|Born||Arthur Eugene Milford
January 19, 1902
|Died||December 23, 1991
Santa Monica, California
Arthur Eugene "Gene" Milford (January 19, 1902 – December 23, 1991) was an American film and television editor with about one hundred feature film credits. Among his most noted films are Lost Horizon (directed by Frank Capra - 1937), On the Waterfront (directed by Elia Kazan - 1954), A Face in the Crowd (Kazan - 1957), and Wait Until Dark (directed by Terence Young - 1967).
Milford won the Academy Award for Best Film Editing for Lost Horizon (with Gene Havlick) and for On the Waterfront; he was also nominated for an Academy Award for One Night of Love (directed by Victor Schertzinger - 1934). He had been elected to the American Cinema Editors, and received its inaugural Career Achievement Award in 1988.
- Honan, William H. (January 7, 1992). "Arthur Milford, 89, Film Editor, Is Dead; Winner of 2 Oscars". The New York Times.
- Gene Milford at the Internet Movie Database
- McBride, Joseph (2011). Frank Capra: The Catastrophe of Success. Univ. Press of Mississippi. p. 362. ISBN 9781604738384. Discussion of the editing of Lost Horizon. The preview of the film's first cut to an audience in Santa Barbara had been a disaster, and subsequent cuts were very different.
- Braudy, Leo (2005). On the Waterfront. British Film Institute Classics 78. Macmillan. p. 34. ISBN 9781844570720.
Of course, all traditional narrative films try to make the cuts invisible and create the illusion of a continuous space. But here particularly that illusion is connected to the ethos of a community, the illusory comfort of D 'n D and the embrace of the group.An appreciation of the editing of this film, which is possibly the most influential film that Milford edited.
- Piper, Jim (2001). Get the Picture?: The Movie Lover's Guide to Watching Movies. Skyhorse Publishing. p. 63. ISBN 9781581150810. Piper uses a scene from On the Waterfront to illustrate editing technique. During a speech to stevedores by the local catholic priest, Milford intercut the reactions of listeners with shots of the priest himself.
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