Grueby Faience Company
The company was founded in Revere, Massachusetts, by William Henry Grueby (Boston 1867—New York 1925), who had been inspired by the matte glazes on French pottery and the refined simplicity of Japanese ceramics he had seen at the World's Columbian Exposition in Chicago the previous year, and the architect-designer William Graves. During its first years, Grueby produced glazed architectural terra cotta and faience tiles. Teamed with the designer George Prentiss Kendrick, who was responsible for the simple vase shapes, beginning in 1897/98, and focusing primarily on art pottery vases, Grueby introduced matte glazes, including the matte cucumber green that became the company's hallmark.
Grueby's work won two gold and one silver medal at the Exposition Universelle (Paris, 1900), medals at the Pan-American Exposition (Buffalo, 1901) and a gold medal at the St. Petersburg Exhibition of Ceramics (1901) and a gold medal at the Louisiana Purchase Exposition (St. Louis, 1904).
Grueby Faience stood in the mainstream of Arts and Crafts and Art Nouveau design in the United States. Graves and Kendrick were eventually replaced by the architect Addison LeBoutillier and Henry Belknap, who had worked with Louis Comfort Tiffany. Later, Karl Langenbeck, formerly of the Rookwood Pottery, would superintend design. Soon Grueby vases were for sale at Samuel Bing's shop in Paris, L'Art Nouveau, which gave a name to the progressive art movement, and through Tiffany & Co. in New York, where Tiffany Studios used Grueby lamp bases. Gustav Stickley incorporated Grueby tiles in his stands and tables, shared a stand with Grueby at the Pan-American Exposition and through his catalog offered Grueby vases and lamps.
Grueby's work incited mass-market competition and the company went bankrupt in 1909. Grueby emerged from bankruptcy and began limited production runs that included statues, pottery, and tiles until 1911. There was a fire in the manufactory in 1913, but Grueby rebuilt. In 1917, the C. Pardee Works in Perth Amboy, New Jersey, bought out the company's works; the Grueby company closed for good in 1920.
Grueby Faience Company, which still remains better known for its art pottery, also produced glazed architectural tiles, which were impressed in molds. Grueby polychrome glazed tiles can still be seen in the revetments of Interborough Rapid Transit Company subway stations in New York and making up the thirty-six original tile murals in the main lobby of Scranton, Pennsylvania's Lackawanna Train Station (restored in 2007-09).
The standard monograph is Susan J. Montgomery, The Ceramics of William H. Grueby: The Spirit of New Idea in Artistic Handicraft, 1993. The collection at Dartmouth College is catalogued by Montgomery, Grueby Pottery: A New England Arts and Crafts Venture : The William Curry Collection, Hood Museum of Art, Dartmouth College, 1994.
- Barbara Bell, "The Potteries of New England, Part IV: Grueby" (on-line)
- Metropolitan Museum of Art: Grueby vase, design attributed to Kendrick, ca 1894-1911)
- The Arts and Crafts Society: "Grueby Faience Company of Boston"
- JMW Gallery, Boston, Affirmation and Rediscovery: Objects from the Society of Arts & Crafts, Boston, 1997
- "Its success has brought out a number of imitations." (William Percival Jervis, The Encyclopedia of Ceramics 1902 (on-line text); the Grueby matte green glazes were imitated in Teco pottery, by Rookwood Pottery Company and at Bauer Pottery in Los Angeles, which introduced its matte green glaze in 1916.
- "Charges Pottery Concern: Receiver Appointed for Grueby Faience Company of Boston." The New York Times, 5 February 1909: accessed 26 March 2010
- Arts and Crafts Tile; see New York City Subway tiles.
- Journal of the American Art Pottery Association, "The Grueby Faience Murals of Scranton, Pennsylvania: A Documentation", November/December 2008, Vol. 24, No. 6
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