Groundhog Day (film)
Theatrical release poster
|Directed by||Harold Ramis|
|Produced by||Trevor Albert
|Screenplay by||Danny Rubin
|Story by||Danny Rubin|
|Music by||George Fenton|
|Editing by||Pembroke J. Herring|
|Distributed by||Columbia Pictures|
|Release date(s)||February 12, 1993|
|Running time||101 minutes|
In 2006, the ==Plot== Self-centered TV meteorologist Phil Connors (Murray), news producer Rita (MacDowell), and cameraman Larry (Elliott), of Pittsburgh television station WPBH-TV9, travel to Punxsutawney, Pennsylvania on February 1. Their assignment is to cover the annual Groundhog Day festivities on February 2. Phil, who doesn't like the assignment or the town, grudgingly gives his report on the festivities. He then gets his team on the road back to Pittsburgh, but a blizzard shuts down all travel. The team is forced to return to town and stay another night.
Phil wakes up to find that he is reliving February 2. The day plays out exactly as it did before, with no one but Phil aware of the time loop. At first he is confused, but, when the phenomenon continues on subsequent days, he decides to take advantage of the situation with no fear of long-term consequences: he learns secrets from the town's residents, seduces women, steals money, drives recklessly, and gets thrown in jail. However, his attempts to get closer to Rita, to whom he has become attracted, repeatedly fail.
Eventually, Phil becomes despondent and tries more and more drastically to end the time loop; he gives ridiculous and offensive reports on the festival, abuses residents, eventually kidnaps Punxsutawney Phil and, after a police chase, drives off a high overlook into a quarry, evidently killing both himself and the groundhog. However, Phil wakes up and finds that nothing has changed; further attempts at suicide are just as fruitless, as he continues to find himself waking at six o'clock on the morning of February 2 with the clock radio on his nightstand playing "I Got You Babe" by Sonny & Cher.
When Phil explains the situation to Rita, she suggests that he should take advantage of it to improve himself. Inspired, Phil endeavours to try to learn more about Rita, building upon his knowledge of her and the town each day. He begins to use his by-now vast experience of the day to help as many people around town as possible. He uses the time to learn, among other things, how to play the piano, how to sculpt ice, and how to speak both Italian and French.
Eventually, Phil is able to befriend almost everyone he meets during the day, using his experiences to save lives, help townspeople, and to get closer to Rita. He crafts a report on the Groundhog Day celebration so eloquent that all the other stations turn their microphones to him. After the town's evening dance on February 2, Rita "buys" Phil at the event's bachelor auction. They retire together to Phil's room. He wakes the next morning and finds the time loop is broken; it is now February 3 and Rita is still with him. After going outside, Phil talks about living in Punxsutawney with Rita.
- Bill Murray as Phil Connors
- Andie MacDowell as Rita
- Chris Elliott as Larry
- Stephen Tobolowsky as Ned Ryerson
- Brian Doyle-Murray as Buster Green
- Rick Ducommun as Gus
- Robin Duke as Doris, the waitress
- Marita Geraghty as Nancy Taylor
- Harold Ramis as Neurologist
- Willie Garson as Phil's Asst. Kenny
- Ken Hudson Campbell as man in hallway
- Rick Overton as Ralph
- Richard Henzel as D.J. #1
- Rob Riley as D.J. #2
- David Pasquesi as Psychiatrist
- Hynden Walch as Debbie
- Michael Shannon as Fred
- Eric Saiet as Buster's son
||This section needs additional citations for verification. (January 2013)|
According to Ramis' DVD commentary, Danny Rubin's original script and the film as it was actually released are different in several ways. The original script began mid narrative, without explaining how or why Phil was repeating Groundhog Day. The filmmakers believed the audience would feel cheated without seeing Phil's growing realization of the nature of the time loop.
