Gordon (slave)

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"Whipped Peter" redirects here. For other uses, see Peter (disambiguation).
Gordon, scourged back, colored slide 2.png
Antique colored slide of Gordon during his 1863 medical examination
Other names Peter. Gordon is possibly a surname[1]
Known for Pivotal figure in exposing the brutality of slavery

Gordon or Peter was a slave on a St. Landry Parish, Louisiana plantation[2] who made his escape from bondage in March 1863. The carte de visite images showing Gordon's flagellation scars were frequently used by abolitionists throughout the United States and internationally.[3] In July 1863 these images appeared in an article about Gordon published in Harper's Weekly, the most widely read journal during the Civil War.[4] The images of Gordon's scarred back provided Northerners visual evidence of the brutality of slavery, and inspired many free blacks to enlist in the Union Army.[5]


Gordon escaped from the 3,000 acre plantation of John and Bridget Lyons, who owned nearly forty slaves at the time of the 1860 census.[6] The Lyons plantation was located along the right bank of the Atchafalaya River between Melville and Krotz Springs, Louisiana.[7] In order to mask his scent from the bloodhounds who were chasing him, Gordon took onions from his plantation, which he carried in his pockets. After crossing each creek or swamp, he rubbed his body with these onions in order to throw the dogs off his scent. He fled over 40 miles (64 km)[8] over the course of ten days before reaching Union soldiers of the 47th Massachusetts Infantry[9] who were stationed in Baton Rouge.[10]

Arrival at Union Camp[edit]

Upon arrival at the Union camp, Gordon underwent a medical examination on April 2, 1863 which revealed severe keloid scars from several whippings. Itinerant photographers William D. McPherson and his partner Mr. Oliver, who were in camp at the time, produced carte de visite portraits of Gordon.[11]

During the examination, Gordon is quoted as saying "Ten days from to-day I left the plantation. Overseer Artayou Carrier whipped me. I was two months in bed sore from the whipping. My master come after I was whipped; he discharged the overseer.[12] My master was not present. I don't remember the whipping. I was two months in bed sore from the whipping and my sense began to come - I was sort of crazy. I tried to shoot everybody. They said so, I did not know. I did not know that I had attempted to shoot everyone; they told me so. I burned up all my clothes; but I don't remember that. I never was this way (crazy) before. I don't know what make me come that way (crazy). My master come after I was whipped; saw me in bed; he discharged the overseer. They told me I attempted to shoot my wife the first one; I did not shoot any one; I did not harm any one. My master's Capt. JOHN LYON,[13] cotton planter, on Atchafalya, near Washington, LA. Whipped two months before Christmas."[14]

Colored Troops[edit]

Gordon joined the Union troops as a guide just three months after the Emancipation Proclamation allowed for the enrollment of freed slaves into the United States military. On one expedition he was taken prisoner by the rebels, who tied him up and beat him, leaving him for dead. He survived, however, and once more made his escape to Union lines.[15] Gordon soon afterwards enlisted in a Colored Troops Civil War unit in the XIX Corps. He was said to have fought bravely as a Sergeant in the 2nd Louisiana Regiment Infantry during the Siege of Port Hudson in May 1863,[16] the first time that African-American soldiers played a leading role in an assault.[17]


The Atlantic's editor-in-chief James Bennet noted "Part of the incredible power of this image I think is the dignity of that man. He's posing. His expression is almost indifferent. I just find that remarkable. He's basically saying, 'This is a fact.'"[18]

There has lately come to us, from Baton Rouge, the photograph of a former slave--now, thanks to the Union army, a freeman. It represents him in a sitting posture, his stalwart body bared to the waist, his fine head and intelligent face in profile, his left arm bent, resting upon his hip, and his naked back exposed to full fiew. Upon that back, horrible to contemplate! is a testimony against slavery more eloquent than any words. Scarred, gouged, gathered in great ridges, knotted, furrowed, the poor tortured flesh stands out a hideos record of the slave-driver's lash. Months have elapsed since the martyrdom was undergone, and the wounds have healed, but as long as the flesh lasts will this fearful impress remain. It is a touching picture, an appeal so mute and powerful that none but hardened natures can look upon it unmoved. However much men may depict false images, the sun will not lie. From such evidence as this there is no escape, and to see is to believe. Many, therefore, desired a copy of the photograph, and from the original numerous copies have been taken.

