Grandma Moses, 1953
|Born||Anna Mary Robertson
September 7, 1860
Greenwich, New York,
|Died||December 13, 1961
Hoosick Falls, New York,
|Known for||Painting, Embroidery|
|Notable work(s)||The Old Checkered Inn in Summer|
|Spouse(s)||Thomas Salmon Moses (1887-1927; his death)|
Anna Mary Robertson Moses (September 7, 1860 – December 13, 1961), better known by her nickname of "Grandma Moses," was a renowned American folk artist. Having begun painting in earnest at the age of 78, she is often cited as an example of an individual successfully beginning a career in the arts at an advanced age. Her works have been shown and sold in the United States and abroad and have been marketed on greeting cards and other merchandise. Moses' paintings are among the collections of many museums. The Sugaring Off was sold for $1.2 million in 2006.
Moses has appeared on magazine covers, television, and in a documentary of her life. She wrote an autobiography of her life, won numerous awards and was awarded two honorary doctoral degrees.
The New York Times said of her: "The simple realism, nostalgic atmosphere and luminous color with which Grandma Moses portrayed homely farm life and rural countryside won her a wide following. She was able to capture the excitement of winter's first snow, Thanksgiving preparations and the new, young green of oncoming spring... In person, Grandma Moses charmed wherever she went. A tiny, lively woman with mischievous gray eyes and a quick wit, she could be sharp-tongued with a sycophant and stern with an errant grandchild. "
Anna Mary Robertson was born on September 7, 1860, the third of ten children born to Russell King Robertson and Margaret Shanahan Robertson. She was born in Greenwich, upstate New York and raised with four sisters and five brothers. Her father ran a flax mill and was a farmer. She first painted as a child, using lemon and grape juice to make colors for her "lambscapes". Other natural materials that she used to create works of art included ground ocher, grass, flour paste, slack lime and sawdust.
She left home and began to work for a wealthy neighboring family at 12 years of age, performing chores on their farm. She continued to keep house, cook and sew for wealthy families for 15 years. One of the families that she worked for, the Whitesides, noticed her interest in their Currier and Ives prints and purchased chalk and wax crayons so that she could create her own artwork.
Marriage and children
In 1887, at the age of 27, she married a "hired man" at the farm where she was a servant. Thomas Salmon and Anna Mary Moses established themselves near Staunton, Virginia where they spent nearly two decades, living and working in turn on four separate local farms. To supplement the family income, Moses made potato chips and churned butter from the milk of a cow that she purchased with her savings. Later, the couple bought their own farm.[nb 1]
During this time she gave birth to 10 children, five of whom died in infancy. Although she loved living in the Shenandoah Valley, in 1905 the couple returned to New York at her husband's urging and settled in Eagle Bridge. Their farm, not far from Anna Mary's birthplace, was named "Mount Nebo". In 1927, Thomas Moses died of a heart attack. Anna Mary continued to operate the farm, with the help of her son Forrest, until advancing age forced her retirement to a daughter's home in 1936.
Her family and friends called her either "Mother Moses" or "Grandma Moses," and although she first exhibited as "Mrs. Moses," the press dubbed her "Grandma Moses," and the nickname stuck.
As a young wife and mother, Moses had been creative in her home by, for example, using housepaint to decorate a fireboard in 1918. Moses made embroidered pictures of yarn for friends and family beginning in 1932. She also created beautiful quilted objects, a form of "hobby art"[nb 2] as defined by Lucy R. Lippard.
Anna Mary Moses had developed arthritis by the age of 76, which made embroidery painful. Her sister Celestia suggested to her that painting would be easier for her, which spurred Moses's painting career in her late 70s.[nb 3]
Moses painted mostly scenes of rural life from earlier days, which she called "old-timey" New England landscapes. Moses said that she would "get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live." She omitted features of modern life, like tractors and telephone poles, from her works of art.
Her early style is less individual and more realistic or primitive, despite her lack of knowledge of, or perhaps rejection of, basic perspective. Initially she created simple compositions or copied existing images. As her career advanced she created complicated, panoramic compositions of rural life.
