This album is more active and structured than any of his previous works. The music was inspired in part by the complex patterns of Islamic designs like those found at the Alhambra, and features complex just intonation. The first three tracks consist of complex layered sequences of electronic notes in rich, organic-sounding chime tones. Rich revisited this style in Gaudí (1991) and Electric Ladder (2006). Tracks 4 through 7 are slow textures more common to Robert Rich’s work. The album ends with another active piece similar to the first three tracks.