|Studio album by Steely Dan|
|Released||November 21, 1980|
|Recorded||1978 - 1980; at
Soundworks recording studio,
A&R studios, N.Y.C.;
Sigma Sound studios, N.Y.C.;
Automated Sound studios, N.Y.C.;
(Santa Monica) West L.A.;
Producer's Workshop, Hollywood
|Steely Dan chronology|
Gaucho is the seventh studio album by the American Jazz rock band Steely Dan, released in 1980. The sessions for Gaucho represented the peak of Steely Dan's recording studio perfectionism and obsessive recording technique. To record the album, the band used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given to the band by their record label.
The cover art is based upon a sculpture called "Guardia Vieja - Tango" by Israel Hoffman.
During the two-year span in which the album was recorded, the band was plagued by a number of creative, personal and professional problems. MCA, Warner Bros. and Steely Dan had a three-way legal battle over the rights to release the album. After it was released, jazz musician Keith Jarrett successfully sued the band for writing credit on the title song "Gaucho".
Gaucho marked a significant stylistic change for Steely Dan, introducing a more minimal, groove- and atmosphere-based format. The harmonically complex chord changes that were a distinctive mark of earlier Steely Dan songs are less prominent on Gaucho, with the record's songs tending to revolve around a single rhythm or mood. Gaucho proved to be Steely Dan's final studio album before a 12-year hiatus.
- 1 Background
- 2 Composition
- 3 Recording
- 4 Release
- 5 Reception
- 6 Track listing
- 7 Personnel
- 8 Production
- 9 Charts
- 10 References
- 11 External links
Exceptional difficulties plagued the album's production. By 1978, Donald Fagen and Walter Becker had established themselves as the only two permanent members of Steely Dan, using a revolving cast of session musicians to record the songs they wrote together. However, the pair's working relationship began to strain, largely because of Becker's increasing drug use.
During the course of the Gaucho sessions, Becker was hit by a car while walking home late one Saturday night to his apartment on the Upper West Side. Becker managed to push the woman he was with out of harm's way, but sustained multiple fractures in one leg, a sprain in the other leg, as well as other injuries. During his six-month recovery, he suffered from secondary infections. While Becker was in the hospital, he and Fagen continued their musical collaborations via telephone.
Becker's personal problems continued to mount when his girlfriend, Karen Roberta Stanley, died of a drug overdose at his home on January 30, 1980. Her family attempted to sue him for $17.5 million in January 1981, claiming that he had introduced the woman to cocaine, morphine, barbiturates, and heroin. The court later ruled in Becker's favor.
Hal Leonard's Best of Steely Dan alleges that Gaucho is "a concept album of seven interrelated tales about would-be hipsters." The lyrics of "Hey Nineteen" are about an aging hipster attempting to pick up a girl who is so young that she does not recognize "'Retha Franklin" playing on the stereo. The song closes with the ambiguous line, "The Cuervo Gold, the fine Colombian, make tonight a wonderful thing." The end of "Hey Nineteen" leaves it up to the listener whether the narrator is consuming tequila and drugs with the love interest, or if he is in fact alone.
Stewart Mason of AllMusic says that "Time Out of Mind" is "a barely veiled song about heroin, specifically a young man's first experience with the drug at the hands of a pretentious, pseudo-religious crank talking of 'chasing the dragon' with the 'mystical sphere direct from Lhasa.'"
With 1977's Aja, the duo had become accustomed to recording with Los Angeles-based session musicians; the transition back to using New York players during the Gaucho sessions proved difficult, as the musicians were unenthusiastic about Becker and Fagen's obsessive, perfectionistic recording style. Sessions for Gaucho began in New York City during 1978.
Fagen and Becker hired Mark Knopfler to play the guitar solo on "Time Out of Mind" after hearing him play on Dire Straits' hit single "Sultans of Swing." Several hours of Knopfler's playing were recorded at the session, but his contributions as heard on the record are limited to a matter of seconds.
The album's mixing sessions proved to be just as difficult as the recording sessions: it took Becker, Fagen, Nichols and Katz over 55 tries to properly mix the 50-second fade out of "Babylon Sisters".
Even though the session players hired for Gaucho were amongst the most talented from both the East and West Coast session fraternities, Fagen and Becker were still not satisfied with the basic tracks for some of the songs, particularly with regard to the timing of the drum tracks. In a 2006 interview for SOS Magazine, Donald Fagen stated that he and Becker told recording engineer Roger Nichols:
- "'It's too bad that we can't get a machine to play the beat we want, with full-frequency drum sounds, and to be able to move the snare drum and kick drum around independently.' Nichols replied 'I can do that.' This was back in 1978 or something, so we said 'You can do that???' To which he said 'Yes, all I need is $150,000.' So we gave him the money out of our recording budget, and six weeks later he came in with this machine and that is how it all started."
