Get Off Your Ass and Jam
"Get Off Your Ass and Jam" is a song by Funkadelic, track number 6 to their 1975 album Let's Take It to the Stage. It was written by George Clinton, although the lyrics are made up entirely of repetitions of the phrase, "Shit! Goddamn! Get off yo' ass and jam!", interspersed with lengthy guitar solos. Critic Ned Raggett reviewed the song as one that "kicks in with one bad-ass drum roll and then scorches the damn place down".
The song has been sampled extensively by hip hop artists. It was one of the two songs at the heart of Bridgeport Music, Inc. v. Dimension Films, in which the copyright in the song was held to be infringed when N.W.A. sampled a two-second guitar chord from the beginning of the Funkadelic tune, lowered the pitch and looped it five times in their song, 100 Miles and Runnin'. Other artists who have sampled the song include:
- Public Enemy, in Bring the Noise, from the 1987 album, It Takes a Nation of Millions to Hold Us Back.
- Tone Lōc, in Funky Cold Medina (written by Young MC) from 1989 Lōc's debut album, Lōc-ed After Dark.
- A Tribe Called Quest, in Rhythm (Devoted to the Art of Moving Butts), from their 1990 debut album, People's Instinctive Travels and the Paths of Rhythm, and in The Pressure, from their 1996 album Beats, Rhymes and Life.
- Ultramagnetic MC's, in Make It Happen from their 1992 album Funk Your Head Up.
- Tupac Shakur, in Holla If Ya Hear Me, from the 1993 album Strictly 4 My N.I.G.G.A.Z..
- Ice-T, in 99 Problems, from his 1993 album Home Invasion.
- Eazy E, in Eazy Duz It, from his 1988 album Eazy Duz It
Cover versions and other references
The song later appeared on Funkadelic's Motor City Madness released in the United States in 2006. In 1988, Miami Bass female rapper Anquette recorded a cover of the song, with the addition of her own rap lyrics, on her second album, Respect.
Cornel West referenced the song in prose, quoting the lyrics in describing a "disco party" in a 1982 essay, "Epilogue: Sing a song". Music historian Arthur Kempton similarly notes that the band was "known to make some parents and alumni draw back and exclaim, 'Oh my God,' when from the stage they would incite a rapt crowd of young degree candidates to chant in full-throated unison, "Shit! Goddamn! Get off your ass and jam!"
- Ned Raggett, "Let's Take It to the Stage", in Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul (2002), p. 441.
- Bridgeport Music, Inc. v. Dimension Films, 410 F.3d 792 (6th Cir. 2005).
- Cornel West, "Epilogue: Sing a Song" (1982) reprinted in Prophetic fragments (1993), p. 292.
- Arthur Kempton, Boogaloo: The Quintessence of American Popular Music (2005), p. 372.