Geekfest

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Geekfest is the name of a series of free, all-ages concerts organized by California indie label S.P.A.M. Records during the 1990s. The first Geekfest was held in June 1996 on the shoreline at Point Molate in Richmond, California. This site, a former Navy fuel depot at the foot of the Richmond-San Rafael Bridge, became the default location for dozens of Geekfests, though other locations were eventually used.

Background[edit]

In the mid-1990s, local ordinances and economic considerations led to difficult times for San Francisco Bay Area bands whose members were under 21. Several bars and nightclubs were driven out by the bustling dot-com economy. Others, fearful of losing their liquor licenses, stopped allowing minors to attend or perform on their stages. By 1996, there was only one all-ages music venue in the East Bay - 924 Gilman Street.

With the rise of Green Day, Rancid, and other former underground bands making punk rock a commodity, Gilman had become an insular community, rejecting those who did not fit an increasingly narrow definition of punk. Though Gilman was not by design exclusively punk rock (they were and are explicitly devoted to independent music and arts), a combination of internal politics and aesthetic tastes of the Gilman staff kept other types of music off the stage. S.P.A.M. Records grew out of the efforts of underage musicians and artists from Pinole, California frustrated with this situation. The fringe Gilman band The Hope Bombs encouraged the S.P.A.M. crew, most notably by letting them jump on stage at Hope Bombs shows to play as "The Bob Weirdos" (whose shows consisted of crazed songs like "Help I'm On Fire" which actually involved setting singer John Geek on fire). But this support was the exception and the bands were generally deprived of any meaningful access to the Gilman audience.

S.P.A.M. Co-founder John Geek (now vocalist for punk band Fleshies) alluded to this in an interview:

"Along with Dan and Corbett of Bobby Joe and the Children MacNuggits (and joined soon by Robert Eggplant and Dylan McPuke), I started the S.P.A.M. Records Collective in 1995 because no one else would put out our shit or let us play."[1]

Select work from the S.P.A.M. Records Catalog circa 1996-2002:

Catalog # Band(s) Title Year Released Format
PUG-001 Bobby Joe Ebola and the Children MacNuggits The Two Cats Running EP 1996 CD
PUG-002 Various Artists If You Can't Laugh At Yourself, We'll Do It For You - A S.P.A.M. Records Compilation 1997 CD
PUG-003 Bobby Joe Ebola and the Children MacNuggits At One With The Dumb 1997 CD
PUG-004 Astrolloyd Astrolloyd 1997 7"
PUG-005 Astrolloyd Live on KXLU 1997 Cassette
PUG-006 Enemies / Second Hand Spit Conquered/Concord Split 1998 7"
PUG-007 Your Mother / Bobby Joe Ebola and the Children MacNuggits Advice For Young Lovers Split 1998 7"
PUG-008 The Pilgrims Songs About the Letter W 1998 CD
PUG-009 Various Artists Later, That Same Year... An Absolutely Zippo Compilation 1999 CD
PUG-010 Los Rabbis The Bible Part 2: Jesus Goes West 1999 CD/LP
PUG-011 Dory Tourette and the Skirtheads Rock Immortal 1999 CD
PUG-012 Every Dog Has His Blues A Collection Of Songs From The Bands Of Lucky Dog 1999 Cassette
PUG-013 Harbinger Eartraining For Corporates 1999 Cassette
PUG-014 Flobby Tthomuse New Home Videos From Planet X 1999 CD
PUG-015 Bobby Joe Ebola and the Children MacNuggits ¡Carmelita Sings!: Visions of a Rock Apocalypse 2000 CD
PUG-016 Evolution Spoken Word Compilation 2000 CD
PUG-017 Finky Binks Monkey Business EP 2000 Cassette
PUG-018 Scrilla Stoic Heroic Nuggahs The 8 Nuggah Master Race 2000 Cassette
PUG-019 Clan Of The Bleeding Eye Kill The Humans 2000 Cassette
PUG-021 Steven Schultz I Forgot To Get A Rap Name 2000 CD
PUG-022 Fleshies / The Jocks Playdough Split 2000 7"
PUG-023 Stalin Claus Superstar A Suplex Prune Hittite Fantasy 2000 4-CD Box Set
PUG-024 Uberkunst Making Fun Difficult 2000 CD
PUG-026 Beckett and Friends Weed Crazy b/w Losing in the Drug Game 2000 7"
PUG-027 Fleshies Self-Titled - commonly known as "The Baby" 2000 CD
PUG-028 The Pilgrims Plymouth Rock 2000 CD
PUG-029 The Blast Rocks!!! You're Fired 2000 CD
PUG-030 Fleshies Kill The Dreamer's Dream - Authorized cassette version of Alternative Tentacles release 2001 Cassette
PUG-031 Fleshies / The Phantom Limbs Split 2001 7"
PUG-032 The Blottos I Can't Take My Alcohol 2001 7"
PUG-033 Dory Tourette and the Skirtheads Versions 2001 7"
PUG-034 Panty Raid / The Blast Rocks!!! Split 2001 7"
PUG-035 Finky Binks Charlie Buckett: Cosmonaut 2001 CD
PUG-036 Iron Ass Backwards 2001 CD
PUG-037 Various Artists The S.P.A.M.pler: Your Guide to the Rock Apocalypse 2001 CD
PUG-040 Finky Binks Takin' Back My Samich 2001 CD
PUG-041 P.A.W.N.S. Rabble On The Move 2001 CD
PUG-042 Lo Budge Self-Titled 2002 CD
PUG-043 Tommy Lasorda Tommy Lasorda 2002 7"
PUG-044 Hate Mail Express 12x4 2002 CD
PUG-045 Gravy Train!!!! The "Menz" EP 2002 CD
PUG-047 Hickey Various States of Disrepair Complete Works 1994-'96 2002 CD
PUG-050 Rock N Roll Adventure Kids Live on Berzerkley Radio - Split release with Soul Not Style Records 2002 12"
PUG-051 Sharp Knife Sharp Knife 2002 CD/LP
PUG-053 Clan Of The Bleeding Eye Self-Titled 2002 CD
PUG-054 The Blottos The Blottos 2002 CD
PUG-068 Zero Tolerance Task Force Z.T.T.F. Mania 2003 CD
PUG-069 Nebulus Interactive 2003 CD
PUG-076 The Clarendon Hills All Day All Night All Right 2003 CD