Nichols named the drum machine "Wendel." Subsequently, Wendel was awarded a platinum record.
- "From noon till six we'd play the tune over and over and over again, nailing each part. We'd go to dinner and come back and start recording. They made everybody play like their life depended on it. But they weren't gonna keep anything anyone else played that night, no matter how tight it was. All they were going for was the drum track."
"The Second Arrangement", outtakes and bootlegs
"The Second Arrangement" had been a favorite of producer Gary Katz and Nichols. In late December 1979, after weeks of working on a particular recording of the track, approximately 3/4 of the song was accidentally erased by an assistant engineer who had been asked by Katz to ready the track for listening. The band attempted to re-record the track, but eventually abandoned the song entirely.
Steely Dan biographer Brian Sweet has written that the group abandoned the song in favor of focusing on "Third World Man." "The Second Arrangement" was never played live by Steely Dan until a rarities show on September 17, 2011; a studio recording of the song remains unreleased. However, a handful of demo and outtake recordings of the song exist in bootleg form.
In addition to "The Second Arrangement", a number of songs were written for the album, but ultimately left off Gaucho. A number of these songs were included on a bootleg titled The Lost Gaucho, which represents recordings from early in the album's sessions. Song titles include "Kind Spirit", "Kulee Baba", "The Bear", "Talkin' About My Home," as well as "The Second Arrangement". An early version of "Third World Man" with alternate lyrics is included under the title "Were You Blind That Day." This recording dates from the Aja sessions.
Just prior to release the band members had another argument with MCA over the retail price. MCA made Steely Dan a test case for its new "superstar pricing" policy, whereby new albums by top selling artists would sell for $9.98, one dollar more than usual.
Following release of the album Keith Jarrett insisted that the song "Gaucho," which was initially credited only to Becker and Fagen, used a part of his composition "Long As You Know You're Living Yours." Jarrett threatened Steely Dan with legal action. Becker and Fagen were then forced to add his name to the song credits and include him in future royalties.
|New York Times||(positive)|
|The Rolling Stone Album Guide|||
|Virgin Encyclopedia of Popular Music|||
The album was given 4½ stars from Rolling Stone's Ariel Swartley, who said of the album: "After years of hibernation in the studio, the metamorphosis that began with The Royal Scam is complete. Steely Dan have perfected the aesthetic of the tease." The New York Times gave Gaucho a positive review, later deeming it the best album of 1980, beating out Talking Heads Remain in Light and Joy Division's Unknown Pleasures. The album also received positive reviews from the Montreal Gazette and PopMatters.
Not all reviews were positive. The second edition of the The Rolling Stone Album Guide, which gave all of Steely Dan's previous releases at least 3 stars (out of 5), gave Gaucho a 1-star rating; critic Dave Marsh called it "the kind of music that passes for jazz in Holiday Inn lounges, with the kind of lyrics that pass for poetry in freshman English classes." Gaucho also received a lukewarm review from the Pittsburgh Press's Pete Bishop. Robert Christgau of the Village Voice gave it a tepid review and rated it B-.
Even with MCA Records' price increase from $8.98 to 9.98, the album reached #9 on the US charts and was certified platinum. "Hey Nineteen" reached #10 on the U.S. singles charts, and went to #1 in Canada. The album reached #27 on the UK chart.
Gaucho won the 1981 Grammy Award for Best Non-Classical Engineered Recording.
