H. G. Wells' The War of the Worlds (2005 film)
|H.G. Wells' The War of the Worlds|
|Directed by||Timothy Hines|
|Produced by||Susan Goforth|
|Written by||Timothy Hines
|Based on||The War of the Worlds by H. G. Wells|
|Music by||Jamie Hall|
|Edited by||Timothy Hines|
|Distributed by||Pendragon Pictures|
|Release dates||June 14, 2005|
|Running time||180 min.|
|Budget||$25 million (est.)|
H.G. Wells' The War of the Worlds (also known as The Classic War of the Worlds or simply as War of the Worlds) is one of three film adaptations of H. G. Wells' classic novel of the same name released in 2005, about a Martian invasion of Earth. This version was produced by the independent film production company Pendragon Pictures and unlike the other film adaptations which were set in current day in the United States, it was the first set in the book's original time period and location, in the Victorian era of the late 1890s in England. The film is shot entirely with colour schemes to resemble the film quality of the early 20th century, and has been noted for its "extreme faithfulness" to Wells' novel. It received mostly negative reviews by critics and was released on DVD in America. The movie has recently been released through GAGA on DVD in Japan. The film has altogether sold over half a million DVDs in the United States and Canada. Two additional versions of the 2005 film were released: a trimmed-down Director's Cut, and a Classic edition, re-edited with new footage. A full reboot of the film was released in 2012 titled War of the Worlds – The True Story, reframing Wells' story as actual history, set in a documentary discovering that history.
The early part of the film follows the experience of a late 19th-century journalist from Woking, known as "the writer", involved with the discovery of a Martian Cylinder. The Cylinder opens and the Martians start killing people with a "Heat Ray". The writer discovers his house is in range of the Heat Ray and decides to take his wife and servant to her cousins in Leatherhead, but returns to restore a borrowed cart to its owner. Meanwhile the Martians have built tall tripod "Fighting Machines" and begin a rampage. The film also shows the adventures of his brother, a student in London, who accompanies two ladies to the East coast of England to escape the Martians. The writer tries to get back to his Wife in Leatherhead but is confounded and beset by problems during this journey.
- Anthony Piana - The Writer/The Brother
- Jack Clay - Ogilvy
- John Kaufmann - The Curate
- Darlene Sellers - Mrs. Elphinstone
- James Lathrop - The Artilleryman
- Susan Goforth - The Wife
- Jamie Lynn Sease - Miss Elphinstone
The film's development dates back to 2000, when Pendragon Pictures approached Paramount with plans for their version, but with no results. Director Timothy Hines had long desired to make his own version of the story since he read the original novel at the age of eight. He had always wanted to tell the tale just as it was in the novel, but he eventually settled on a modern retelling, much like the original 1953 film and the 2005 Spielberg adaptation. Hines' version was to take place in Seattle, with a Martian attack preceded by neutralizing electromagnetic power, so that events could be kept as similar to the novel as possible.
Anticipation for the film began to stir in July 2001, specifically from many anxious Wells fans. In a 2004 interview with Scifidimensions.com, Hines stated that after early Microsoft employees and others in the computer industry saw his desktop film, Bug Wars, a package of $42 million was assembled for the updated modern version. Katie Tomlinson was supposed to lead the cast as the lead character Jody, the foreign correspondent, and Susan Goforth was also set to star. Hines was also planning to shoot the film in the brand new Sony CineAlta HD system which George Lucas had used to film Star Wars Episode II: Attack of the Clones.
Production began in early September 2001, with plans to move into principal photography by October of that year, and a Halloween 2002 target release date. Businessweek reported that Hines abandoned this approach after the World Trade Center attacks. Two weeks later, with the support of Charles Keller, the director of the H. G. Wells Society, Hines began writing a new script with producer Susan Goforth, while they were filming Chrome. The new direction taken was that this version was to be adapted directly from the Wells novel.