The surgeon of the First Louisiana regiment, (colored,) writing to his brother in the city, encloses this photograph, with these words: -

"I send you the picture of a slave as he appears after a whipping. I have seen, during the period I have been inspecting men for my own and other regiments, hundreds of such sights--so they are not new to me; but it may be new to you. If you know of any one who talk abut the humane manner in which the slaves are treated, please show them this picture. It is a lecture in itself."

"Picture of a Slave". The Liberator (Boston, Massachusetts). 12 June 1863. p. 2. 

We received from Baton Rouge the photographic likeness of a slave's naked back, lacerated by the whip [...] We look on the picture with amazement that cannot find words for utterance. Amazement at the cruelty which could perpetrate such an outrage as this ; at the brutal folly, the stupid ignorance, that could permit such a piece of infatuation ; at the absence not only of humane feeling, but of economical prudence of common sense, of ordinary intelligence, displayed in such frantic thoughtlessness. Among what sort of people are such things possible? [...] This card-photograph should be multiplied by the hundred thousand, and scattered over the states. It tells the story in a way that even Mrs. Stowe cannot approach ; because it tells the story to the eye. If seeing is believing -- and it is in the immense majority of cases -- seeing this card would be equivalent to believing things of the slave states which Northern men and women would move heaven and earth to abolish!

Theodore Tilton, ed. (28 May 1863). "The Scourged Back". The Independent (New York) XV (756): 4. 
Reprint: "The Scourged Back". The Liberator (Boston, Massachusetts). 19 June 1863. p. 1. 


Gordon in 1863 after his escape from slavery
Upon arrival at Union camp 
Medical examination photo 
Medical examination photo 
In uniform 
Harper's Weekly 1863 article 
Title Page of an 1863 anti-slavery book 



  1. ^ Abruzzo, Margaret (Mar 29, 2011). Polemical Pain: Slavery, Cruelty, and the Rise of Humanitarianism. JHU Press. p. 309.
  2. ^ Rymer, Eric. "Ten days from today I left the plantation". Historylink101
  3. ^ "The Scourged Slave's Back". The Liberator (Boston, Massachusetts). 4 September 1863. p. 3
  4. ^ Heidler 2002
  5. ^ Goodyear III, Frank H. "Photography changes the way we record and respond to social issues". Smithsonian Institution
  6. ^ Abruzzo, Margaret (Mar 29, 2011). Polemical Pain: Slavery, Cruelty, and the Rise of Humanitarianism. JHU Press. p. 309.
  7. ^ Lyons Shaw, Adonica. "Captain John lyons of st landry parish"
  8. ^ "Civil War CDV of African American Contraband, Baton Rouge, La.". Cowan's Auctions.
  9. ^ "Copy photograph of Gordon, a runaway slave.". Yale University Library Catalog.
  10. ^ "A Typical Negro". Harper's Weekly: 429. 4 July 1863.
  11. ^ Shumard, Ann. "Bound for Freedom's Light". Civil War Trust
  12. ^ "Scars of slavery". The National Archives
  13. ^ Lyons Shaw, Adonica. "Captain John lyons of st landry parish"
  14. ^ Rymer, Eric. "Ten days from today I left the plantation". Historylink101
  15. ^ "A Typical Negro". Harper's Weekly: 429. 4 July 1863.
  16. ^ "A Picture for the Times". The Liberator (Boston). 3 July 1863. p. 3
  17. ^ Shumard, Ann. "Bound for Freedom's Light". Civil War Trust
  18. ^ Norris, Michele (2011-12-05). "'The Atlantic' Remembers Its Civil War Stories". NPR


Further reading[edit]