Gottardo Piazzoni

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Gottardo Fidele Piazzoni (1872–1945) was a Swiss-born American landscape painter, muralist and sculptor of Italian heritage, a key member of the school of Northern California artists in the early 1900s.

Born in Intragna, Switzerland, Piazzoni moved at the age of 15 to his father's dairy farm in the Carmel Valley.[1] After training with Arthur Frank Mathews at the Mark Hopkins Institute of Art (now the San Francisco Art Institute),[2] Piazzonia trained for three years in Paris at the Académie Julian and under Jean-Léon Gérôme.[3] He then returned to California to begin his career and set up his own teaching studio.

Specializing in landscapes in a muted palette, most scholars count Piazzoni among the Tonalists.[4] He sought out the lighting effects of certain times of day, taking a "special interest in full moonrises, the viewing of which became a family ritual. Venturing up a hill, the family would cheer the appearance of the moon. Piazzoni knew the exact time for each moonrise and kept precise records." [5]

Piazzoni's best-known public work may be his 14 murals for the former headquarters of the San Francisco Public Library for architect George W. Kelham, ten of them dating from 1932, the other four painted in 1945 and not installed until the 1970s.[6] After public debate and lawsuits in the late 1990s, the ten principal murals can now be seen at the M. H. de Young Memorial Museum.

As of 1901 Piazzoni shared a studio with fellow painter Xavier Martínez, with whom he founded the California Society of Artists. He was also a co-founder of the California Society of Etchers in 1912, with Robert B. Harshe (1879–1938), art professor at Stanford University;[7] Pedro J. Lemos (1882–1954), professor at San Francisco Institute of Art; and Ralph Stackpole (1885–1973), sculptor, printmaker, and at that time Piazzoni's studio assistant. He was also a member of the Bohemian Club.

Among his students were George Post, Rinaldo Cuneo, and Dorr Bothwell. American landscape painter Russell Chatham is Piazzoni's grandson.

Sources[edit]

References[edit]

  1. ^ The modern West: American landscapes, 1890-1950 By Emily Ballew Neff, page 108
  2. ^ Sunset, Volume 21 By Southern Pacific Company. Passenger Dept, 1908, page 738
  3. ^ The modern West: American landscapes, 1890-1950 By Emily Ballew Neff, page 108
  4. ^ On the edge of America: California modernist art, 1900-1950 By Paul J. Karlstrom, 1996, page 99
  5. ^ Twilight and Reverie: California Tonalist Painting 1890-1930, Harvey L. Jones, 1995, accessed at http://www.tfaoi.com/aa/2aa/2aa594.htm
  6. ^ http://articles.sfgate.com/2005-06-27/entertainment/17378805_1_asian-art-museum-murals-young-museum
  7. ^ http://www.artic.edu/aic/libraries/research/specialcollections/aic/museum/harshe.html