Global gun cultures
Gun cultures are found around the world, and evidence various attitudes towards guns in such places as the United States, Honduras, El Salvador, Australia, Canada, the Philippines, Germany, and Switzerland. "Gun culture" is defined as the attitudes, feelings, values, and behavior of a society, or any social group, in which guns are used. Among the most studied and discussed global gun cultures is that of the United States.
- 1 Gun cultures in North and Central America
- 2 Gun cultures in Europe
- 3 Gun cultures in Oceania
- 4 Gun cultures in Asia
- 5 Gun cultures in Africa
- 6 Gun cultures in South America
- 7 See also
- 8 References
- 9 External links
Gun cultures in North and Central America
Gun cultures in the United States
The term "gun culture" in the United States has historical and political connotations. In 1970, historian Richard Hofstadter used the phrase "gun culture" to describe America's long-held affection for guns, embracing and celebrating the association of guns and America's heritage. In 1995, Robert Spitzer (political scientist) said that the modern American gun culture is founded on three factors: the proliferation of firearms since the earliest days of the nation, the connection between personal ownership of weapons and the country's revolutionary and frontier history, and the cultural mythology regarding the gun in the frontier and in modern life.
American attitudes on gun ownership date back to the American Revolutionary War, and find an origin also in the hunting/sporting ethos, and the militia/frontier ethos that draw from the country's early history.
The American hunting/sporting passion comes from a time when the United States was an agrarian, subsistence nation where hunting was a profession for some, an auxiliary source of food for some settlers, and also a deterrence to animal predators. A connection between shooting skills and survival among rural American men was in many cases a necessity and a 'rite of passage' for those entering manhood. Today, hunting survives as a central sentimental component of a gun culture as a way to control animal populations across the country, regardless of modern trends away from subsistence hunting and rural living.
The militia/frontiersman spirit derives from an early American dependence on arms to protect themselves from foreign armies and hostile Native Americans. Survival depended upon everyone being capable of using a weapon. Prior to the American Revolution there was neither budget nor manpower nor government desire to maintain a full-time army. Therefore, the armed citizen-soldier carried the responsibility. Service in militia, including providing one's own ammunition and weapons, was mandatory for all men—just as registering for military service upon turning eighteen is today. Yet, as early as the 1790s, the mandatory universal militia duty gave way to voluntary militia units and a reliance on a regular army. Throughout the 19th century the institution of the civilian militia began to decline.
Closely related to the militia tradition was the frontier tradition with the need for a means of self-protection closely associated with the nineteenth century westward expansion and the American frontier. There remains a powerful central elevation of the gun associated with the hunting/sporting and militia/frontier ethos among the American Gun Culture. Though it has not been a necessary part of daily survival for over a century, generations of Americans have continued to embrace and glorify it as a living inheritance—a permanent element of the nation's style and culture.
The gun has long been a symbol of power and masculinity. In popular literature, frontier adventure was most famously told by James Fenimore Cooper, who is credited by Petri Liukkonen with creating the archetype of an 18th-century frontiersman through such novels as "The Last of the Mohicans" (1826) and "The Deerslayer" (1840).
In the late 19th century, cowboy and "Wild West" imagery entered the collective imagination. The first American female superstar, Annie Oakley, was a sharpshooter who toured the country starting in 1885, performing in Buffalo Bill's Wild West show. The cowboy archetype of individualist hero was established largely by Owen Wister in stories and novels, most notably The Virginian (1902), following close on the heels of Theodore Roosevelt's The Winning of the West (1889–1895), a history of the early frontier. Cowboys were also popularized in turn of the 20th century cinema, notably through such early classics as The Great Train Robbery (1903) and A California Hold Up (1906) -- the most commercially successful film of the pre-nickelodeon era.
Gangster films began appearing as early as 1910, but became popular only with the advent of sound in film in the 1930s. The genre was boosted by the events of the prohibition era, such as bootlegging and the St. Valentine's Day Massacre of 1929, the existence of real-life gangsters (e.g., Al Capone) and the rise of contemporary organized crime and escalation of urban violence. These movies flaunted the archetypal exploits of "swaggering, cruel, wily, tough, and law-defying bootleggers and urban gangsters."
With the arrival of World War II, Hollywood produced many morale boosting movies, patriotic rallying cries that affirmed a sense of national purpose. The image of the lone cowboy was replaced in these combat films by stories that emphasized group efforts and the value of individual sacrifices for a larger cause, often featuring a group of men from diverse ethnic backgrounds who were thrown together, tested on the battlefield, and molded into a dedicated fighting unit.
