Geraldine Jewsbury

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Geraldine Endsor Jewsbury

Geraldine Endsor Jewsbury (22 August 1812 – 23 September 1880) was an English novelist, book-reviewer and publisher’s reader, as well as a high-profile figure in London literary life.

She is best known for her popular novels such as Zoe: the History of Two Lives and her reviews for the Athenaeum, a leading literary magazine of the day. Although Jewsbury never married, she had many friends and social acquaintances. Her closest relationship appears to have been with Jane Carlyle, a fellow letter-writer married to essayist Thomas Carlyle. Jewsbury felt a romantic connection towards her, and the complexity of their relationship is reflected in Jewsbury's writing.[1] She also took it upon herself to encourage other women to reach their full potential.[2][3]

Family and education[edit]

Jewsbury was born at Measham, Derbyshire (now in Leicestershire). She was the daughter of Thomas Jewsbury (d. 1840), a cotton manufacturer and merchant, and his wife Maria, née Smith, (d. 1819). Her paternal grandfather, Thomas Jewsbury Sr. (d. 1799), was a surveyor of roads, an engineer of canals, and a philosophy student. In his will, he left the family four cottages, a warehouse, some land in Measham, and a large cash bequest.[4]

Thomas Jr. and Maria had six children: Maria Jane (1800), Thomas (1802), Henry (1803), Geraldine (1812), Arthur (1815) and Frank (1819). Maria Jane had literary interests and wrote for the Manchester Gazette. After their mother’s early death, Maria Jane helped to bring up the family till she married[5] (but died young of cholera). Geraldine then took care of her father till he died, and also of Frank, until he married.

Her father’s cotton business suffered from the War of 1812, and he became an insurance agent, based in Manchester. Geraldine was educated at a boarding school kept by the Misses Darbys at Alder Mills near Tamworth, and continued her studies in French, Italian, and drawing in London in 1830–31, before returning to her duties at the family home. Soon, however, she was suffering depression, questioning her fate and expressing religious doubt. This clearly inspired her first novel, Zoe: the History of Two Lives.

Friendship with Jane Carlyle[edit]

About 1840, Jewsbury had written to the eminent Scottish author Thomas Carlyle, for advice about a literary career. Invited to his home in Chelsea, London, she immediately forged a warm friendship with his wife Jane, which would become the deepest and most significant relationship of her life.

In the early stages, it was highly passionate, as the surviving letters reveal, though it is generally thought to have remained platonic. It weathered many disagreements, especially over the role of women, since Jane was a famously dutiful wife, who never considered a career of her own. Also Jane displayed much jealousy of Jewsbury’s other relationships with men and women, some of them carnal. But it lasted over twenty-five years, and Jewsbury nursed Jane through periods of illness. Their relationship was recognised by literary scholars, including Virginia Woolf in her article on Jewsbury’s letters to Jane.[6][7][8] The friendship also led to Jewsbury’s appearance in print, when Jane helped edit Jewsbury's first two books.

Novels[edit]

Jewsbury was primarily a novelist of ideas and moral dilemmas, sharply questioning the idealised role of wife and mother, and promoting the spiritual value of work in a woman’s life. She often made her female characters wiser and more capable than male characters.[9]

Her first novel, Zoe: the History of Two Lives (1845), is about a girl who falls in love with a Catholic priest, causing him to lapse from his faith. The story carries a strong theme of doubt, not only about religious belief, but also about belief in marriage as a woman’s prime destiny. It was initially rejected by the publisher, but later accepted after the intervention of Thomas Carlyle. It was an immediate success, praised by the Manchester Examiner as "striking" and "clever",[10][11][12] though other reviews were mixed. As a novel of scepticism, it can be classed alongside the work of Charlotte Yonge, Mrs Humphrey Ward and others, while the linking of sexual feelings with spiritual anguish brought comparisons with George Sand.

