George Coleman
| George Coleman | |
|---|---|
| Birth name | George Edward Coleman |
| Born | March 8, 1935 |
| Origin | Memphis, Tennessee, USA |
| Genres | Jazz, Hard bop, Post-bop |
| Occupations | Saxophonist Composer Bandleader Teacher |
| Instruments | Saxophone |
| Years active | 1950s–present |
| Labels | Evidence, Telarc |
| Associated acts | Jimmy Smith Miles Davis Herbie Hancock B.B. King Max Roach Slide Hampton Lionel Hampton Ahmad Jamal Joey DeFrancesco |
| Website | www.GeorgeColeman.com |
George Edward Coleman (born March 8, 1935 in Memphis, Tennessee) is an American hard bop saxophonist, bandleader, and composer, known chiefly for his work with Miles Davis and Herbie Hancock in the 1960s.
Contents |
[edit] Biography
Coleman taught himself to play the alto saxophone in his teens, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford and Charles Lloyd.[1] After working with Ray Charles, Coleman started working with B.B. King in 1953,[2] at which point he switched to tenor saxophone.[3] In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach Quintet 1958-1959. Coleman recorded with organist Jimmy Smith's Houseparty (1957), with Lee Morgan, Curtis Fuller, Eddie McFadden, Kenny Burrell, and Donald Bailey. Moving to New York with Max Roach in that year, he went on to play with Slide Hampton (1959–1962), Ron Carter, Jimmy Cobb, and Wild Bill Davis (1962), before joining Miles Davis Quintet in 1963-1964.[4]
His most famous albums with Davis (and the rhythm section of Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)) are Seven Steps to Heaven (1963), A Rare Home Town Appearance (1963), Côte Blues (1963), In Europe (1963), My Funny Valentine (1964) and Four & More, both live recordings of a concert in Lincoln Center for the Performing Arts in New York in February 1964. Shortly after this concert, Coleman was replaced by Wayne Shorter. He played with Lionel Hampton (1965–1966), also in 1965 and performed on Chet Baker's The Prestige Sessions, with Kirk Lightsey, Herman Wright and Roy Brooks.[5] Charles Mingus (1977–1978), Shirley Scott (1972), Clark Terry, Horace Silver, Elvin Jones (1968), Ahmad Jamal (1994, 2000) and many others.
Coleman also appeared in the film "Freejack", the 1992 science-fiction film with Emilio Estevez, Mick Jagger and Anthony Hopkins; and 1996’s "Preacher’s Wife" with Denzel Washington and Whitney Houston.[6]
Coleman is still recording. His CD as co-leader, Four Generations of Miles: A Live Tribute to Miles, with bassist Ron Carter, drummer Jimmy Cobb and guitarist Mike Stern was released on Chesky Records in October 2002 and concentrates almost exclusively on the 1950s repertoire of Miles Davis. Tracks include: "There Is No Greater Love," "All Blues," "On Green Dolphin Street," "Blue in Green," "81," "Freddie Freeloader," "My Funny Valentine," "If I Were a Bell," and "Oleo." He recently was heard on Joey DeFrancesco's 2006 release Organic Vibes, along with vibraphonist Bobby Hutcherson, Billboard's Top Jazz Album, peaked to #17.[7]
[edit] Discography
[edit] As leader
| Year | Title | Personnel | Label |
|---|---|---|---|
| 1976 | Revival | ||
| 1988 | Playing Changes | JHR | |
| 1989 | Manhattan Panorama | Evidence | |
| 1991 | My Horns of Plenty | Verve | |
| 1992 | At Yoshi's (Live) | Evidence | |
| 1998 | I Could Write a Book: The Music of Richard Rodgers | Telarc | |
| 2000 | Danger High Voltage | Two & Four Recordings | |
| 2002 | Four Generations of Miles: A Live Tribute to Miles | Chesky |
[edit] As sideman
With Miles Davis
- Quiet Nights (Columbia)
- In Europe (Columbia)
- Seven Steps to Heaven (Columbia)
- My Funny Valentine (Columbia)
- Four & More (Columbia)
With Slide Hampton
- Sister Salvation (Atlantic)
- Somethin' Sanctified (Atlantic)
- Jazz With A Twist (Atlantic)
With Herbie Hancock
- Maiden Voyage (Blue Note)
With Ahmad Jamal
- Ahmad Jamal à l'Olympia (Dreyfus, 2001; recorded live 2000)
With Elvin Jones
- Poly-Currents (Blue Note, 1969)
- Coalition (Blue Note, 1970)
With Booker Little
- Booker Little and Friend (Bethlehem, 1961)
With Lee Morgan
- City Lights (Blue Note)
With John Patton
- Memphis to New York Spirit (Blue Note, 1969)
With Duke Pearson
- Honeybuns (Atlantic)
- Prairie Dog (Atlantic)
With Max Roach
- Deeds Not Words (Riverside)
- Max Roach Plus Four Plays Charlie Parker (Emarcy)
- On The Chicago Scene (Emarcy)
- Max Roach Quintet At Newport (Emarcy)
With Jimmy Smith
- House Party (Blue Note, 1957–58)
- The Sermon! (Blue Note, 1958)
With Mal Waldron
- Sweet Love, Bitter (Impulse!, 1967)
With Reuben Wilson
- Love Bug (Blue Note, 1969)
[edit] References
- ^ Vladimir, Bogdanov. All Music Guide to the Blues: The Definitive Guide to the Blues, Backbeat Books, page 133, (2003) - ISBN 0879307366
- ^ All About Jazz: George Coleman: This Gentleman can PLAY
- ^ Larkin, Colin. The Guinness Encyclopedia of Popular Music, Guinness, page 887, (1995) - ISBN 1561591769
- ^ Billboard: George Coleman bio
- ^ Yanow, Scott. Trumpet Kings: The Players Who Shaped the Sound of Jazz Trumpet, Backbeat Books, page 34, (2001) - ISBN 0879306408
- ^ IMDb: George Coleman
- ^ Billboard: Organic Vibes
