of unknown origin. In Mycenean Greek Ma-ka (trans. as Ma-ga: Mother Gaia) also contains the root ga-.
Hesiod's Theogony tells how, after Chaos, "wide-bosomed" Gaia (Earth) arose to be the everlasting seat of the immortals who possess Olympus above, and the depths of Tartarus below (as some scholars interpret it). Gaia brought forth her equal Uranus (or Ouranos in Ancient Greek) (Heaven, Sky) to "cover her on every side" and to be the abode of the gods. Gaia also bore the hills (ourea), and Pontus (Sea), "without sweet union of love." Afterwards with Uranus, she gave birth to the Titans, as Hesiod tells it:
She lay with Heaven and bore deep-swirling Oceanus, Coeus and Crius and Hyperion and Iapetus, Theia and Rhea, Themis and Mnemosyne and gold-crowned Phoebe and lovely Tethys. After them was born Cronos the wily, youngest and most terrible of her children, and he hated his lusty sire.
According to Hesiod, Gaia conceived further offspring with Uranus (Ouranos), first the giant one-eyed Cyclopes: Brontes ("Thunder"), Steropes ("Lightning") and Arges ("Bright"); then the Hecatonchires: Cottus, Briareos and Gyges, each with a hundred arms and fifty heads. As each of the Cyclopes and Hecatonchires were born, Uranus hid them in a secret place within Gaia, causing her great pain. So Gaia devised a plan. She created a grey flint (or adamantine) sickle. And Cronus used the sickle to castrate his father Uranus as he approached Gaia to have intercourse with her. From Uranus' spilled blood, Gaia produced the Erinyes, the Giants and the Meliae (ash-tree nymphs). From the testicles of Uranus in the sea came forth Aphrodite.
Because Cronus had learned from Gaia and Uranus, that he was destined to be overthrown by his own child, Cronus swallowed each of the children born to him by his Titan sister Rhea. But when Rhea was pregnant with her youngest child Zeus, she sought help from Gaia and Uranus. And when Zeus was born Gaia took the child into her care, and in place of Zeus, Rhea gave Cronus a stone wrapped in swaddling-clothes, which he swallowed.
Gaia is believed by some sources to be the original deity behind the Oracle at Delphi. Depending on the source, Gaia passed her powers on to Poseidon, Apollo or Themis. Apollo is the best-known as the oracle power behind Delphi, long established by the time of Homer, having killed Gaia's child Python there and usurped the chthonic power. Hera punished Apollo for this by sending him to King Admetus as a shepherd for nine years.
In classical art Gaia was represented in one of two ways. In Athenian vase painting she was shown as a matronly woman only half risen from the earth, often in the act of handing the baby Erichthonius (a future king of Athens) to Athena to foster (see example below). In mosaic representations, she appears as a woman reclining upon the earth surrounded by a host of Carpi, infant gods of the fruits of the earth (see example below).
Gaia is the personification of the Earth and these are her offspring as related in various myths. Some are related consistently, some are mentioned only in minor variants of myths, and others are related in variants that are considered to reflect a confusion of the subject or association.
- By herself
- With Uranus
- Some said that children marked with a * were born from Uranus' blood when Cronus defeated him.
- With Pontus
- With Poseidon
- With Oceanus
- With Tartarus
- With Zeus
- With Hephaestus
- With Aether
- Unknown father or through parthenogenesis
Genealogy of the Olympians in Greek mythology
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Some modern sources, such as James Mellaart, Marija Gimbutas and Barbara Walker, claim that Gaia as Mother Earth is a later form of a pre-Indo-European Great Mother, venerated in Neolithic times. Her existence is a speculation, and controversial in the academic community. Some modern mythographers, including Karl Kerenyi, Carl A. P. Ruck and Danny Staples interpret the goddesses Demeter the "mother," Persephone the "daughter" and Hecate the "crone," as aspects of a former Great goddess identified by some[who?] as Rhea or as Gaia herself. In Crete, a goddess was worshiped as Potnia Theron (the "Mistress of the Animals") or simply Potnia ("Mistress"), speculated[by whom?] as Rhea or Gaia; the title was later applied in Greek texts to Demeter, Artemis or Athena. The mother-goddess Cybele from Anatolia (modern Turkey) was partly identified by the Greeks with Gaia, but more so with Rhea and Demeter.
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Many Neopagans worship Gaia. Beliefs regarding Gaia vary, ranging from the belief that Gaia is the Earth to the belief that she is the spiritual embodiment of the earth, or the Goddess of the Earth.
Modern ecological theory
The mythological name was revived in 1979 by James Lovelock, in Gaia: A New Look at Life on Earth; his Gaia hypothesis was supported by Lynn Margulis. The hypothesis proposes that living organisms and inorganic material are part of a dynamic system that shapes the Earth's biosphere, and maintains the Earth as a fit environment for life. In some Gaia theory approaches the Earth itself is viewed as an organism with self-regulatory functions. Further books by Lovelock and others popularized the Gaia Hypothesis, which was widely embraced and passed into common usage as part of the heightened awareness of environmental concerns of the 1990s.
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- δᾶ, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus
- γαῖα, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus
- Gaia, Online etymology dictionary
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- "Paleolexicon". Retrieved 21 April 2012.
- Hesiod, Theogony 116–118.
- Hesiod, Theogony, 119. Translated by Glenn W. Most in Loeb Classical Library
- Hesiod, Theogony 126–128.
- Hesiod, Theogony 129–132.
- Hesiod, Theogony 132–138.
- Hesiod, Theogony 139–146.
- Hesiod, Theogony 147–153.
- Hesiod, Theogony 154–200.
- Hesiod, Theogony 233–239.
- Hesiod, Theogony 453–491.
- Hesiod, Theogony 626.
- Hesiod, Theogony 820–880.
- Apollodorus, Library 2.1.2
- Joseph Fontenrose 1959
- Apollodorus, Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921
- Fontenrose, Joseph, Python: A Study of Delphic Myth and its Origins, Berkeley: University of California Press, 1959; reprint 1980
- Hesiod, Theogony, in The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, Cambridge, MA.,Harvard University Press; London, William Heinemann Ltd. 1914.
- Kerenyi, Karl, The Gods of the Greeks 1951
- Ruck, Carl A.P. and Danny Staples, The World of Classical Myth, 1994.
- Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Gaea"
|Wikimedia Commons has media related to Gaia.|
- Theoi Project, Gaia references to Gaia in classical literature and art.