Rubin had also originally envisioned Andie MacDowell's character Rita reliving the day with Phil, and portrayed the pair as being stuck together in the time loop for far longer than the film showed, possibly for thousands of years (Phil tracked time by reading a page of a book each day and had managed to read through the entire public library).
Reports regarding how long Phil is trapped in the time loop vary widely. Ramis states in the DVD commentary that he believes 10 years pass. However, in an e-mail response sent to Heeb magazine, Ramis said, "I think the 10-year estimate is too short. It takes at least 10 years to get good at anything, and allotting for the down time and misguided years he spent, it had to be more like 30 or 40 years."
According to Stephen Tobolowsky, Ramis told him that the entire progress of Groundhog Day covered 10,000 years. "I always thought that there were nine days represented [in the film], and Danny Rubin, the writer, said that he felt something like 23 days were represented in the movie, [but they lasted] over 10,000 years."
The shooting location for most of the film was Woodstock, Illinois, a far northwest suburb of Chicago about 10 mi (16 km) from the Wisconsin border. Residents of the city helped in the production by bringing out heaters to warm the cast and crew in cold weather. The real Gobbler's Knob is located in a rural area about 2 mi (3.2 km) east of Punxsutawney, but the film location gives the impression that it is in the town. The Tip Top Cafe, where much of the film takes place, was originally a set created for the film, but local demand led to its remaining open as a real cafe. After it closed, the Tip Top Bistro took its place, eventually to be replaced by Bella's Gelateria.
Stephen Tobolowsky at Groundhog Day 2010 in Punxsutawney recalled the making of the final scene:
He [Bill Murray] said, "I refuse to shoot this scene until I know how I am dressed. Am I wearing the clothes I wore the night before? Am I wearing p.j.'s? Am I not wearing that?" That is, what happened that night between him and Andie [MacDowell]? So, he refused to shoot it. Harold Ramis, the director, had not thought of this question, and he didn't know. So he took a vote from the cast and crew as to what Bill was wearing. Is he wearing the clothes from the night before, or is he wearing pajamas? And it was a tie, a tie vote, so Bill still refused to shoot the scene.
Then one girl in the movie—it was her first film—she was assistant set director. She raised her hand and said, "He is absolutely wearing the clothes he wore the night before. If he is not wearing the clothes he wore the night before, it will ruin the movie. That's my vote." So Harold Ramis said, "Then that's what we are going to do." I've never told anybody that behind-the-scenes story, so keep that a secret now.
The film was released to generally favorable reviews, holding a score of 72 out of 100 at Metacritic. Owen Gleiberman of Entertainment Weekly gave it a B– and Desson Howe of the The Washington Post noted that even though the film is a good Bill Murray vehicle, "'Groundhog' will never be designated a national film treasure by the Library of Congress". The film was selected by the National Film Preservation Board for preservation in the Library of Congress in 2006.
Among positive reviews, Janet Maslin of The New York Times called it "a particularly witty and resonant comedy" and Hal Hinson of The Washington Post called it "the best American comedy since 'Tootsie.'". It was a solid performer in its initial release, grossing $70.9 million in North America and ranking 13th among films released in 1993. It was nominated for the Hugo Award for Best Dramatic Presentation, but lost to Jurassic Park.
The critical opinion and popularity of Groundhog Day has significantly improved since its initial release, with the film currently holding a 96% "Certified Fresh" rating on Rotten Tomatoes. Roger Ebert has revisited it in his "Great Movies" series. After giving it a three-star rating in his original review, Ebert acknowledged in his "Great Movies" essay that, like many viewers, he had initially underestimated the film's many virtues and only came to truly appreciate it through repeated viewings.
The film is number 32 on Bravo's "100 Funniest Movies". In Total Film's 1990s special issue, Groundhog Day was deemed the best film of 1993 (the year that saw the release of Schindler's List, The Piano and The Fugitive). In 2000, readers of Total Film voted it the seventh greatest comedy film of all time. The Writers Guild of America ranked the screenplay #27 on their list of 101 Greatest Screenplays ever written. In 2009, American literary theorist Stanley Fish named the film as among the ten best American films ever.
