Theatrical release poster
|Directed by||Vincente Minnelli|
|Produced by||David Weisbart|
|Written by||George Axelrod (play)
|Music by||André Previn|
|Cinematography||Milton R. Krasner|
|Distributed by||20th Century-Fox|
|Release dates||November 18, 1964|
|Running time||116 minutes|
|Box office||$3,700,000 (US/ Canada rentals)|
Goodbye Charlie is a 1964 comedy film about a callous womanizer who gets his just reward. It was adapted from George Axelrod's play Goodbye, Charlie and starred Debbie Reynolds and Tony Curtis. The play also provided the basis for Switch, with Ellen Barkin and Jimmy Smits.
Charlie Sorrel is shot and killed by Sir Leopold Sartori (Walter Matthau) when he is caught fooling around with Sartori's wife. Later, passerby Bruce Minton III (Pat Boone) comes to the aid of a dazed woman (Debbie Reynolds) wandering on a beach. She doesn't remember much other than directions to Charlie's residence.
The next morning, it all comes back to her: she is the reincarnation of Charlie. After getting over the shock, she convinces her best (and only) friend, George Tracy (Tony Curtis), of her identity. All manner of complications arise as she first accepts the situation and then decides to take advantage of it, with Tracy's reluctant help.
Charlie has changed his sex, but he cannot change his ways, and eventually he gets murdered again ... only to be reincarnated one more time: as a dog.
- Tony Curtis as George Wellington Tracy
- Debbie Reynolds as Virginia Mason
- Pat Boone as Bruce Minton, the 3rd
- Ellen Burstyn as Franny Salzman
- Joanna Barnes as Janine Highland
- Laura Devon as Rusty Sartori
- Martin Gabel as Morton Craft
- Roger C. Carmel as the inspector
- Harry Madden as Charles Sorel
- Myrna Hansen as Starlet
- Michael Romanoff as patron
- Anthony Eustrel as the butler
- Walter Matthau as Sir Leopold Sartori
- Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p254
- This figure consists of anticipated rentals accruing distributors in North America. See "Big Rental Pictures of 1965", Variety, 5 January 1966 p 6 and Solomon p 229. Please note these figures are rentals accruing to distributors not total gross.
|This film article about a 1960s comedy is a stub. You can help Wikipedia by expanding it.|