Greg Land

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Greg Land
Born 1956
Nationality American
Area(s) Penciller
Notable works Sojourn
Ultimate Fantastic Four
Uncanny X-Men
Phoenix: Endsong

Greg Land is an American comic book artist, best known for his work on characters such as X-Men, Birds of Prey, and Fantastic Four.

Contents

Career [edit]

Greg Land first got a job with an independent publisher as the artist for StormQuest after advertising himself at a Mid-Ohio Con comic convention. After that, he went over to DC Comics in 1999 and was hired to finish the covers for Birds of Prey based on the sketches of Brian Stelfreeze. He also had runs as interior penciler on both Birds of Prey and Nightwing.

Later, Land began to work at CrossGen Comics, on a series called Sojourn. The series ran from July 2001 through May 2004, for a total of 34 issues.

Greg Land was able to move on to Marvel Comics, along with his inker and colorist from Sojourn, after the fall of CrossGen. Originally at Marvel, Land did covers to various series. This led to a collaboration with Greg Pak as the main artist of X-Men: Phoenix - Endsong. Next, Land became the penciler for Ultimate Fantastic Four. He did the artwork for a crossover between Marvel's Supremeverse and the Ultimate Universe, entitled Ultimate Power, which was written by Brian Michael Bendis, J. Michael Straczynski and Jeph Loeb. He then did the covers for Marvel Zombies 3 which were all homages to posters of famous Zombie movies.

Land is currently serving as the artist for Uncanny X-Men and X-Men: Legacy.

Critical reception and controversies [edit]

Commenting on Land's work on Uncanny X-Men #510, Brian Cronin of Comic Book Resources remarked that the issue "possibly has the most harmful art to a story that I’ve seen in a comic," saying that Land's limited supply of poses and use of the same models for multiple characters "results in terrible art and particularly terrible storytelling."[1]

Although the use of photographs as models is long established in comic book art, Land has been accused of going beyond the accepted bounds of photo use, lifting photos into his pages outright and using minimal Photoshopping to alter the picture and make the work appear to be an original drawing.[2]

He was also mocked by his limited use of facial expressions on the Thing.[3]

Bibliography [edit]

DC [edit]

Marvel [edit]

Other publishers [edit]

  • StormQuest #1 (1994) (Caliber Press)
  • Sojourn #1–33 (2001–2004) (CrossGen)

References [edit]

External links [edit]