She was a prolific painter, generating over 1,500 canvasses in three decades. Initially Moses charged $3 to $5 for a painting, depending upon its size, and as her fame increased her works were sold for $8,000 to $10,000. Her winter paintings are reminiscent of some such of the known winter paintings of Pieter Bruegel the Elder, although she had never seen his work. A German fan of her work said, "There emanates from her paintings a light-hearted optimism; the world she shows us is beautiful and it is good. You feel at home in all these pictures, and you know their meaning. The unrest and the neurotic insecurity of the present day make us inclined to enjoy the simple and affirmative outlook of Grandma Moses."
In 1938 a New York engineer and art collector, Louis J. Caldor drove through Hoosick Falls and saw some of her paintings displayed in a drug store window. He purchased all of the paintings, priced from $3 to $5 at the store, and ten others from her house at Eagle Bridge. The next year, three Grandma Moses paintings were included in "Contemporary Unknown American Painters" at the Museum of Modern Art in New York. Her first solo exhibition, "What a Farm Wife Painted," opened in October 1940 at Otto Kallir's Galerie St. Etienne in New York. A meet-and-greet with the artist and an exhibition of 50 paintings at Gimbel's Department Store was held next on November 15. Her art displays included samples of her baked goods and preserves that won Moses prizes at the county fair. Her third solo show in as many months, was held at the Whyte Gallery, Washington, D.C. In 1944 she began to be represented by the American British Art Center and the Galerie St. Etienne, which increased her sales. Her paintings were exhibited throughout Europe and the United States over the next 20 years. Otto Kallir established the Grandma Moses Properties, Inc. for her.
During the 1950s, Grandma Moses's exhibitions broke attendance records around the world. Art historian Judith Stein noted: "A cultural icon, the spry, productive nonagenarian was continually cited as an inspiration for housewives, widows and retirees." Her paintings were reproduced on Hallmark greeting cards, tiles, fabrics, and ceramics. They were also used to market products, like coffee, lipstick, cigarettes, and cameras.
In 1950, the National Press Club cited her as one of the five most newsworthy women and the National Association of House Dress Manufacturers honored her as their 1951 Woman of the Year. At age 88, Mademoiselle magazine named Grandma Moses a “Young Woman of the Year.” She was awarded honorary doctoral degrees from Russell Sage College and from the Moore College of Art and Design in 1949 and 1951, respectively.
President Harry S. Truman presented her with the Women's National Press Club trophy Award for outstanding accomplishment in art in 1949. The 1950 documentary of her life directed by Jerome Hill was nominated for an Academy Award. In 1952, she published her autobiography, My Life's History. In it she said "I look back on my life like a good day's work, it was done and I feel satisfied with it. I was happy and contented, I knew nothing better and made the best out of what life offered. And life is what we make it, always has been, always will be." In 1955 she appeared as a guest on See It Now, a television program hosted by Edward R. Murrow.
Later years and death
On her 100th birthday in 1960, New York Governor Nelson Rockefeller proclaimed the day "Grandma Moses Day" in her honor. LIFE magazine celebrated her birthday by featuring her on its September 19, 1960 cover. The children's book "Grandma Moses Story Book" was published in 1961.
Grandma Moses died on December 13, 1961 at 101 years of age at the Health Center in Hoosick Falls, New York. She is buried there at the Maple Grove Cemetery. President John F. Kennedy memorialized her: "The death of Grandma Moses removed a beloved figure from American life. The directness and vividness of her paintings restored a primitive freshness to our perception of the American scene. Both her work and her life helped our nation renew its pioneer heritage and recall its roots in the countryside and on the frontier. All Americans mourn her loss."
After her death, her work was exhibited in several large traveling exhibitions in the United States and abroad.
A 1942 piece, The Old Checkered House, 1862 was appraised at the Memphis 2004 Antiques Roadshow. It was not as common as her winter landscapes. Originally purchased in the 1940s for under $10, the piece was assigned an insurance value of $60,000 by the appraiser, Alan Fausel.
In November 2006, her 1943 work Sugaring off became her highest-selling work at US $1.2 million.
Norman Rockwell was a friend of Grandma Moses who lived over the Vermont-New York state border. Moses lived in Eagle Bridge, New York and after 1938 the Rockwells had a house in nearby Arlington, Vermont. Grandma Moses appears on the far left edge in the Norman Rockwell painting Christmas Homecoming, which was printed on the cover of the Saturday Evening Post of December 25, 1948.