Little information appeared about the film until 2004, when it was revealed that the principal photography had finished under the cover title of The Great Boer War, and the producers planned to release the film on March 30, 2005. That date came and went with no film release; the film never opened in theaters, but was released in North America on DVD in June 2005. In a series of questions presented by audiences, Hines claimed that the film never saw a theatrical release due to exhibitors pulling out, either from being bullied by Paramount, or through fear of reprisal from the studio.
The 2005 book War of the Worlds: From Wells to Spielberg devotes a chapter to the Pendragon film, and states that the budget was "approximately $25 million."
In July 2006, Pendragon Pictures announced in a press release that the Dark Horse Comics H.G. Wells' The War of the Worlds comic possessed visual similarities to Pendragon's film. Pendragon set up a website poll showing image comparisons. In April 2008, the company publicly announced the legal settlement of the matter, stating it "apologizes for any misconception its press release or later internet poll may have caused."
Although the film's score by Jamie Hall was well received, the film as a whole saw mixed reviews by critics; who, while often praising the good intentions behind the project and its faithfulness to the source material, variously described the result as "unendurable" and "terrible in almost every way a movie can be", with "awful" effects.
Reviewers invoked the work of Ed Wood, and the worst of Mystery Science Theater 3000. But one reviewer suggested the performances were like that in British period melodramas, and favorably likened the work to that of Karel Zeman.
Hines himself said of the movie, "I wanted to make War of the Worlds. But what I made was something that has a macabre cult following, like an Ed Wood movie. [...] I’ve learned a lot since my first outing. My heart is really in the new War of the Worlds – The True Story."
To date the film has been re-released twice, available in 17 countries including Japan.
H.G. Wells' The War of the Worlds: Director's Cut
Released: September 2005
Reviewers complained about the original film's three-hour running time, and this version cut about forty-five minutes. The version was only available in regions 2 and 4, and thus not available in the United States and Canada.
The Classic War of the Worlds
Released: December 25, 2006
This edition is the special final cut edit of H.G. Wells' The War of the Worlds and is 125 minutes long, fifty-five minutes shorter than the original film. It has added scenes, re-edits, and re-tooled special effects. The director says this is the definitive version.[attribution needed] The Classic War of the Worlds replaces the 3 hour rough cut version, H.G. Wells' The War of the Worlds, that was widely distributed and is now discontinued.
|War of the Worlds – The True Story|
|Directed by||Timothy Hines|
|Produced by||Susan Goforth|
|Based on||The War of the Worlds
by H.G. Wells 1898
|Narrated by||Jim Cissell|
|Music by||Jamie Hall|
|Release dates||June 14, 2012|
War of the Worlds – The True Story
Main Article War of the Worlds - The True Story
In 2012, a reboot was released entitled War of the Worlds – The True Story, a documentary-style drama directed by Timothy Hines, which revisits Wells' novel, portraying the events of the book as historical, through the documented recollections of a survivor of the war. The film bases its documentary approach on the 1938 Orson Welles CBS radio broadcast of War of the Worlds, by presenting itself as a true account of actual events. Director Timothy Hines said, in reference to this technique, "When Orson Welles broadcast War of the Worlds on the radio in the 30s, he presented it in such a way as to not clearly identify that it was a work of fiction. He did it for the drama. And many people took the fictional news broadcast as a real news broadcast. People believed they were hearing an actual invasion from Mars that night. We are approaching the story in the same way, as if it were an actual news documentary".
- H. G. Wells' War of the Worlds, also titled Invasion or The Worlds in War, another direct-to-DVD film adaptation, produced by The Asylum.
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- H.G. Wells' The War of the Worlds at the Internet Movie Database
- H.G. Wells' The War of the Worlds Official site.
- H.G. Wells' The War of the Worlds. News Repository
- Advertisement. Variety. Ad placed by Pendragon Pictures in 2001.
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- "War of the Worlds - update. Since events of 11 September..." Dowse.com. Tony Lee, 1991. Pre- and post-9/11 info.
- The True Story
- Official website
- War of the Worlds The True Story at the Internet Movie Database
- War of the Worlds The True Story at Rotten Tomatoes