|Directed by||Anurag Kashyap|
|Written by||Raj Singh Chaudhary
|Starring||Raj Singh Chaudhary
Kay Kay Menon
|Music by||Piyush Mishra|
|Edited by||Aarti Bajaj|
|Distributed by||Zee Limelight|
|Running time||140 mins.|
Gulaal (Hindi: गुलाल) is a 2009 Indian thriller drama film directed by Anurag Kashyap and starring Kay Kay Menon, Raj Singh Chaudhary, Abhimanyu Singh, Deepak Dobriyal, Ayesha Mohan, Jesse Randhawa, Piyush Mishra and Aditya Srivastava. The film explores themes such as pursuit of power, quest for legitimacy, perceived injustices and hypocrisy of the powerful. The film is set in present day Rajasthan, a state in western India. The plot is provided by student politics of the university and a fictitious secessionist movement consisting of former Rajput leaders who have become present day elite.
In the fictional town of Rajpur, Dilip (Raj Singh Chaudhary), a law student who is a Rajput from Bikaner, and his faithful servant, Bhanwar (Mukesh Bhatt), secure housing in an old, run-down British-era pub. Here Dilip meets Rananjay Singh “Ransa” (Abhimanyu Singh), a prince who despises the ideologies of his father and the aristocracy. Ransa's straightforward and fearless personality has quite an effect on the mild-mannered Dilip. Shortly, Dilip visits the university hostel where he is ragged by a gang of university thugs, led by Jadwal (Pankaj Jha). They strip him and lock him in a room with Anuja (Jesse Randhawa), a young lecturer in the same university. Both Dilip and Anuja are released naked. Dilip's brother tells him to ignore the event and that things were the same in his days, effectively stating that the society as a whole hasn’t changed much since his time. But Ransa disagrees and tells Dilip that they should avenge this act. Initially, Dilip is reluctant but finally gives in and goes along with Ransa, after Ransa provokes him to give the thugs a taste of their own medicine. But the tables are turned and both Dilip and Ransa are beaten and are ragged and thrown out of the hostel. Ransa meets Dukey Bana (Kay Kay Menon), a local figure who is trying to gather support for the Rajputana separatist movement, who allows them to proceed with the plan to injure Jadwal. Ransa and Dilip ambush Jadwal, but the other thugs corner them in a cinema hall. Dukey Bana interferes and rescues them. Dukey Bana then convinces Ransa to compete in the General Secretary Elections at the university. Running against Ransa is his father's out-of-wedlock daughter, Kiran (Ayesha Mohan).
Ransa is kidnapped by his father's out-of-wedlock son Karan (Aditya Srivastava), who asks him to withdraw from the elections. Ransa mocks him and Karan kills him. Taking advantage of the situation, Dukey Bana makes Dilip to take Ransa's place in the election. The chances of Dilip winning are minimal, so Dukey Bana bribes the electoral panel to rig the count in Dilip's favour. Dilip wins the election to become the general secretary. Kiran then seduces Dilip and convinces him to allow her to become the cultural secretary. Dukey Bana then starts using the funds for the Rajputana separatist movement. When Dilip finds out about this he goes to confront Dukey Bana about the funds. Bana lets Dilip know about the movement and tells him that the funds are being used for it. Dilip is not convinced and tries to reason with Bana. A frustrated Bana takes him to his country estate where his thugs have killed Jadwal and shows him the body to intimidate him. Anuja, is thrown out of the hostel and moves in with Dilip. Kiran gets pregnant and is angry with Dilip for being careless about it. She gets an abortion and leaves Dilip. Anuja tries to make Dilip understand that Kiran has no interest in leading a married life and leaves him. A frustrated Dilip resigns from his post and Kiran steps in. She then tries to seduce Dukey Bana, but she fails when Bhati (Deepak Dobriyal), Dukey's second-in-command, comes looking for Dukey. In a private meeting, an irate Dukey threatens Karan and Kiran by telling them that the only reason they're alive is because of their links to the local king.
Dilip, blinded by his love for Kiran, becomes violent and aggressive. Anuja also decides to leave him. Meanwhile Dilip finds out about Kiran from Bana's mistress, Madhuri (Mahi Gill). He grabs a gun, goes to Bana's house and shoots him. While dying, Bana tells him that Kiran used Dilip to get to him. At the same time, Karan reveals to his group of thugs that once Dukey Bana is out of the way, the Rajputana movement will have no choice but to choose Karan as its new leader and therefore legitimize his royal status. They conclude that to get rid of Dukey, they must first eliminate Bhati. Dilip wants to hear the truth from Kiran, so he tells Bhati to get her on the phone. Kiran refuses to answer, so Bhati goes off to find her and is killed by Karan's thugs. Dilip comes to meet Kiran who tells him that all she wanted to was use him to become general secretary. Dilip rejects her explanation and almost shoots her but gets shot by thugs. Despite his injuries, Dilip walks back to his house and dies there. The film ends with Karan as the head of the Rajputana movement, while Kiran sheds a tear as one of the loyal faithful.
