Georgia (typeface)

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Georgia
GeorgiaSpecimenAIB.svg
Category Serif
Classification Transitional
PANOSE: 2263545234
Designer(s) Matthew Carter
Foundry Microsoft Corporation
Date created 1993
Date released 1996
Size and spacing comparisons of the Georgia and Times New Roman typefaces.

Georgia is a transitional serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. It was intended as a serif font that would appear elegant but legible printed small or on low-resolution screens. The font is inspired by Scotch Roman designs of the 19th centuries and was based on designs for a print typeface in the same style Carter was working on when contacted by Microsoft; this would be released under the name Miller some years later.[1] The typeface's name referred to a tabloid headline claiming "Alien heads found in Georgia."[2]

Design[edit]

As a transitional serif design, Georgia shows a number of traditional features of classic serif typefaces, such as alternating thick and thin strokes, ball terminals and an italic taking inspiration from calligraphy. Its figure (numeral) designs are text figures, designed to blend into continuous text; this was at the time a rare feature in computer fonts.[3]

Closer inspection, however, shows how Georgia was designed for clarity on a computer monitor even at small sizes: it features a large x-height (tall lower-case letters) and its thin strokes are thicker than would be common on a typeface designed for display use or the higher resolution of print.[4][5] Its reduced contrast and thickened serifs make it somewhat resemble Clarendon designs from the nineteenth century. It is in its essence a Rational/Modern typeface with bracketing, inspired by Scotch Roman-style typefaces, as is Computer Modern.[6] Speaking in 2013 about the development of Georgia and Miller, Carter said, "I was familiar with Scotch romans, puzzled by the fact that they were once so popular...and then they disappeared completely."[7]

The Georgia typeface is similar to Times New Roman, another revival of transitional serif designs, but with many subtle differences: Georgia is larger than Times at the same point size, and has a greater x-height at the same actual size; Times New Roman is slightly narrower, with a more vertical axis; and Georgia's serifs are slightly wider and have blunter, flatter ends.

Georgia's bold is also unusually bold, almost black. Carter in 2013 commented, "Verdana and Georgia...were all about binary bitmaps: every pixel was on or off, black or white...The bold versions of Verdana and Georgia are bolder than most bolds, because on the screen, at the time we were doing this in the mid-1990s, if the stem wanted to be thicker than one pixel, it could only go to two pixels. That is a bigger jump in weight than is conventional in print series."

Releases[edit]

Microsoft publicly released the initial version of the font on November 1, 1996 as part of the core fonts for the Web collection, and later bundled it with the Internet Explorer 4.0 supplemental font pack: these releases made it available for installation on both Windows and Macintosh computers. This made it a popular choice for web designers, as pages specifying Georgia as a font choice would display identically on both types if users installed the core fonts package (or later Internet Explorer), simplifying development and testing. Its creators also produced at the same time Verdana, the first Microsoft sans serif screen font, for the same purposes.

New versions of Georgia, along with its sister font Verdana, were released in 2011.[8] The extension of the original font, named Georgia Pro, features a set of additional typefaces and designs, including:

  • Additional weights, including condensed versions
  • Specialised small caps designs
  • Extensions to the character sets
  • Extensions to the kerning
  • OpenType typographic features such as ligatures

The expanded font was designed for organisations which had made extensive use of Georgia and Verdana due to its availability but desired additional versions for specific uses.

Microsoft has commissioned a number of variants. Georgia Ref, a variant of Georgia consisting of a single weight, but with extra characters, was bundled with Microsoft Bookshelf 2000, Encarta Encyclopedia Deluxe 99, Encarta Virtual Globe 99. MS Reference Serif, a derivative of Georgia Ref with a bold weight and italic, was also included in Microsoft Encarta.

The original version of Georgia released with Windows 3.11 contained figures between lining and text, similar to those released with Miller. Carter was asked by Robert Norton, Microsoft's type director, to change these to text, a decision Carter later considered an improvement.

In 2007, Carter completed a new variant of Georgia for the graphical user interface of the Bloomberg Terminal.

Awards[edit]

The Cyrillic font won an award at Kyrillitsa in 1999.[9]

May 26, 2011 Matthew Carter received a Lifetime Achievement Award from the Smithsonian's Cooper-Hewitt National Design Museum in part for design of Georgia font.

See also[edit]

References[edit]

  1. ^ Connare, Vincent. "Well when we approached Matthew Carter to design a serif...". Typophile. 
  2. ^ Typeface Descriptions & Histories
  3. ^ Daniels, Simon. "Forum thread". Typophile. Retrieved 12 December 2014. 
  4. ^ "Georgia & Verdana: Typefaces designed for the screen (finally)", by Daniel Will-Harris, accessed 24 November 2005
  5. ^ Friedl, Friedrich, Nicolaus Ott and Bernard Stein. Typography: An Encyclopedic Survey of Type Design and Techniques Throughout History. Black Dog & Leventhal: 1998. ISBN 1-57912-023-7.
  6. ^ "Stephen Coles's answer to What are the fonts used for this researcher resume? - Quora". 
  7. ^ Middendorp, Jan. "Matthew Carter interview". MyFonts. Monotype. Retrieved 28 September 2014. 
  8. ^ "Introducing Georgia Pro and Verdana Pro". Font Bureau. Retrieved 4 October 2013. 
  9. ^ U&lc Online Issue: 25.4.1: The Winners

External links[edit]