The S.P.A.M. bands, most notably Bobby Joe Ebola and the Children MacNuggits, had been rejected by the punk scene for what, to their minds, were superficial differences in dress and musical style. Label co-founder Corbett Redford (singer for Bobby Joe Ebola and the Children MacNuggits) said "We were all living in Pinole and we couldn't play Gilman because they said we weren't punk. We couldn't take out an ad in MRR because they said we weren't punk. ... We were thrashfunk and silly folk I suppose."[2] They decided, in a DIY spirit, to create their own venue, one where nobody would be rejected for having the wrong fashion sense.

The name "Geekfest" was chosen partly because the S.P.A.M. collective saw themselves as geeks; they realized their idiosyncrasies made them unpopular at parties, but made no effort to change. Their rejection by the punk scene was viewed as just another chapter in a long history of being uncool; but, as John Geek says, "Our pride in maladjustment ran too damn deep."[3]

First Geekfest[edit]

First, S.P.A.M. founder John Geek set up a hotline, (510) BAD-SMUT, to disseminate information. In many ways, Geekfest applied the guerrilla tactics of raves to live music. Photocopied handbills listed a telephone number, but not the location of the event, to try to prevent the shows being shut down by law enforcement.

Most production, planning, stage management, cooking and facilitation was done by a core group of people from Pinole. Events were also stage managed and cooked for by the same crew. Planning for most events was eventually held at 924 Gilman as more people joined in as the show became larger.

Point Molate was selected as a location partly because it was already in use one Sunday a month for free outdoor "Sunset raves". It was far from any residential area, beneath a large bridge, and under confused jurisdiction as a Navy Superfund site. Technically, it was in Richmond, which had one of the nation's highest murder rates at the time. Local law enforcement, it seemed, was otherwise occupied.

Politically, the concept of Geekfest took an anarchist bent. It addressed issues of public land use, the role of the audience in art (since much of the time, the audience consisted of the other bands playing that day), and issues of hierarchy in a supposedly egalitarian punk scene.

Approximately 12 bands played the first show, most of who were made up of minors and bands who shared S.P.A.M.'s sense of humor and disenfranchisement. S.P.A.M. members rented a gas-powered generator, and hired a local sound engineer to work the jury-rigged P.A.. In an illegal and ill-advised attempt to recoup their losses, S.P.A.M. sold cheese-filled hot dogs and cans of beer to the approximately 30 attendees. The concert lasted from about 1 p.m. until sunset (most proceeds were later spent on burritos).

Successive Geekfests[edit]

S.P.A.M. continued putting on Geekfests, usually about one per month during the summer months and occasionally during the winter, when they could find a suitable indoor location. The locations and the bands varied widely (though many bands had repeat performances), but the shows were always free and all-ages.

This concept of inclusion was central to the Geekfest concept, and extended to the booking policy. As word spread about the festivals, bands began calling to ask for shows, and sending promotional packages to the label's P.O. box. S.P.A.M. avoided listening to demo tapes they received, booking bands on a "first-come, first-served" basis. This was done to remove the bias of musical taste that S.P.A.M. blamed for their own exclusion from Gilman. As a result, the bands were often unskilled, untalented, or conversely, so polished and professional that they seemed wildly inappropriate at a no-frills, guerrilla concert. Geekfest organizers observed the conflicts that arose between different musical subcultures with a bemused detachment.

