George Lewis (trombonist)

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Photo by Andy Newcombe

George E. Lewis (born 1952 in Chicago) is a trombone player, composer, and scholar in the fields of jazz and experimental music.[1] He has been a member of the Association for the Advancement of Creative Musicians (AACM) since 1971.

Contents

[edit] Biography

Lewis graduated from Yale University with a degree in philosophy. He has served as a professor at Columbia University in New York City since 2004, having previously taught at the University of California, San Diego.[1] Lewis is married to koto player Miya Masaoka. They have a son together. In 2002 Lewis received a MacArthur Fellowship.

In addition to his own recordings, he has recorded or performed with musicians including Anthony Braxton, Roscoe Mitchell, Douglas Ewart, Laurie Anderson, Muhal Richard Abrams, Count Basie, Gil Evans, Nicole Mitchell, Karl E. H. Seigfried, Fred Anderson, Conny Bauer, and Bertram Turetzky. He was also a sometime member of the ICP Orchestra (Instant Composer's Pool).[2]

Lewis has long been active in creating and performing with interactive computer systems, most notably his software called Voyager, which "listens to" and reacts to live performers.

In 2008 Lewis published a book-length history of the AACM titled A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press).

[edit] Appearances

In 1992 Lewis collaborated with Canadian artist Stan Douglas on the video installation Hors-champs which was featured at documenta 9 in Kassel, Germany. The installation features Lewis in an improvisation of Albert Ayler's "Spirits Rejoice" with musicians Douglas Ewart, Kent Carter and Oliver Johnson.[3]

Lewis is featured extensively in Unyazi of the Bushveld (2005), a documentary about the first symposium of electronic music held in Africa, directed by Aryan Kaganof.

Lewis gave an invited keynote lecture and performance at NIME-06, the sixth international conference on New Interfaces for Musical Expression, which was held at IRCAM, Paris, in June 2006.

In 2008 his work "Morning Blues for Yvan" was featured on the compilation album Crosstalk: American Speech Music (Bridge Records) produced by Mendi + Keith Obadike.

[edit] Discography

[edit] As leader

  • Solo Trombone Record (Sackville, 1976)
  • Shadowgraph (Black Saint, 1977)
  • Chicago Slow Dance (Lovely, 1977)
  • Homage to Charles Parker (Black Saint, 1979)
  • Voyager (Avant, 1993)
  • Changing with the Times (New World, 1996)
  • Endless Shout (Tzadik, 2000)
  • The Shadowgraph Series: Compositions for Creative Orchestra (Spool, 2003)
  • Sequel (for Lester Bowie) (Intakt, 2006)

[edit] As co-leader

[edit] As sideman

  • Roscoe Mitchell Quartet, Roscoe Mitchell Quartet (Sackville, 1975)
  • Anthony Braxton, Creative Orchestra Music 1976 (Arista)
  • Anthony Braxton, The Montreux-Berlin Concerts (Arista)
  • Roscoe Mitchell, Nonaah (Nessa, 1977)
  • Roscoe Mitchell, L-R-G/The Maze/S II Examples (Nessa, 1979)
  • Roscoe Mitchell Creative Orchestra, Sketches from Bamboo (Moers, 1979)
  • Leo Smith Creative Orchestra, Budding of a Rose (Moers, 1979)
  • Muhal Richard Abrams, Spihumonesty (Black Saint, 1979)
  • Muhal Richard Abrams, Mama and Daddy (Black Saint, 1980)
  • David Murray Octet, Ming (Black Saint, 1980)
  • John Zorn, Archery (Parachute, 1981)
  • Anthony Davis/James Newton Quartet, Hidden Voices (India Navigation)
  • Anthony Davis, Episteme (Gramavision)
  • Anthony Davis, Variations in Dream Time (Gramavision)
  • Anthony Davis, Hemispheres (Gramavision)
  • David Murray Octet, Home (Black Saint, 1982)
  • Anthony Braxton, Four Compositions (Quartet) 1983 (Black Saint, 1983)
  • Steve Lacy Seven, Prospectus (hat Hut, 1984)
  • Misha Mengelberg et al., Change of Season (Soul Note, 1985)
  • Steve Lacy Nine, Futurities (hat Hut, 1985)
  • ICP Orchestra, ICP Plays Monk (1986)
  • ICP Orchestra, Bospaadje Konijnehol I (1986)
  • Richard Teitelbaum, Concerto Grosso (hat Hut, 1988)
  • Anthony Braxton, Ensemble (Victoriaville) 1988 (Victo, 1989)
  • Leroy Jenkins, Space Minds, New Worlds, Survival of America (Tomato, 1989)
  • Anthony Braxton, Dortmund (Quartet) 1976 (hat Hut, 1991; recorded 1976)
  • Misha Mengelberg et al., Dutch Masters (1991)
  • Gil Evans Big Band, Lunar Eclypse (New Tone, 1993; recorded 1981)
  • Anthony Braxton, Creative Orchestra (Köln) 1978 (hat Hut, 1995; recorded 1978)
  • Bert Turetzky & Mike Wolford, Transition and Transformation (9 Winds)
  • Globe Unity Orchestra, 20th Anniversary (FMP, 1993; recorded 1986)
  • India Cooke, "India Cooke RedHanded" (Music & Arts, 1996)
  • Roscoe Mitchell, Nine to Get Ready (1997)
  • Steve Lacy Seven, Clichés (hat Hut, 1997; recorded 1992)
  • Evod Magek, Through Love to Freedom (Black Pot, 1998)
  • Miya Masaoka Orchestra, What Is the Difference Between Stripping and Playing the Violin? (Victo, 1998)
  • Anthony Braxton, News from the '70s (New Tone, 1999; recorded 1971-1976)
  • Anthony Braxton, Quintet (Basel) 1977 (hat Hut, 2000; recorded 1977)
  • ICI Ensemble, ICI Ensemble & George Lewis (PAO, 2007)
  • Globe Unity Orchestra, Globe Unity — 40 Years (Intakt, 2007)

[edit] References

  1. ^ a b Layne, Joslyn. "George Lewis". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:kifuxqt5ldte. Retrieved on 2007-09-28. 
  2. ^ Layne, Joslyn. "ICP Orchestra". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:j9fqxq95ldfe. Retrieved on 2007-10-03. 
  3. ^ Gale, Peggy (1996). "Stan Douglas: Evening and others." VIDEO Re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video. Eds. Peggy Gale and Lisa Steele. Toronto: Art Metropole. p. 363. ISBN 0920956378

[edit] Bibliography

  • A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008) "Four Decades of Music That Redefined Free", New York Times May 2, 2008 [1]
  • Zorn, John, ed. (2000). Arcana: Musicians on Music. New York: Granary Books/Hips Road. ISBN 188712327X.

[edit] External links

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