George Alexis Weymouth

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George Alexis Weymouth
Born (1936-06-02) June 2, 1936 (age 78)
Wilmington, Delaware, United States
Other names Frolic Weymouth
Education B.A. American Studies (1958)
Alma mater Yale University
Occupation Artist and Conservationist
Spouse(s) Anna Brelsford McCoy
(Divorced 1979)
Children Mac
Parent(s) George Tyler Weymouth and
Dulcinea Ophelia Payne du Pont

George Alexis Weymouth (born June 2, 1936) known better as Frolic Weymouth, is an American artist, whip or stager, and conservationist. He served on the United States Commission of Fine Arts in the 1970s and is a member of the prominent Du Pont family.

Family and personal life[edit]

His mother, Dulcinea "Deo" Ophelia Payne du Pont (November 28, 1909 – February 8, 1981), was the eldest of Eugene du Pont, Jr.’s four daughters. Frolic is six generations removed from Éleuthère Irénée du Pont, the founder of the DuPont corporation. In 1930, Dulcinea married investment banker George T. Weymouth (December 14, 1904-June 7, 1990).[1]

Weymouth was christened George Alexis Weymouth. Shortly after George's birth, his 3-year-old brother, Gene, lost his foxhound. After repeatedly asking his mother, "Where’s Frolic?" his exasperated mother replied, "Shut up! Here’s your damn Frolic!" and thrust George before Gene. The name stuck. Thus Weymouth is named after a dog and the common misconception that the name resulted from his conception is incorrect.[2]

Weymouth graduated from St. Mark's School in Southborough, Massachusetts in 1954.[3] He received his undergraduate degree in American studies from Yale University in 1958.[4] Weymouth suffers from dyslexia, but being from a prominent family enabled him to attend Yale. "I couldn't read and write or spell. I still can't. I don't know anything but painting pictures and being on a horse," he said in 2007.[2]

Weymouth maintains "it’s no big deal" being a du Pont. In 2000, 3,700 members of the Du dont family attended a reunion at Longwood Gardens. Several years later he wondered "How many there are now? Du Ponts have always been busy in bed."[4]

Weymouth was married to Anna Brelsford McCoy for 18 years until their divorce in 1979. He has one son, Mac, whom he adopted.[4]

He resides in an 18th-century on a 250 acres (1,000,000 m2)-estate called "Big Bend" in Chadds Ford, Pennsylvania, that he purchased in 1961. According to Weymouth, William Penn originally purchased the land from the Native American Lenape tribe in 1683.[5] Big Bend was the Lenape's original term for the land, which lies along the Brandywine Creek.[6]


Weymouth’s early work, done in egg tempera, was often highly personal. His portrait of his grandfather, Eugene du Pont, Jr., features the detail of a herringbone suit coat and the worn fabric of a favorite recliner. His The Way Back (1963) is a self-portrait of only his hands guiding a single horse carriage up the lane to Big Bend.

Weymouth has painted portraits of Luciano Pavarotti (1982) and of Prince Philip, Duke of Edinburgh (1995), Queen Elizabeth’s husband, a work which hangs in Windsor Castle. Weymouth was selected by NASA to paint at Cape Kennedy during the moon shots.

Through his circle of fellow artists, Weymouth became a close friend and relation of artist Andrew Wyeth. He was married to artist Anna Brelsford McCoy, Andrew Wyeth’s niece. They divorced in 1979. Jamie Wyeth, Andrew Wyeth’s son, married Weymouth’s cousin Phyllis.[4]

Weymouth was the confidant who discreetly hid Andrew Wyeth’s nudes of Prussian-born neighbor and caretaker Helga Testorf for 17 years before they became public. In the 2004 documentary, The Way Back: A Portrait of George A. Weymouth, Andrew Wyeth said he didn't "know of anyone who means as much to me."