The length of the concerts (sometimes 8 hours or more) and the inconsistent quality of the acts made Geekfest less like a traditional concert and more like a weird carnival. Since the schedule was never listed, it was difficult for people to show up to see one band in particular. People tended to stay for most of the day and began to come as much for the playful atmosphere as for the bands.

Several Geekfest organizers, including Dan Abbott, Shawn Martin, and Dylan McPuke, were affiliated with the Amtgard live action role-playing game (Who coincidentally brought amtgard to Berekely, Ca), and brought homemade foam-padded swords for attendees to battle with during concerts. From then on, random foam sword battles were an integral part of Geekfest. Between bands, organizers held costume contests, raffles, and trivia games, and videogame tournaments: usually with a nod to traditionally geeky themes like Dungeons & Dragons, "Weird Al" Yankovic, or Atari games.

Gradually, Geekfest attracted a community of disparate individuals, and become something of a scene itself. Several bands made inroads into the Gilman scene, and several Geekfests were eventually held within the Gilman club itself.

Geekfest's esoteric aesthetic also became popular among organizers within the Cannabis Action Network (CAN), which allowed S.P.A.M. Records to book second-stage performances at their annual 420 festivals, including at least one at the Maritime Hall in San Francisco on April 20, 2001(video).

Geekfest and Libertatia[edit]

In 1997, the Geeks (as S.P.A.M./Geekfest organizers had come to be known) decided to celebrate the first anniversary of Geekfest by having a three-day campout. After a frenzied search for an appropriate site, the Geeks found Lake Ladoga, part of East Park Reservoir near Maxwell, California. It was hot, dusty, and inhospitable land under jurisdiction of the Bureau of Land Management (BLM), and the lake was a man-made body used for irrigation of nearby farms. The water was noticeably filthy, but the 107 °F heat made it a welcome respite regardless. Organizers arranged the stage so that attendees could watch the bands from the relative comfort of the lake. The attendance was estimated at around 150-200 people. Drug use was rampant, mostly psychedelics, with ubiquitous drinking during the daytime. Organizers, using kitchen equipment borrowed from Food Not Bombs, fed everyone two free meals a day: gruel in the morning, spaghetti at night.

BLM supervisor Bill Bird objected to the concert, but was overruled by the Sheriff and local merchants, who were happy for the increased business. According to the Official Program and Event Schedule, the bands were: The Mac Swanky Trio, Stark Raving Brad, Defile, Subincision, Harbinger, Visitor 42, The Blue Sky Smokers, Blah,Blah,Blah, Adjective Noun, Skitzo, 976, Bobby Joe Ebola and the Children MacNuggits, Lapis Lazuli, NME, Impact, Stinky Puffs, The Keeners, Ubzub, Soda Pop F*ck You, Pork and the Spork, Magic Pinecone Band, Shatousky, Banana Hammock, Hungry Hungry Hippeaux, My Sunny Disposition, The Enemies, Orka Pickles, Soundcurrent, White Trash Debutantes, Supernovice, The Frught Lupes Human Ass Orkestra, The Human Beans, Astrolloyd, Glamazon, Moxie, Erik Core, Sixence, Tone Def, Suckerfish, Wet Nap, The pilgrims, Inslight Weights and Fetish. In the end, nearly 40 bands performed at the Geekfest Anniversary, and the Geeks immediately began planning the next year's festival.

In the intervening year, S.P.A.M. organizers had found a kindred spirit, show promoter and artist Marcus Da Anarchist, who organized "Pyrate Punx Picnics" out of San Francisco's Mission District. S.P.A.M. and the Pyrate Punx collaborated on the next campout, dubbing it "Pirates vs. Geeks". John Geek and Marcus each booked half the bands.

For the third anniversary, the Pirates and Geeks resumed an uneasy alliance, organizing a week-long Libertatia, after the anarchist pirate utopia on Madagascar founded by Captain Mission during the 18th century. It was also referred to as the "Week of Geek". As it had been before, it was free and all-ages, and organizers fed the roughly 400 attendees two meals a day. Although 100 bands were booked, only 82 showed up to perform. Still, each day of entertainment lasted from approximately noon until 10 p.m. or 11 p.m. Several Bay Area journalists also attended, and the event received coverage in local press[4] Subsequent Libertatia festivals were noted enthusiastically by local weeklies[5]

The demise of S.P.A.M. Records in 2003 (closely linked to the breakup of flagship band Bobby Joe Ebola and the Children MacNuggits in 2001) spelled the end of Geekfests, though the Pyrate Punx continue to organize Libertatia annually.

Geekfest bands[edit]

References[edit]

  1. ^ Interview, Paul Ickes, August 17, 2002
  2. ^ Interview, East Bay Express, December 5, 2001
  3. ^ "No", John Geek Maximum Rock 'N' Roll, April, 2006
  4. ^ "Night Crawler", SF Weekly, June 23, 1999
  5. ^ "Rock in a Hard Place", East Bay Express, June 2001

External links[edit]