Gimme Shelter (1970 film)
Original film poster
|Directed by||Albert and David Maysles
|Produced by||Porter Bibb
|Starring||The Rolling Stones|
|Cinematography||Albert and David Maysles|
|Editing by||Charlotte Zwerin|
|Distributed by||Maysles Films
Cinema V (USA)
20th Century Fox (UK)
|Release dates||December 6, 1970|
|Running time||91 min|
Gimme Shelter is a 1970 documentary film directed by Albert and David Maysles and Charlotte Zwerin chronicling the last weeks of The Rolling Stones' 1969 US tour which culminated in the disastrous Altamont Free Concert. The film is named after "Gimme Shelter", the lead track from the group's 1969 album Let It Bleed. The film was screened at the 1971 Cannes Film Festival, but was not entered into the main competition.
The counterculture era documentary is associated with the Direct Cinema movement of the 1950s and 1960s. It was directed by The Maysles Brothers who are strong figures of the era.. The movement revolves around the philosophy of being a "reactive" filmmaker, recording events as they unfold naturally and spontaneously rather than investigating the subject matter through documentary techniques such as interviews, reconstruction and voiceover.
The film depicts some of the Madison Square Garden concert later featured on the 1969 live album, Get Yer Ya-Ya's Out! The Rolling Stones in Concert, as well as the photography session for the cover featuring Charlie Watts and a donkey. It also shows the Stones at work in Muscle Shoals, Alabama recording "Brown Sugar" and "Wild Horses", and footage of Ike and Tina Turner opening for the Stones at their Madison Square Garden concert, to Mick Jagger's comment, "It's nice to have a chick occasionally".
The Maysles brothers filmed the first concert of the tour at Madison Square Garden in New York City. After the concert, the Maysles brothers asked the Rolling Stones if they could film them on tour, and the band agreed.
Much of the film chronicles the behind-the-scenes dealmaking that took place to make the free Altamont concert happen, including much footage of well-known attorney Melvin Belli negotiating by telephone with the management of the Altamont Speedway. The movie also includes a playback of Hells Angels leader Ralph "Sonny" Barger's famous call-in to radio station KSAN-FM's "day after" program about the concert, wherein he recalls, "They told me if I could sit on the edge of the stage so nobody could climb over me, I could drink beer until the show was over."
Altamont Free Concert
The action then turns on the 1969 concert itself at the Altamont Speedway, the security for which was provided by the Hells Angels (armed with pool cues). As the day progresses, with drug-taking and drinking by the Angels and members of the audience, the mood turns ugly. Fights break out during performances by The Flying Burrito Brothers and Jefferson Airplane; Grace Slick pleads with the crowd to settle down. When Mick Jagger arrives to the grounds via helicopter, he is punched in the face by an unruly fan while making his way to his trailer.
At one point Jefferson Airplane lead male singer Marty Balin is knocked out by a Hells Angel; Paul Kantner attempts to confront "the people who hit my lead singer" in response ("Hey, man, I'd like to mention that the Hells Angels just smashed Marty Balin in the face and knocked him out for a bit. I'd like to thank you for that!"). He and Slick tell one of the Angels on stage that violence isn't what the event is about, to which the clearly intoxicated biker replies, "You're talking to my people. Let me tell you what's happenin': You are what happenin'!" Slick herself warns the Angels after they continue hitting people: "You don't hassle with anybody in particular. You gotta keep your bodies off each other unless you intend love. People get weird, and you need people like the Angels to keep people in line. But the Angels also-- You know, you don't bust people in the head for nothing. So both sides are fucking up temporarily; let's not keep fucking up!!!" Jerry Garcia and Phil Lesh arrive, but The Grateful Dead opt not to play after learning of the incident with Balin from Santana drummer Michael Shrieve. (Santana and Crosby, Stills, Nash, and Young also performed at the concert but are not shown in the movie).
By the time The Stones hit the stage, it was evening, and the crowd was especially restless. The Stones opened with "Jumpin' Jack Flash", and are also shown performing "Sympathy for the Devil", as the tension continues to build. It is during the next song, "Under My Thumb", that a member of the audience, 18 year old Meredith Hunter, attempted, with other crowd members, to force his way onto the stage, and as a result is struck by the Hells Angels members guarding the band. He is then seen to draw a revolver before being subdued by Hells Angel Alan Passaro, and is killed by at least six stab wounds.
Baird Bryant, one of the many cameramen in the film, caught Hunter's stabbing on film. The film sequence clearly shows the silhouette of a handgun in Hunter's hand against the dress of his girlfriend, Patty Bredahoff, as Passaro enters from the right, grabs and raises the gun hand, turns Hunter around, and stabs him at least twice in the back before pushing Hunter off camera.
The credited camera operators for Altamont included Martin Scorsese and a young George Lucas. At the concert, Lucas' camera jammed after shooting about 100 feet (30 m) of film. None of his footage was incorporated into the final cut.
- The Rolling Stones
- "Jumpin' Jack Flash"
- "(I Can't Get No) Satisfaction"
- "You Gotta Move"
- "Wild Horses" (in studio at Muscle Shoals)
- "Brown Sugar"
- "Love in Vain"
- "Honky Tonk Women"
- "Street Fighting Man"
- "Sympathy for the Devil"
- "Under My Thumb"
- "Gimme Shelter" (live version, over closing credits)
- Ike and Tina Turner
- "I've Been Loving You Too Long" (at Madison Square Garden)
- Jefferson Airplane
- "The Other Side of This Life" (at Altamont)
- Flying Burrito Brothers
- "Six Days on the Road" (at Altamont)
- "Festival de Cannes: Gimme Shelter". festival-cannes.com. Retrieved 2009-04-13.
- Dave Saunders, Direct Cinema: Observational Documentary and the Politics of the Sixties, Wallflower Press, 2007
- "Baird Bryant". The Los Angeles Times. 16 November 2008. Retrieved 3 January 2010.
- Sabulis, Tom (5 November 1989). "Rock Nightmare Twenty Years Ago Altamont Marked the End of An Era". The Chicago Tribune. p. 5.
- Bernard, Sheila (2007). Documentary Storytelling: Making Stronger and More Dramatic Nonfiction Films (2nd ed.). Burlington, MA: Focal Press. ISBN 978-0-240-80875-8.
- Kirkpatrick, Rob (2009). 1969: The Year Everything Changed. New York: Skyhorse Publishing. ISBN 978-1-60239-366-0.
- Saunders, Dave (2007). Direct Cinema: Observational Documentary and the Politics of the Sixties. London: Wallflower Press. ISBN 978-1-905674-16-9.
- Official website at Mayslesfilms.com
- Criterion Collection essay by Ralph "Sonny" Barger
- Criterion Collection essay by Georgia Bergman
- Criterion Collection essay by Stanley Booth
- Criterion Collection essay by Godfrey Cheshire
- Criterion Collection essay by Michael Lydon
- Criterion Collection essay by Amy Taubin
- Gimme Shelter at the Internet Movie Database
- Gimme Shelter at allmovie
- Gimme Shelter Producer, Ron Schneider
- "Gimme Shelter: The true story" at Salon.com