He helped found the Brandywine River Museum, which presents Wyeth and American art. Weymouth served on the Visual Arts Panel of the Pennsylvania Council of the Arts and has received many awards, including the Cliveden Heritage Preservation Award and the University of Delaware Merit Award for Community Service. Weymouth was a member of the U.S. Commission of Fine Arts from 1972 to 1977.[7]

In a conversation about Andy Warhol, Jamie Wyeth expressed the opinion that Frolic Weymouth was the "real character."[8]

Weymouth has surrounded himself with art and gardens. A centerpiece in Weymouth’s Big Bend is "The Vidette," an enormous painting of a horseman in the snow dating from 1912. This N.C. Wyeth masterpiece is occasionally on loan for exhibitions. Anna Hyatt Huntington’s "Greyhounds Playing" graces the garden. Elsewhere, a carved wooden Indonesian fertility bench features two interlocked monkeys, highlighting Weymouth’s admitted fascination with fornication.


Frolic Weymouth driving his coach at the head of Winterthur’s Point-to-Point carriage parade.

In the mid-1960s, Weymouth convinced friends F.I. du Pont and William Prickett to help him buy two parcels in Chadds Ford, along the banks of the Brandywine that were proposed for industrial development. This purchase led to the founding of the Tri-County Conservancy, now known as the Brandywine Conservancy & Museum of Art, a unique environmental, arts and cultural preservation organization. Frolic has been the Chairman of the Board since then.[4] The organization has permanently protected from development more than 59,000 acres in southeastern Pennsylvania and northern Delaware.

In 1969, Weymouth donated his property to the Brandywine Conservancy as its first conservation easement. His home, The Big Bend, surrounded by Brandywine Creek on three sides, is just inside Pennsylvania at the northern Delaware border. The period-furnished 1750s stone house is surrounded by gardens. His donation was followed by those of the Harry G. Haskell, Jr., Ford B. Draper and Jamie Wyeth. The four easements protected almost 340 acres (1.4 km2) and 512 miles along the Brandywine Creek.

In 1984, the King Ranch in Pennsylvania went to market. Rumored buyers included a nuclear power plant, Disney and a real estate developer. Weymouth organized a conservation team to purchase the 5,380 contiguous acres (21,800,000 m2) for $11.5 million. The land is now conserved and includes the 775-acre (3.14 km2) Laurels Preserve.

In 1967, a mill along the Brandywine went up for sale. Through a communication error during the auction Weymouth and the Conservancy acquired it. The Brandywine River Museum opened in the building in 1971 after the mill was renovated, including the addition of soaring glass-walled lobbies on three floors.

Whip or stager[edit]

Weymouth is a whip, the owner and driver of a coach. He has a collection of antique coaches and carriages and uses them regularly. He has deeded rights-of-way on neighboring properties to be able to drive his four-in-hand around northern Delaware. His passengers through the years have included Richard Nixon and Michael Jackson.[2]

He initiated and leads the coaching event at Winterthur Museum’s Point-to-Point in Delaware. He has permanently retired a trophy at the Devon Horse Show in Pennsylvania.[9] In the summer of 1985, he spent three months in England and managed to drive a carriage 1,000 miles (1,600 km). He whipped another 1,000 miles (1,600 km) in France.[10]

He once drove from Manhattan's Upper East Side to Saratoga Springs, New York and then on to Shelburne, Vermont. Carriages are not uncommon around Central Park but taking the carriage through Harlem caused a sensation.[11]

Awards and recognition[edit]



  1. ^ "Area Obituaries: Deo DuPont Weymouth". Sarasota Herald-Tribune. February 9, 1981. Retrieved January 16, 2015. 
  2. ^ a b c Art Carey (May 22, 2007). "Frolic in winter". Philadelphia Inquirer. Retrieved January 16, 2015. 
  3. ^ "George A. Weymouth". St. Mark's School. June 18, 2013. Retrieved January 16, 2015. 
  4. ^ a b c d e J. F. Pirro (April 22, 2009). "Old Man River". Mainline Today. Retrieved January 16, 2015. 
  5. ^ Joseph S. Kennedy (December 3, 1992). "The 18th Century Lives At This Home Big Bend Is Home To A Man And A Theme". Philadelphia Inquirer. Retrieved January 16, 2015. 
  6. ^ Leslie Bennetts (September 13, 1984). "18th Century Echoes in a Stone House". The New York Times. Retrieved January 16, 2015. 
  7. ^ Thomas E. Luebke, ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington, D.C.: 2013): Appendix B, p. 557.
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