Parallel to the plot there is an interesting character of Dukey Bana's brother Prithvi Bana played by Piyush Mishra. He wears bizarre dress and seems as psychic, though talks very satirically and often abused and slapped by Dukey banna for this. It is told in flashback that he was once a guitarist in his young days. Along with him there is a person characterized as Ardhanarishvara, who is killed by Dukey Bana mistakenly when Dukey Bana was outraged with his brother and aims to shoot him and misses.
- Kay Kay Menon as Dukey Bana
- Raj Singh Chaudhary as Dilip Singh
- Abhimanyu Singh as Rananjay Singh "Ransa"
- Aditya Srivastava as Karan
- Mukesh Bhatt as Bhanwar Singh
- Jesse Randhawa as Anuja
- Deepak Dobriyal as Bhati
- Pankaj Jha as Jarwal
- Ayesha Mohan as Kiran
- Mahi Gill as Madhuri
- Piyush Mishra as Prithvi Bana
- Jyoti Dogra as Dukey Bana's wife
- Teddy Maurya as Bahrupiya, Ardhnareshwar
Production on Gulaal began in 2001, when Anurag Kashyap was listening to songs from Pyaasa and his film Paanch was struggling with censors. Inspired by Mohammad Rafi songs from Pyaasa ("Yeh duniya agar mil bhi jaaye to kya hai") and Zeenat, ("Haye re duniya") the film is a dedication to Sahir Ludhianvi, the lyricist of the song and all other poets who had a vision of India. The film was also partially based on a story idea by Raj Singh Chaudhary who eventually played the role of Dilip Singh in the film. The film was delayed for three years for various reasons, but it was released in March 2009. The movie's first trailer was released with the director's other movie Dev D.
Gulaal received positive reviews from critics. Anupama Chopra of NDTV gave three stars and referred to Anurag Kashyap as Anti-Yash Chopra. Raja Sen of Rediff.com gave it three stars and said that "fantastically watchable film that scores high on moments." Nikhat Kazmi gave the film three stars and said that "the film scores in having taut performances and a gritty screenplay as well." Noyon Jyoti Parasara of AOL.in gave the film 3.5 stars and said "Anurag scripts every character cleverly providing an identity to even the smallest characters and also a contrast in form of another character – true playwright style. He even has the jesters coming in to bring some comic relief but also more importantly they bring in a message." Tamil writer Charu Nivedita said this film is the "best political film" ever in Hindi and a document of current political history..The film was screened at the 2009 London Film Festival Since then, the film has gained significant cult following.
Although the critics' reviews were favorable, the movie opened to only 30 percent capacity during its first week in theaters across India. In addition, word of mouth has been poor for this film, which could lead to slowdown at the box office for its subsequent runs in the weeks that followed. Box Office India stated that Gulaal netted 32.5 million (US$550,000) in its first week, which was below expectations. The opening, at around 30% occupancy, was poor, though marginally better than some other recent films.
|Stardust Awards||Best Breakthrough Performance – Male||Abhimanyu Singh||Won|
|Standout Performance by a Music Director||Piyush Mishra||Won|
|IIFA Awards||Best Supporting Actor||Abhimanyu Singh||Nominated|
|Best Performance in Negative Role||Kay Kay Menon||Nominated|
|Soundtrack album by Piyush Mishra|
|Released||13 March 2009|
|2.||"Yaara Maula"||Rahul Ram, Asheem Chakravarty||3:09|
|4.||"Aisi Sazaa"||Shilpa Rao||4:53|
|5.||"Sheher"||Swanand Kirkire, Piyush Mishra||7:34|
|8.||"Raat Ke Musafir"||Rahul Ram||4:29|
- Jha, Sumit (27 March 2009). "'Anurag is more than Godfather to me'". Times of India. Retrieved 2009-06-12.
- Varsha Pillai (29 January 2009). "Anurag Kashyap's Gulaal to release after 5-yr delay". CNN-IBN (ibnlive.in.com). Retrieved 2009-02-13.
- Anupama Chopra. "Gulaal". NDTV. Retrieved 2009-12-02.
- Raja Sen (13 March 2009). "Gulaal is a compelling watch". Rediff. Retrieved 2009-12-02.
- Nikhat Kazmi (12 March 2009). "Gulaal". Times of India. Retrieved 2009-12-02.
- "'Gulal doesn’t spray color at the box office'". Bollywoodnews.com. 19 March 2009. Retrieved 2009-03-23.
- "'New Releases Dull Jai Veeru And Gulaal Poor'". Box Office India. 21 March 2009. Retrieved 2009-03-23.
- "Weekly Box-Office Report: Gulaal and Zizou find little colour at BO - The Times of India". The Times Of India.