- British Comedy Awards 1993 (Comedy Film)
- Saturn Award for Best Actress (Film) (Andie MacDowell, for playing Rita)
In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. Groundhog Day was acknowledged as the eighth best film in the fantasy genre.
American Film Institute recognition
- AFI's 100 Years...100 Laughs - #34
- AFI's 100 Years...100 Passions - Nominated
- AFI's 100 Years...100 Movies (10th Anniversary Edition) - Nominated
- AFI's 10 Top 10 - #8 Fantasy Film
The phrase "Groundhog Day" has entered common use as a reference to an unpleasant situation that continually repeats, or seems to.
In the military, referring to unpleasant, unchanging, repetitive situations as "Groundhog Day" was widespread very soon after the movie's release in February 1993. A magazine article about the aircraft carrier USS America mentions its use by sailors in September 1993. The film was a favorite among the Rangers deployed for Operation Gothic Serpent in Somalia in 1993, because they saw the film as a metaphor of their own situation, waiting long periods between raids and monotonous long days. In February 1994, the crew of the aircraft carrier USS Saratoga referred to its deployment in the Adriatic Sea, in support of Bosnia operations, as Groundhog Station. A speech by President Clinton in January 1996 specifically referred to the movie and the use of the phrase by military personnel in Bosnia. Fourteen years after the movie was released, "Groundhog Day" was noted as American military slang for any day of a tour of duty in Iraq.
Member of Parliament Dennis Skinner likened British Prime Minister Tony Blair's treatment following the 2004 Hutton Inquiry to Groundhog Day. "[The affair] was, he said, like Groundhog Day, with the prime minister's critics demanding one inquiry, then another inquiry, then another inquiry." Blair responded approvingly, "I could not have put it better myself. Indeed I did not put it better myself."
Groundhog Day has been considered a tale of self-improvement which emphasizes the need to look inside oneself and realize that the only satisfaction in life comes from turning outward and concerning oneself with others rather than concentrating solely on one's own wants and desires. The phrase also has become a shorthand illustration for the concept of spiritual transcendence. As such, the film has become a favorite of Buddhists because they see its themes of selflessness and rebirth as a reflection of their own spiritual messages. It has also, in the Catholic tradition, been seen as a representation of Purgatory. It has even been dubbed by some religious leaders as the "most spiritual film of our time".
An article by economist D. W. MacKenzie published on the website of the Ludwig von Mises Institute used the movie to illustrate a critique of mainstream economics, arguing that "In economic terms the final reliving of the day constitutes what economists refer to as a perfectly competitive equilibrium based on perfect information. ... In the hypothetical world of Phil Connors in Groundhog Day all of the parameters of the 'game' he is playing are reset back to their original position every night while he sleeps. In the real world there are no constants."
In August 2003, Stephen Sondheim responded to a question about his next project that he was interested in something like a theme and variations—possibly a musical adaptation of Groundhog Day; however, in a 2008 live chat said that "to make a musical of Groundhog Day would be to gild the lily. It cannot be improved."
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- "Washintong Post: "Groundhog Day"". Retrieved 2012-11-29.
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- Roger Ebert's Review of Groundhog Day February 12, 1993
- "The 101 Greatest Screenplays". Writers Guild of America. Retrieved 2007-03-13.
- Savage, Sophia (February 27, 2013). "WGA Lists Greatest Screenplays, From 'Casablanca' and 'Godfather' to 'Memento' and 'Notorious'". Retrieved February 28, 2013.
- Stanley Fish (2009-01-04). "The 10 Best American Movies". New York Times. Retrieved 2009-01-06.
- American Film Institute (2008-06-17). "AFI Crowns Top 10 Films in 10 Classic Genres". ComingSoon.net. Retrieved 2008-06-18.