Guns frequently accompanied famous heroes and villains in late 20th-century American films, from the outlaws of Bonnie and Clyde (1967) and The Godfather (1972), to the fictitious law and order avengers like Dirty Harry (1971) and RoboCop (1987). In the 1970s, films portrayed fictitious and exaggerated characters, madmen ostensibly produced by the Vietnam War in films like Taxi Driver (1976) and Apocalypse Now (1979), while other films told stories of fictitious veterans who were supposedly victims of the war and in need of rehabilitation (Coming Home and The Deer Hunter, both 1978). Many action films continue to celebrate the gun toting hero in fantastical settings. At the same time, the negative role of the gun in fictionalized modern urban violence has been explored in films like Boyz n the Hood (1991) and Menace 2 Society (1993).
Countries in Central America that have a long and difficult history of colonialism and dictatorships are particularly susceptible to destabilization caused by guns. Christian Parenti, in Tropic of Chaos (2012), singles out Guatemala, Honduras, and El Salvador, all countries that saw counterinsurgencies and the extensive killing of civilians by government forces; in those three countries, says Parenti, are found "a gun culture with large populations of unemployed men habituated to violence, discipline, secrecy, pack loyalty, brutality", and violence is everywhere.
Gun cultures in Europe
The Swiss gun culture was born of its diminutive size and geopolitical location. Historians say Switzerland avoided German invasion during World War II because its men were armed and trained. In Switzerland compulsory militia conscription and rifles (but not ammunition) in the home of all militia members reflect a relatively positive view of firearms. Although Swiss firearm restriction laws are on par with many other European countries in terms of requiring a legally valid reason for owning firearms, and although open carry is generally disallowed, militiamen carrying their small arms to and from military bases is not an unfamiliar sight.
There is no gun culture in the United Kingdom in the American (U.S.) sense. The civilian, U.K. gun culture is represented by shooting sports.
Gun cultures in Oceania
Although anglo settlers used guns to defeat Indigenous Australians in 19th century, much as westward-bound pioneers did to defeat Native Americans, the similarities end there, according to journalist Phillip Knightley. Land grabs pitted Americans not only against natives, but against each other. "In contrast," says Knightley, "Australians are basically a social people and have developed a car culture rather than a gun one." He says guns in Australia are traditionally farmers' tools.
Gun cultures in Asia
Especially South-East Asia is being destabilized by a gun culture in which legal and illegal arms are trafficked widely throughout the region and are contributing to an increase in overall violence, with drug lords, criminal syndicates, and separatist movements having access to guns and thus being able to inflict the kind of violence previously exerted only by the state. Weapons trafficking is one of the most lucrative business in Cambodia, the region's main source for illegal weapons (with Thailand being the main conduit), and China is one of the most important external suppliers.
A gun culture in the Western sense never developed in Japan. According to David Kopel, weapons there "always were, and remain today, the mark of the rulers, not the ruled." He wrote: "In short, while many persons may admire Japan's near prohibition of gun ownership, it is not necessarily true that other nations, such as the United States, could easily replicate the Japanese model. Japan's gun laws grow out of a culture premised on voluntary submission to authority, a cultural norm that is not necessarily replicated in Western democracies."
Gun ownership, especially in the mountainous northwest, is part of traditional Pakistani culture. Rifles are handed down from generation to generation for hunting and for celebratory fire. In the 21st century, increases in terrorist threats, and particularly in urban kidnappings, extortions, and robberies, has led to an increase in civilian demand for guns for self-protection.
The Filipino gun culture is the result of an enormous proliferation of legal and illegal handguns, sold at arms markets and used in complex and long struggles involving "local despots, colonial rivals, post-colonial territorial disputes, communist and ethnic insurgency, Cold War superpower competition, organized crime, and Islamic extremists". Especially since the 1960s, with the Philippines in economic and political turmoil, the country has become known as a gun culture, with widespread violence and threats of violence, and "weaponry was in common use among the citizenry". The problem appears to have gotten worse in the 21st century, and the plentiful availability of legal and illegal small arms "[tears] at the social fabric" and fuels banditry and violent crime. The Small Arms Survey also cites a long history of "craft production of small arms" dating back to Spanish colonial rule, and gun ownership is also linked to particular images of masculinity.
Gun cultures in Africa
Black South Africans sometimes state that a gun is a signal of citizenship in post-apartheid South Africa. This portrayal of guns and gun violence has been dubbed "consumerist militarism".
Gun cultures in South America
Most guns in Argentina are obtained in the black market by trading them for manaos. The main dealer is known as Palermo manaos.
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