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|Birth name||Graham John Clifton Bond|
28 October 1937|
|Died||8 May 1974
Finsbury Park, London, England
|Genres||Rhythm and blues, blues-rock, blues, jazz|
|Instruments||Keyboards, saxophone, vocals|
|Associated acts||The Don Rendell Quintet
The Graham Bond Organization
|Hammond organ, Mellotron, saxophone|
Bond was an innovator, described as "an important, under-appreciated figure of early British R&B", along with Cyril Davies and Alexis Korner. Jack Bruce, John McLaughlin and Ginger Baker first achieved prominence in his group, the Graham Bond Organisation. Bond was voted Britain's New Jazz Star in 1961. He was an early user of the Hammond organ/Leslie speaker combination in British rhythm and blues - he "split" the Hammond for portability - and was the first British artist to record using a mellotron, on his "The Sound of '65" and "There's A Bond Between Us" LPs. As such he was a major influence upon later rock keyboardists: Deep Purple's Jon Lord said "He taught me, hands on, most of what I know about the Hammond organ".
Bond was born in Romford, Essex. Adopted from a Dr. Barnardo's home, he was educated at the Royal Liberty School in Gidea Park, East London, where he learned music. His first jazz gig was in 1960 with the Goudie Charles Quintet, staying for a year. He first gained national attention as a jazz saxophonist as a member of the Don Rendell Quintet, then briefly joined Alexis Korner's Blues Incorporated before forming the Graham Bond Quartet with musicians he met in the Korner group, Ginger Baker on drums and Jack Bruce on double bass, together with John McLaughlin on guitar; and adopting the Hammond organ as his main instrument. The group then became the Graham Bond Organization (GBO), while John McLaughlin was later replaced by Dick Heckstall-Smith on saxophones.
Lack of commercial success, plus internal struggles, brought an end to the group in 1967 as Bond's mental and physical health deteriorated. Jack Bruce and Ginger Baker had already left, to form Cream with Eric Clapton. Baker's replacement, Jon Hiseman, and Dick Heckstall-Smith went on to form Colosseum.
After the break-up of the Organization, Bond continued to exhibit mental disorders, with manic episodes and periods of intense depression, exacerbated by heavy drug use. Moving to America, he recorded two albums and performed session work for Harvey Mandel and Dr. John among others, but he returned to England in 1969. He then formed Graham Bond Initiation with his new wife Diane Stewart, who shared his interest in magick, and in 1970 Holy Magick, which recorded a self-titled album and We Put Our Magick On You. He was also re-united with old band members while playing saxophone in Ginger Baker's Air Force and spending a short time in the Jack Bruce Band. Solid Bond, a double-album compiling live tracks recorded in 1963 by the Graham Bond Quartet (Bond, McLaughlin, Bruce and Baker) and a studio session from 1966 by the Graham Bond Organisation (Bond, Heckstall-Smith and Hiseman) was released that same year.
In 1972 he teamed up with Pete Brown to record Two Heads are Better Than One. He also recorded an album with the John Dummer Band in 1973, although this was not released until 2008. After the near-simultaneous collapse of his band and his marriage, Bond then formed Magus with British folk-singer Carolanne Pegg and American bassist Marc Mazz, which disbanded around Christmas 1973 without recording. During that same period, he discovered American singer-songwriter-guitarist Mick Lee, and they played together live but never recorded. Plans to include Chris Wood of Traffic never materialized due to Bond's death.
Bond's financial affairs were in chaos, and the years of lack of commercial success and the recent demise of Magus had badly hurt his pride. Throughout his career he had been hampered with severe bouts of drug addiction, and spent January 1973 in hospital after a nervous breakdown. On May 8, 1974, Bond died under the wheels of a Piccadilly line train at Finsbury Park station, London, at the age of 36. Most sources list the death as a suicide. Friends agree that he was off drugs, although becoming increasingly obsessed with the occult (he believed he was Aleister Crowley's son).
- Oct. 1961: Roarin' (Jazzland) - Don Rendell New Jazz Quartet
- Feb. 1965" The Sound of 65 (EMI Columbia) - Graham Bond Organisation
- Oct. 1965: There's a Bond Between Us (EMI Columbia) - Graham Bond Organisation
- 1969: Love Is the Law (Pulsar) - Graham Bond
- 1969: Mighty Grahame Bond (Pulsar) - Graham Bond
- May 1970: Solid Bond (Warner Bros, 2LP) - Graham Bond Organisation
- Dec. 1970" Holy Magick (Vertigo) - Graham Bond
- Oct. 1971: We Put Our Magick on You (Vertigo) - Graham Bond
- 1971 Live at Klooks Kleek
- 1971 Bond in America
- 1971 'This Is Graham Bond' – unreleased double album
- 1972 Two Heads Are Better Than One (with Pete Brown)
- 2012 Wade in the Water - Classics, Origins & Oddities (4 CD retrospective)
- Bob Brunning (1986), Blues: The British Connection, London: Helter Skelter, 2002, ISBN 1-900924-41-2
- Bob Brunning, The Fleetwood Mac Story: Rumours and Lies Omnibus Press, 2004, foreword of B.B.King
- Dick Heckstall-Smith (2004), The Safest Place in the World: A personal history of British Rhythm and blues, Clear Books, ISBN 0-7043-2696-5 - First Edition : Blowing The Blues - Fifty Years Playing The British Blues
- Christopher Hjort, Strange brew: Eric Clapton and the British blues boom, 1965-1970, foreword by John Mayall,Jawbone (2007)ISBN 1-906002002
- Harry Shapiro, Alexis Korner: The Biography, Bloomsbury Publishing PLC, London 1997, Discography by Mark Troster
- Harry Shapiro, Graham Bond: The Mighty Shadow, Square One (UK), 1992
- Graham Bond at Allmusic
- Unterberger, Richie. "Graham Bond". AllMusic. Retrieved 2012-05-04.
- Riverside Giants of Jazz, album JET 1A-B, released in the UK by Fontana Records, sleeve note
- Larkin C 'Virgin Encyclopedia of Sixties Music' (Muze UK Ltd, 1997) ISBN 0-7535-0149-X p69
- Jon Lord Interview at www.thehighwaystar.com
- Newman, Richard: 'John Mayall Bluesbreaker', Sanctuary Music Library, Castle Communications plc 1995 ISBN 1-86074-129-0 p121
- put down to Bond being ' unable to find a commercially successful niche. The jazz fraternity regarded Bond's band as too noisy and rock-based, while the pop audience found his music complicated and too jazzy ' - Larkin C 'Virgin Encyclopedia of Sixties Music' (Muze UK Ltd, 1997) ISBN 0-7535-0149-X) p69
- who would showcase the Bond song "Walkin' in the Park" on their first album - Larkin ibid.
Further reading 
- Richie Unterberger, Unknown Legends of Rock 'n' Roll: Psychedelic Unknowns, Mad Geniuses, Punk Pioneers, Lo-fi Mavericks and More. Miller Freeman Press, 1998.