|Awarded for||"The work judged the best contemporary painting of the Tasmanian landscape"|
|Presented by||John Glover Society|
|Currently held by||Nigel Hewitt, 2015|
|Official website||www.johnglover.com.au |
The Glover Prize is an Australian annual art prize awarded for paintings of the landscape of Tasmania The prize was inaugurated in 2004 by the John Glover Society, based in Evandale, Tasmania, in honour of the work of British-born landscape painter John Glover, who lived and painted in the area from 1832 until his death in 1849. The current prize amount of A$ 40 000 is the highest for landscape painting in Australia. The 2012 award was controversial: the winning picture included a depiction of convicted Port Arthur massacre spree killer Martin Bryant in the landscape of Port Arthur.
John Glover lived the last 17 years of his life in northern Tasmania. In 2001, "Mount Wellington and Hobart Town with Natives Dancing and Bathing", one of his many landscape works that were sent beck to England, was sold for more that $1.5 million.[clarification needed] The Glover Prize has been described as "a little heart beat, a funny little committee that had a little bit of money and had an idea". By 2010, the prize attracted 270 entrants.
Conditions for the prize
The winner of the inaugural Prize was Longford based artist Michael McWilliams, for the painting Bandicoot on a Log Bandicoots are small to medium-sized terrestrial marsupials endemic to Australia. The painting now hangs in the departure lounge of Launceston Airport. His acrylics on linen work Bush Blankets was awarded the $ 3 000 "People's Choice" 2012 award.
In the second year of the contest, there were more than 130 entries. The winner was Stephen Charles Lees for the painting Wishbone Ridge. Lees, who was born in Sydney, had lived in Tasmanian since 1992.
Hobart artist David Keeling was awarded the third Glover Prize for 45 Minute Walk - Narawntapu. The winning work was of orthodox oils on canvas medium. The landscape depicted is part of the Narawntapu National Park
The winner of the Prize in 2007 was Raymond Arnold, a Queenstown-based printmaker. The painting in acrylics, entitled Western Mountain Ecology, depicts stacks of freshly-sawn Huon pine. The prize amount was then $ 30 000.
Hobart Art teacher Neil Haddon was awarded the 2008 Glover Prize for his work Purblind (opiate) The work is enamels on aluminium, and references the cultivation of opium poppies in Tasmanian opium poppy farming industry.
Hobart-based artist Matthew Armstrong was awarded the 2009 Prize for the work Transformed at Night ahead of more than 250 other entrants. Armstrong's work depicted Mellifont Street, Hobart.
Queensland-based artist Ian Waldron was selected from among 272 entries to become the first Indigenous Australian to win the Prize with his work Walach Dhaarr (Cockle Creek), a piece created on Tasmanian oak. "Walach Dhaarr" in the language of the Aboriginal Tasmanians of that region means "Cockle Creek", a location in Tasmania that Waldron described as significant, both archaeologically and as a "site of positive exchange" between indigenous people and French mariners during the late 18th century.
The 2011 prize was awarded to Launceston artist Josh Foley for Gee’s Lookout. The oil painting included pumice in its media. The painting depicts a disused building on the hill overlooking Cataract Gorge in Launceston.
The 2013 competition attracted 303 entrants; the prize was awarded to Sydney artist Janet Laurence for a work titled Plants Eye View, and depicted a close-up view of flora from the Tarkine region of North-West Tasmania.
The winner of the 2015 prize was Nigel Hewitt for his work Woven, created using wood ash from the 2013 Dunalley bushfires.  The work, chosen from 282 entries and 42 finalists, features a forest at Mt Barrow in northern Tasmania. Hewitt divides his time between Perth, Western Australia and Hobart, Tasmania.
2012 award controversy
The 2012 award winning painting depicted Port Arthur and included a representation of Martin Bryant holding a gun. The award received criticism. A former police officer who attended the scene of the Port Arthur Massacre described the work as insensitive and outrageous. The CEO of the Port Arthur Historic Site Management Authority was reported as stating that depictions of the massacre were unhelpful to those it affected. Pople addressed the criticism, arguing that the depiction of Byant was a reminder of the brutality of the Port Arthur Prison Colony within a green "surreal beauty" landscape.
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- Official website
- Image of Rodney Pople in front of controversial 2012 prize-winning painting from Australian Broadcasting Corporation website
- Nigel Hewitt with his 2015 prize-winning image, Woven from Australian Broadcasting Corporation website