All songs written by Becker and Fagen, except where noted
- "Babylon Sisters" – 5:55
- "Hey Nineteen" – 5:10
- "Glamour Profession" – 7:29
- "Gaucho" (Becker/Fagen/Jarrett) – 5:32
- "Time Out of Mind" – 4:14
- "My Rival" – 4:34
- "Third World Man" – 5:13
- Walter Becker - bass, guitar
- Donald Fagen - organ, synthesizer, keyboards, electric piano, vocals
- Anthony Jackson - bass
- Chuck Rainey - bass
- Don Grolnick - keyboards, electric piano, clavinet
- Rob Mounsey - synthesizer, piano
- Pat Rebillot - keyboards, electric piano
- Joe Sample - electric piano
- Hiram Bullock - guitar
- Larry Carlton - guitar
- Rick Derringer - guitar
- Steve Khan - acoustic guitar, electric guitar
- Mark Knopfler - lead guitar on "Time out of Mind"
- Hugh McCracken - guitar
- Wayne Andre - trombone
- Michael Brecker - tenor saxophone, vocals
- Randy Brecker - trumpet, flugelhorn
- Ronnie Cuber - baritone saxophone
- Walter Kane - bass clarinet
- George Marge - bass clarinet
- David Sanborn - alto saxophone, vocals
- David Tofani - tenor saxophone, vocal
- Steve Gadd - percussion, drums
- Rick Marotta - drums
- Robbie Buchanan - piano, synthesizers and vocals
- Jeff Porcaro - percussion, drums
- Bernard "Pretty" Purdie - drums
- Crusher Bennett - percussion
- Victor Feldman - percussion, keyboards
- Ralph MacDonald - percussion
- Nicky Marrero - percussion, timbales, vocals
- Patti Austin - vocals, background vocals
- Frank Floyd - background vocals
- Diva Gray - vocals, background vocals
- Gordon Grody - vocals, background vocals
- Lani Groves - vocals, background vocals
- Michael McDonald - vocals, background vocals
- Leslie Miller - vocals, background vocals
- Jennifer James - vocals, background vocals
- Zachary Sanders - vocals, background vocals
- Valerie Simpson - vocals, background vocals
- Toni Wine - vocals, background vocals
- Producers: Gary Katz
- Executive producers: Paul Bishow, Roger Nichols
- Executive engineer: Roger Nichols
- Assistant engineers: John "Doc" Daugherty, Gerry Gabinelli, Craig Goetsch, Tom Greto, Barbara Isaak, Georgia Offrell, John Potoker, Linda Randazzo, Marti Robertson, Carla Bandini
- Production coordination: Jeff Fura, Margaret Goldfarb, Shannon Steckloff
- Mixing: Elliot Scheiner
- Mix down: Elliot Scheiner
- Coordination: Michael Etchart
- Sequencing: Roger Nichols, Wendel
- Tracking: Elliot Scheiner, Bill Schnee
- Mastering: Bob Ludwig
- Overdubs: Jerry Garszva, Roger Nichols
- Surround mix: Elliot Scheiner
- Rhythm arrangements: Paul Griffin, Don Grolnick, Rob Mounsey, Steely Dan
- Horn arrangements: Rob Mounsey, Tom Scott
- Piano technician: Don Farrar
- Special effects: Roger Nichols, Wendel
- Consultant: Daniel Levitin
- Art direction: Vartan, Suzanne Walsh
- Design: Michael Diehl, Suzanne Walsh
- Design assistant: John Tom Cohoe
- Photography: Rene Burri
- Photo research: Ryan Null
- Liner notes: Walter Becker, Donald Fagen, Frank Kafka
- Liner note translation: Victor Di Suvero
|Year||Single||Label & number||Chart||Position|
|1981||"Hey Nineteen" (B-side: "Bodhisattva" (live))||MCA 51036||Black Singles||68|
|1981||"Hey Nineteen"||MCA 51036||Pop Singles||10|
|1981||"Time Out Of Mind" (B-side: "Bodhisattva" (live))||MCA 51082||Mainstream Rock||13|
|1981||"Time Out Of Mind"||MCA 51082||Pop Singles||22|
- Canada.com: Steely Dan still feeling the groove.
- MSN Inside Music - Re:Masters: Steely Dan Think Fast and Tour.
- PopMatters review: "Steely Dan - Guacho."
- SteelyDanDatabase: "."
- Mojo article: "The Mojo Interview."
- The Tuscaloosa News article: "Steely Dan Keeps Tackling Tough Topics."
- Anchorage Daily News article: "Rockers in need find a friend indeed Link not working."
- Sydney Morning Herald article: "Walter Becker and Donald Fagen are rock n' roll recluses."
- The Madison Courier article: "Personalities."
- The Miami News article: "Steely Dan founder named in drug death allegation."
- The Best of Steely Dan songbook, published by Hal Leonard. pp. 5.
- Allmusic song review: "Hey Nineteen."
- AllMusic song review: "Time Out of Mind".
- AllMusic song review: "Babylon Sisters."
- Steely Dan: Reelin in the Years by Brian Sweet - page 137
- Big O Worldwide article: "The Lost Gaucho."
- Steely Dan Database: "The Second Arrangement" song info.
- Allmusic review
- New York Times review
- PopMatters review
- Robert Christgau review
- Rolling Stone review
- Marsh, Dave, and Swenson, John (1983). The New Rolling Stone Record Guide. New York, NY: Random House/Rolling Stone Press. p. 488. ISBN 0-394-72107-1.
- Sputnikmusic review
- Powell, Mike. Stylus review 2006-06-27.
- Steely Dan: Gaucho
- Rolling Stone page: "Gaucho review."
- New York Times article: "STEELY DAN'S NEW SONGS."
- New York Times article: "The Pop Life; The 10 best of the albums issued in 1980."
- Montreal Gazette article: "Steely Dan's Gaucho takes a smooth ride."
- Pittsburgh Press article: "Spontineity, Energy Missing in Latest Album By Steely Dan."