Some of her works are:
- Autumn in the Berkshires
- Black Horses, 1942
- Bondsville Fair, 1945
- Catching the Thanksgiving Turkey, San Diego Museum of Art
- Dividing of the Ways, 1947, oil and tempera on masonite, Collection American Folk Art Museum, New York
- English Cottage Flower Garden, embroidery
- Get Out the Sleigh, 1960, oil on pressed wood
- Haying Time, 1945
- Home of the Hezekiah King, 1776, 1943, Phoenix Art Museum
- Home for Thanksgiving, 1952
- Hoosick Falls, 1944, Southern Vermont Arts Center
- Jack 'n Jill
- July Fourth, 1951
- My Hills of Home, Memorial Art Gallery of the University of Rochester, New York
- Out for Christmas Trees
- Rockabye, 1957, Grandma Moses with her grandchildren
- The Childhood Home of Anna Mary Robertson Moses, 1942
- Thanksgiving Turkey
- The Daughter's Homecoming, oil on pressed wood
- The Old Checkered House
- The Old Covered Bridge, The Wadsworth Atheneum Museum of Art, Hartford, Connecticut
- The Old Oaken Bucket
- The Red Checkered House
- Turkey in the Straw, c. 1940, private collection
- White Christmas
- Winter is Here, 1945
Some of the public collections of her work are:
- Bennington Museum in Bennington, Vermont, holds the largest public collection of Moses's paintings
- Brooklyn Museum, New York City
- Figge Art Museum, Davenport, Iowa
- Hirshhorn Museum and Sculpture Garden, Washington D.C.
- Lauren Rogers Museum of Art, Laurel, Mississippi
- Maier Museum of Art at Randolph-Macon Woman's College, Virginia
- Memorial Art Gallery of the University of Rochester, New York
- Metropolitan Museum of Art, New York City
- National Museum of Women in the Arts, Washington D.C.
- The Phillips Collection, Washington D.C.
- Phoenix Art Museum, Arizona
- University of Iowa Museum of Art, Iowa City
- Mount Airy near Verona, Virginia was listed on the National Register of Historic Places in 2012. It was the first house Grandma Moses and her husband owned in their married lives. They owned the house from January 1901 to September of 1902.
- Lippard stated in "The Word in Their Hands" that she found "hobby art" to be "an activity so 'low' on the art lists that it still ranks way below 'folk art...' She further found that hobby art often involves reuse of otherwise discarded objects.
- Grandma Moses also told reporters that she turned to painting in order to create the postman's Christmas gift, seeing as it "was easier to make [a painting] than to bake a cake over a hot stove." Being practical, painted works would last longer than her embroidered compositions made of worsted wool, which risked being eaten by moths. Judith Stein noted that "her sense of accomplishment in her painting was rooted in her ability to make 'something from nothing.'"
- A Mother's Day feature in True Confessions (1947) written by Eleanor Early noted how "Grandma Moses remains prouder of her preserves than of her paintings, and proudest of all of her four children, eleven grandchildren and four great-grandchildren."
- "Obituary: Grandma Moses Is Dead at 101; Primitive Artist 'Just Wore Out'". New York Times. December 14, 1961.
- "Anna Mary Robertson ("Grandma") Moses Biography". Galerie St. Etienne. Retrieved August 30, 2014.
- Arnold B. Cheyney (1 January 1998). People of Purpose: 80 People Who Have Made a Difference. Good Year Books. p. 110. ISBN 978-0-673-36371-8.
- "National Register of Historic Places Program: Women's History Month Feature 2013 - Mt. Airy, Augusta County, Virginia". National Park Service. Retrieved August 30, 2014.
- Amy Ross Moses (March 2012). "National Register of Historic Places Inventory/Nomination: Mount Airy".
- "National Register of Historic Places Listings". Weekly List of Actions Taken on Properties: 8/20/12 through 8/24/12. National Park Service. 2012-08-31.
- "Grandma Moses in the 21st Century (originally published in Resource Library Magazine.)". Traditional Fine Arts Organization Inc. Retrieved August 6, 2011.
- Judith Stein (2001). The White-Haired Girl: A Feminist Reading: Grandma Moses in the 21st Century. Alexandria, VA: Art Services International. pp. 48–63.
- Paul Arnett; William Arnett (2000). Souls Grown Deep: The tree gave the dove a leaf. Tinwood Books. p. 282. ISBN 978-0-9653766-0-0.
- "Grandma Moses (Anna Mary Robertson Moses) 1860–1961". National Museum of Women in the Arts. Retrieved August 30, 2014.