- "Top 10 Fantasy". American Film Institute. Retrieved 2008-06-18.
- AFI's 100 Years...100 Passions Nominees
- AFI's 100 Years...100 Movies (10th Anniversary Edition) Ballot
- "Hurricane Fatigue". USA Today. 2004-09-26. Retrieved 2009-10-10.
- "Diplomacy's Gunboat". U.S. News & World Report. 1994-02-22. Retrieved 2010-05-10.
- Bowden, Black Hawk Down, Corgi edition, 2000 p.534.
- Remarks to American Troops at Tuzla Airfield, Bosnia-Herzegovina, January 13, 1996
- "'Embrace the Suck' and More Military Speak". Retrieved 2009-11-26.
- Nick Assinder (2004-02-04). "Politics: Prime Minister's Questions". BBC News. Retrieved 2008-05-22.
- "The spiritual power of repetitive form: Steps toward transcendence in Groundhog Day". Suzanne Daughton, Critical Studies in Mass Communication. Annandale: Jun 1996. Vol. 13, Iss. 2; pg. 138, 17 pgs
- Kuczynski, Alex (December 7, 2003). "Groundhog Almighty". The New York Times. Archived from the original on December 7, 2003. Retrieved 2009-10-10. "Angela Zito, a co-director of the Center for Religion and Media at New York University, screens the film for students in her Buddhism class. She said that "Groundhog Day" perfectly illustrates the Buddhist notion of samsara, the continuing cycle of rebirth that Buddhists regard as suffering that humans must try to escape (a belief, Dr. Zito noted, that was missed by executives at Guerlain, who, searching for an exotic name, introduced a perfume called Samsara in the 1980s, overlooking the negative connotations). "Groundhog Day," Dr. Zito said, is a cinematic version of the teachings in Mahayana Buddhism, known as "the greater vehicle." "In Mahayana," she said, "nobody ever imagines they are going to escape samsara until everybody else does. That is why you have bodhisattvas, who reach the brink of nirvana, and stop and come back and save the rest of us. Bill Murray is the bodhisattva. He is not going to abandon the world. On the contrary, he is released back into the world to save it.""
- Paul Schindler. "Groundhog Day The Movie, Buddhism and Me". schindler.org. Retrieved 2010-01-25.
- Shambhala Sun. "And If He Sees His Shadow...".
- Andrew Buncombe (2004-02-02). "Is this the greatest story ever told?". The Independent (London: isgodimaginary.com). Retrieved 2013-01-30.
- MacKenzie, D. W. (March 2007). "Austrian Economics in Action: The economics of Groundhog Day". Review - Institute of Public Affairs 59 (Melbourne). p. 20.
- "A Funny Thing Happened on the Way to Broadway". Institute for Studies In American Music. Fall 2003. Retrieved 2006-10-10.
- "Sondheim plans changes to Bounce". The Stephen Sondheim Society. August 25, 2003. Retrieved 2006-10-10.[dead link]
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- Gilbey, Ryan (2004), Groundhog Day, London: British Film Institute, ISBN 1-84457-032-0.
- Rubin, Danny (2012), How to Write "Groundhog Day", Boston: Triad Publishing.
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|Look up Groundhog Day in Wiktionary, the free dictionary.|
- Groundhog Day at the Internet Movie Database
- Groundhog Day at the TCM Movie Database
- Groundhog Day at AllRovi
- Groundhog Day at Rotten Tomatoes
- Roger Ebert (1993-02-12). "Groundhog Day". Chicago Sun-Times.
- Roger Ebert (2005-01-30). "Groundhog Day". Chicago Sun-Times.
- The Guardian article: "Groundhog Day: the perfect comedy, for ever" by Ryan Gilbey, February 2013
- Real-life "Groundhog Days" studied
- Essays and Original Screenplay by Danny Rubin (Feb 2 2012)