Her next novel, The Half Sisters (1848), also questions the role of wife and mother, which she saw as unsatisfying and limiting. The life of the conventional woman, Alice, is compared unfavourably with that of her half-sister Bianca, who works as an actress in order to support her insane mother. The character of Alice carries touches of Jane Carlyle, while Bianca is clearly based on another of Jewsbury’s close friends, Charlotte Cushman. This was the author’s own favourite of her novels.

Her third novel, Marian Withers (1851), explores the same theme of women’s fulfilment, this time in an industrial setting, drawing on her first-hand experience of the Manchester business world.[13][14] It introduced the themes of education, creative invention, status in the workplace, and public philanthropy. The novel tells a number of different stories, connected by analogy, and some critics disliked its fragmentary structure.

Three further novels (Constance Herbert, 1855; The Sorrows of Gentility, 1856; Right or Wrong, 1859) attracted less interest,[15] and there were two novels for children, The History of an Adopted Child (1852) and Angelo, or, The Pine Forest in the Alps (1855).[16]

Short stories[edit]

Dickens commissioned 17 stories from Jewsbury between 1850 and 1859, for his periodical Household Words.[17] He once wrote to her: "Dear Miss Jewsbury, – I make no apology for addressing you thus, for I am a reader of yours, and I hope that I have that knowledge of you which may justify a frank approach....if I could induce you to write any papers or short stories for [Household Words] I should, I sincerely assure you, set great store by your help, and be much gratified in having it."[18]

Reviewing[edit]

Jewsbury is believed to have reviewed over 2000 books between 1846 and 1880, including novels, children's books, memoirs, biographies, histories, cook books, and household management books, mainly for the weekly Athenaeum. As most reviews were anonymous at that time, the total is impossible to calculate. Anonymity also set-up an atmosphere of suspicion between authors and critics. Many of Jewsbury’s reviews were mis-attributed to John Cordy Jefferson. And when Rhoda Broughton discovered that an unfavourable review of her novel had been written by Jewsbury, she included a mean caricature of her in one of her later books, The Beginner, (though this was after Jewsbury’s death.)

Jewsbury was very much a moral critic. Her chief criterion was the ability of the characters to distinguish right from wrong, and this weighed with her more than the plot. For example, she disapproved of stories about an older man pining for a younger woman. She also disliked love-scenes, and domestic novels in general. Popular authors she reviewed included Anthony Trollope, George Eliot, George Meredith and Wilkie Collins.

Jewsbury also worked as a publisher's reader for Hurst and Blackett, and for Bentley, recommending that they publish Ellen Wood's best-selling East Lynne (1861), although turning down such later successful authors as M. E. Braddon and Ouida.[16] She often used her place with Bentley to boost the careers of other female writers, including friends like Margaret Oliphant and Frances Power Cobbe.[19]

Friends and romances[edit]

Jewsbury was highly sociable, with many friends and literary partnerships, and able to find common ground with people of any class. Her growing prominence and unconventional personality, smoking and wearing men's clothes like George Sand, soon brought her a high profile in literary society. Her friends included the Huxley, Kingsley, Rossetti, and Browning families, W. E. Forster (with whom she visited revolutionary Paris in 1848), John Bright, John Ruskin and G. H. Lewes.

She never married,[20][16] but conducted close personal relationships with men and women, some of them carnal, some platonic, the most significant of these being Jane Carlyle.

Another was the actress Charlotte Cushman, a powerful and notably mannish figure, whom she admired for her wide experience of life, in contrast to Jane’s dutiful domesticity.[21] (Jane became jealous and upset about this relationship.) Cushman was the model for Bianca in The Half Sisters.

Sydney Owenson, also known as Lady Morgan, had helped Jewsbury when she first arrived in London, and Jewsbury provided much unconditional friendship, eventually helping her to write her memoirs in old age.

Of her male companions, the most significant was the somewhat-younger New Zealander Walter Mantell, who felt uneasy about his job, pressuring the Maoris to sell their land cheaply to the British, and came to live in England. She made great efforts to promote him in the literary world, and even proposed marriage, but it seems that he began to sicken of her excessive attentions, and they drifted apart.

