Cobb in Memphis in 2006
|Born||Guy Franke Cobb
27 October 1963
St. Louis, Missouri, United States
|Alma mater||University of Mississippi (dropped out in 1983)|
Guy Franke Cobb (born October 27, 1963) is an American artist born in St. Louis, Missouri, United States.
Cobb left college and joined his brother's "acrobatic group, The Bud Light Daredevils." The group entertained audiences at basketball games in Europe, North America, Europe, Australia and Asia, and Australia. Over the next decade, Cobb worked sporadically with The Bud Light Daredevils and attended courses in poetry and short story writing.
In 1993 Cobb moved to Memphis and took a job in banking. In 1994 Cobb began painting again and his work was exhibited in the lobby of the Memphis Commercial Appeal's newspaper office. Cobb donated paintings to raise funds for WKNO Public Television and the Memphis Orpheum Theater and other works to hospitals and mental institutions.  Cobb has donated more than 60 paintings to not-for-profit organizations and museums throughout the region. In 2003 Cobb was invited to Nashville by to view his paintings on permanent display at the Tennessee State Capitol building and the Tennessee State Museum.
In 2000 Cobb began a series of jobs in information technology (IT) at Oracle, DB2, and SQL Server and Database Administrator. Cobb worked for FedEx as a programmer, a Business Continuity and Disaster Recovery planner and at FedEx Innovation where he designed and built wireless energy transmitters, seismometers and a mobile "Solar Greenbench".
In 2004 Cobb began experimenting with "visual color blending" in his paintings and he created a series of paintings for the sight impaired and the blind. Cobb incorporated thick textures onto the surface of his paintings by squeezing the paints onto the canvas. By 2005 he had completed a series of "Braille paintings" designed to be touched and interpreted by the blind. One of these paintings was used as a subject for the University of Missouri's Museum of Art & Archeology's 2009 Art In Bloom event.
Art critics John Simmons and Camille Howell wrote: "Down in the Valley of Rural Violence is typical of what Cobb calls his 'thorn paintings'.....His use of tortured metal, abstract forms and an overlay of projecting thorns all combine in this and the other paintings in the series to produce statements of anger and frustration". "Guy Cobb is an artist worth watching. He could well become a real force on the regional art scene." "Cobb's works are unsettling, disquieting, and impossible to ignore."
- Gill, William "Imitating Art: Guy Cobb, Shelby Farms, and the Distillation of Life and Place" storySouth, Summer 2004, Retrieved 2 September 2010
- Morton, Victoria Y., "The Art of Giving" (August 17, 2003), The Commercial Appeal, Section D, page 1.
- "A Gift for Art" (July 4, 2004), The Commercial Appeal, Section CR5.
- "Memphis Artist Donating Original Paintings To Mississippi State Hospital" (July 23, 2003), The Independent Weekly, page 1.
- Watson, Mark, "Communication Eases Developing Online Presence" (March 25, 2001), The Commercial Appeal, Section K, page 4.
- Trescott, Abbey University of Missouri Museum of Art & Archeology
- University of Missouri Museum of Art & Archeology
- Simmons, John, "Artist depicts violence with sheet metal, shotguns" (May 8, 1992), Springfield News Leader
- Howell, Camille, "Nature drawings look dug from the ground" (February 21, 1992), Springfield News Leader
- SEC Sports Journal (February 15, 1980) "Wow!", Page 18.
- Sports Illustrated (December 9, 1985), Contents pages 2 and 3.
- Howell, Camille, "Area Artists Exhibit at SAM", (November 30, 1990), Springfield News Leader.
- Howell, Camille, "Studio E", National Public Radio 1992 interview at College of the Ozarks.
- Boyd, Kent, Profile about Guy Cobb's thorn paintings on OzarkLife, March 1992, KYTV, Springfield, Missouri.
- Bruce, Mary, "St. Louis Spirit" (December 2003), St. Louis Magazine, page 18.
- "Daredevils combine basketball and spectacle" (December 1983) New Jersey Nets Game Program.
- Hollingsworth, Leigh, "Globetrotting Memphis-Style", (December, 1987), Memphis Magazine, Crosscurrents, page 23.
- "The OA's first-ever Southern Art & Architecture Issue" (advertisement incorporates Guy Cobb's "Braille America" painting, Oxford American Magazine, Summer 2005, page 81.
- "George Michael's Sports Machine"
- Kanengiser, Andy, "Ole Miss mascot vies for world record" Associated Press.
- Sutton, Ron "Southern Gent Evicted" (January 8, 1981) Knoxville News-Sentinel
- Daily Mississippian (January 19, 1981) Cover Story (follow up to "Southern Gent Evicted" story).
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- Bud Light Daredevils
- Abstract art
- Appropriation (art)
- Neo-conceptual art
- Conceptual art
- Spin art
- Folk art