Tachibana Kujuuin Hoten - 14th Headmaster.
|Founder||Takizawa Minokami Hōten|
|Date founded||c.17th century|
|Period founded||Sengoku period|
|Current headmaster||Tachibana Kujuuin Hoten|
|Jutte, Tessen&Kodachi||Truncheon, Iron-fan&Short Sword|
|Kusarigama||Weighted-chain and sickle|
Hōten-ryū (法典流?) is a Japanese martial art founded in 1600 CE. It is a school founded on the use of the sword, however it has several different kobuki (old weapons) in its curriculum. It is also notable for its hidden weapons (hibuki) or items that appear to hide among everyday things.
According to legend, Hōten-ryū was created by a Takizawa Minokami Hōten in the Kii mountain range (Nanzen) of Japan at the end of the Sengoku era. Takizawa was a bushi of the Tachibana family and allegedly a friend of Sesshusai Yagyū of Yagyū Shinkage-ryū fame. Takizawa had learned the martial arts taught in his han (prefecture) and then went to mount Kiso Ontake to study better himself. He made a pilgrimage to Ontake Shrine and Ontake waterfall in an attempt to purify his spirit and body. At Ontake it is believed that Takizawa decided to become a mountain priest. He then created the techniques for Hōten-ryū based on Shinto teachings and Shugendo practices; conforming his methods to the "laws of nature" that mountain aesthetics adhere to. The school was taught privately in a shrine near the Kiso-Ontake until the 13th inheritor Totsugawa Hōten made his way to Kyōtō and found a student in a very young Kazuo Taniguchi. Totsugawa, the 13th Soke, became frail with age and Kazuo succeeded him as the 14th soke when he was 19 years old, just before being conscripted into the Japanese military during World War II. As the soke of Hōten-ryū Kazuo he took on the name Tachibana Kujuuin Hoten and today he resides in Kyoto, Japan where he has been teaching Hōten-ryū and Shodō since the end of World War II.
Curriculum and weaponry
Hōten-ryū first focuses on training with the sword, but are many kōbuki (old weapons) and hibuki (hidden weapons). There are several primary categories which introduce multiple sub-categories and in effect creates a large curriculum. However, the techniques for each "sub-category" weapon are simple and interchangeable because the heiho (strategy) of the ryu is transmitted with each primary weapon. A short list of the armament techniques include: Jo (short staff), Ken (sword), Kusari (chain- flexible weapons), Kusarifundo (weighted chain-flexible weapons), Jutte (truncheon), Tessen (iron fan), Sasumata (two-horned polearm), Nagehari (thrown weapons), Sōjutsu (spear), Kusarigama (sickle and chain), Tekken ("iron fist" similar to Western brass-knuckles) and Taijutsu (unarmed defense), among others. A notable category is the sanki or "three tools" (also called sandogu) which are generally affiliated with the early Japanese police.
The training methods for Hōten-ryū focus on striking and mechanics of the weapons, which is done in solo practice at first, utilizing natural targets. Afterwards, the kata themselves are then done in pairs as an extension of the solo practice. There are 10 steps in teaching, each based on the progression of the weapons and the skill level of the practitioner with them.
The hidden weapons of Hōten-ryū are concealable and tough, generally hand made (outside of the sword and tessen) out of rough iron or natural materials. So, the creating of weapons is in fact part of the training and tradition of the ryū. For example, the jō (short staff) is made using tree branches, which makes it different from most other ryūha that use milled or machine made versions. That is to say, the jo is rough, usually bent; the curvature of the wood is part of the techniques used within the school, so there is a unique shape that is sought after, one that is found in nature. Many other weapons made of wood require flexibility/pliability so there is a method to finding the right wood and creating them. The use of natural rope is also a part of the ryū, so skill in finding materials and making it is required. A basic understanding of traditional iron working is necessary, however the advent of modern machinery has sped up the process; filing and other methods (such as design) are still taught and used; traditional tools are also taught, but it follows the same route as modern methods are faster and get better results. Many of the weapons are concealed as everyday objects (or resembled the everyday objects of their era) so the altering and use of "existing" objects is also important.
Shōdo is also part of the training regimen and the writing and understanding of old kanji is essential. This coincides with okuden (verbal teachings) of the ryū and it is essential to transmit the heiho (strategy) within the school.
Documents and Scrolls
Hōten-ryū is and was private school. None of the previous headmasters felt the need to list their names in encyclopedias of the martial arts or to join large martial arts organizations in the mid-twentieth century. Therefore, not much was known or recorded about the school outside the school itself until the 1940s where the 14th Soke began teaching publicly and accepting more than a handful of students at any one time. Most of the techniques of Hōten-ryū are simple and conform to mechanics of the weapon being used. Therefore, no major Densho (scrolls describing the techniques) were clearly recorded. The use of the weapons is handed down verbally, in the form of kuden (oral teachings). However, there are 3 primary scrolls concerning Hōten-ryū which are: Hōten Ryū Yuraisho (Hōten-ryū founding and history), Nancho Hokucho (secrets of the imperial family/history of the Southern and Northern court wars) and Gōdaigen (strategy and philosophy of the ryū); The last of these documents Gōdaigen is where the majority of the techniques are encrypted for the ryu, naming and outlining basic principles that are taught along with the oral teachings.
- Nobuyuki, Hiragami. 2003. Budo and Bujutsu Magazine. Issue # 4, April. Gekan Hiden, Tokyo.
- Nobuyuki, Hirgagami. 2003. Budo and BujutsuMagazine. Issue # 5, May. Gekan Hiden, Tokyo.
- Staff. 1991. Budo and Bujutsu Magazine. 1991. Volume #5.