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Gee Vaucher (standing) pictured with Penny Rimbaud, 2002
Dagenham, East London
Her work with Anarcho-punk band Crass was seminal to the 'protest art' of the 1980s. Vaucher has always seen her work as a tool for social change. In her collection of early works (1960-1997) Crass Art and Other Pre Post-Modernist Monsters, Dagenham, East London. Vaucher can be seen to have expressed her strong anarcho-pacifist and feminist views in her paintings and collage. Vaucher also uses surrealist styles and methods.
In Vaucher's second book, Animal Rites, she gives a commentary on the relationship between animals and humans, centered on the quote " All humans are animal, but some animals are more human than others."
In the foreword to her 1999 retrospective collection Crass Art and Other Pre Post-Modernist Monsters, Ian Dury writes;
- "In its original form, Gee's work is intricate and tactile, and while the imagery is sometimes almost overwhelming, the primary concerns are those of a painter; dealing with form and space. Mere newsprint would hardly do justice to its subtle tones. When the work is printed, the space becomes more simple and the graphic images take on a different life. The concerns are those of delivery, and the message is clear."
She continues to design sleeves for Babel Label and has exhibited at the 96 Gillespie gallery in London. In 2007 and 2008 the Jack Hanley Gallery in San Francisco and Track 16 in Santa Monica ran exhibitions entitled "Gee Vaucher: Introspective", showing a wide selection of Vaucher's work.
Gee Vaucher is not her real name according to the Story of Crass.
See also 
Further reading 
- Crass Art and Other Pre Post-Modernist Monsters - A collection of work by Gee Vaucher (AK Press 1999)
- Animal Rites (Exitstencil Books, 2004)
- interview with Gee Vaucher
- 96 Gillespie contemporary art gallery
- Audio interview with Gee Vaucher
- Crass records page on Gee Vaucher
- Review of Crass Art...
- Gower Boy, a film made by Vaucher in collaboration with pianist Huw Warren[dead link]