- William Zimmer (1998-07-26). "ART; The Varied Tradition of Grandma Moses". The New York Times. Retrieved 2010-05-04.
- American Council of Learned Societies (1959). Dictionary of American Biography. Scribner. p. 557. ISBN 978-0-684-16794-7.
- Metropolitan Museum of Art (New York, N.Y.); Doreen Bolger; Doreen Bolger Burke (1980). American Paintings in the Metropolitan Museum of Art: A catalogue of works by artists born between 1846 and 1864. Vol. 3. Metropolitan Museum of Art. p. 390. ISBN 978-0-87099-244-5.
- Karal Ann Marling (2006). Designs on the Heart: The Homemade Art of Grandma Moses. Harvard University Press. p. 102. ISBN 978-0-674-02226-3.
- Eleanor Early (May 1947). "Just a Mother". True Confessions: 47.
- "1942 Grandma Moses Painting". PBS. Retrieved August 30, 2014.
- BJ Gallagher (11 February 2014). It's Never Too Late to Be What You Might Have Been: A Guide to Getting the Life You Love. Cleis Press. p. 105. ISBN 978-1-936740-69-7.
- Martin Bjergegaard; Jordan Milne (1 May 2014). Winning Without Losing: 66 strategies for succeeding in a business while living a happy and balanced life. Pine Tribe Limited. p. 180. ISBN 978-0-9912609-7-3.
- Sunny Schubert (April 27, 2012). View from the Pier: Brushing up on some art with Vino and Van Gogh. The Herald-Independent. Retrieved August 30, 2014.
- Deborah Saloman (November 1, 2013). "Norman Rockwell’s New England". New York Times. Retrieved August 30, 2014.
- Karal Ann Marling (2006). Designs on the Heart: The Homemade Art of Grandma Moses. Harvard University Press. p. 182. ISBN 978-0-674-02226-3.
- Karal Ann Marling (2006). Designs on the Heart: The Homemade Art of Grandma Moses. Harvard University Press. pp. 187–189, 284. ISBN 978-0-674-02226-3.
- "Norman Rockwell's Christmas Homecoming cover of the Saturday Evening Post". coverbrowser.com. Retrieved August 30, 2014.
- Adam Richard Schaefer (2003). Grandma Moses. Heinemann Library. pp. 5–13. ISBN 978-1-4034-0289-9.
- Karal Ann Marling (2006). Designs on the Heart: The Homemade Art of Grandma Moses. Harvard University Press. p. throughout. ISBN 978-0-674-02226-3.
- V. T. Dacquino (1 January 2010). Grandma Moses. Benchmark Education Company. pp. 12–17. ISBN 978-1-61672-617-1.
- Metropolitan Museum of Art (New York, N.Y.); Doreen Bolger; Doreen Bolger Burke (1980). American Paintings in the Metropolitan Museum of Art: A catalogue of works by artists born between 1846 and 1864. Vol. 3. Metropolitan Museum of Art. pp. 391–392. ISBN 978-0-87099-244-5.
- "Museum Story". Bennington Museum. Retrieved August 30, 2014.
- "Collections". Bennington Museum. Retrieved August 30, 2014.
- "Anna Mary Robertson Moses". Brooklyn Museum. Retrieved August 30, 2014.
- "Artists - M - page 4". Figge Art Museum. Retrieved August 30, 2014.
- "Search: Grandma Moses". Hirshhorn. Retrieved August 30, 2014.
- "Search: Anna Moses". Lauren Rogers Museum of Art. Retrieved August 30, 2014.
- "Search: Moses". Maier Museum of Art, Randolph College. Retrieved August 30, 2014.
- "Search: Anna Moses". Memorial Art Gallery, University of Rochester. Retrieved August 30, 2014.
- "Search: Grandma Moses". Metropolitan Museum of Art. Retrieved August 30, 2014.
- "Grandma Moses". National Museum of Women in the Arts. Retrieved August 30, 2014.
- "Collection - Artists L-M". The Phillips Collection. Retrieved August 30, 2014.
- "Grandma Moses". University of Iowa Museum of Art. Retrieved August 30, 2014.
|Wikimedia Commons has media related to Grandma Moses.|
- Jane Kallir, "Grandma Moses: The Artist Behind the Myth", The Clarion, Fall 1982.