Death[edit]

Jewsbury moved to Sevenoaks, Kent after the death of Jane Carlyle in 1866, but contracted cancer in 1879 and died in a private London hospital in 1880 and was buried in Brompton Cemetery.[20] She was writing up until the very end of her life, the last report she wrote for Bentley being dated 9 September 1880.[22] She left all her papers to businessman and feminist John Stores Smith,[23] with whom she had had a strong relationship.


References[edit]

  1. ^ Howe, Susanne (1935). Geraldine Jewsbury, Her Life and Errors. London: George Allen & Unwin. 
  2. ^ Fryckstedt, Monica Correa (1986). Geraldine Jewsbury's "Athenaeum" Reviews: A Mirror of Mid-Victorian Attitudes to Fiction. Stockholm: Almqvist Och Wiksell. 
  3. ^ Carney, Karen. "The Publisher's Reader as Feminist: The Career of Geraldine Endsor Jewsbury". jstor.org. The Johns Hopkins University Press. Retrieved 9 June 2014. 
  4. ^ Howe, Susanne (1935). Geraldine Jewsbury, Her Life and Errors. London: George Allen & Unwin. 
  5. ^ Howe, Susanne (1935). Geraldine Jewsbury, Her Life and Errors. London: George Allen & Unwin. 
  6. ^ Howe, Susanne (1935). Geraldine Jewsbury, Her Life and Errors. London: George Allen & Unwin. 
  7. ^ Clarke, Norma (1990). Heights: Writing, Friendship, Love: The Jewsbury Sisters, Felicia Hemans, and Jane Welsh Carlyle. London: Routledge. 
  8. ^ Cruikshank, Margaret. "Geraldine Jewsbury and Jane Carlyle". JSTOR. Retrieved 9 June 2014. 
  9. ^ Carney, Karen. "The Publisher's Reader as Feminist: The Career of Geraldine Endsor Jewsbury". jstor.org. The Johns Hopkins University Press. Retrieved 9 June 2014. 
  10. ^ Howe, Susanne (1935). Geraldine Jewsbury, Her Life and Errors. London: George Allen & Unwin. 
  11. ^ Wolff, Robert Lee (1977). Gains and Losses: Novels of Faith and Doubt in Victorian England. New York: Garland Publishing. pp. 402–404. 
  12. ^ Clarke, Norma (1990). Heights: Writing, Friendship, Love: The Jewsbury Sisters, Felicia Hemans, and Jane Welsh Carlyle. London: Routledge. 
  13. ^ Clarke, Norma (1990). Heights: Writing, Friendship, Love: The Jewsbury Sisters, Felicia Hemans, and Jane Welsh Carlyle. London: Routledge. 
  14. ^ Bodenheimer, Rosemarie (1988). The Politics of Story in Victorian Social Fiction. Ithaca: Cornell UP. 
  15. ^ Shirley Foster, p. 5.
  16. ^ a b c Wilkes 2004.
  17. ^ Chisholm 1911.
  18. ^ Jewsbury, Geraldine (1994). The Collected Writings of Geraldine Jewsbury. Wiltshire: Adam Matthew Publications. 
  19. ^ Carney, Karen. "The Publisher's Reader as Feminist: The Career of Geraldine Endsor Jewsbury". jstor.org. The Johns Hopkins University Press. Retrieved 9 June 2014. 
  20. ^ a b Pettitt 1999.
  21. ^ Clarke, Norma (1990). Heights: Writing, Friendship, Love: The Jewsbury Sisters, Felicia Hemans, and Jane Welsh Carlyle. London: Routledge. 
  22. ^ Carney, Karen. "The Publisher's Reader as Feminist: The Career of Geraldine Endsor Jewsbury". jstor.org. The Johns Hopkins University Press. Retrieved 9 June 2014. 
  23. ^ Howe, Susanne (1935). Geraldine Jewsbury, Her Life and Errors. London: George Allen & Unwin. 
Attribution

External links[edit]