H. Russell Wakefield

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Herbert Russell Wakefield (1888–1964)[1] was an English short story writer, novelist, publisher, and civil servant chiefly remembered today for his ghost stories.

Life[edit]

Wakefield was the third of four children of the clergyman Henry Russell Wakefield, who would become bishop of Birmingham in 1911. Born in Kent, he was educated at Marlborough College before attending University College, Oxford, where he took second-class honours in modern history and played first-class cricket, golf, hockey and football. From 1912 to 1914 he was secretary to Viscount Northcliffe; he then served with the Royal Scots Fusiliers in France and the Balkans during World War I, attaining the rank of captain. During the war Wakefield called on the British government to use Chinese workers to assist the UK war effort.[2]

Wakefield served as his father's secretary in 1920, when he accompanied the bishop on a lengthy tour of America. There he met and married Barbara Standish Waldo, an American woman whose parents were reputed to be wealthy. The Wakefields settled in London, where Wakefield went to work as a chief editor for the book publisher William Collins, Sons and Co., and she worked as a nurse. They were divorced in 1936, and in 1946 Wakefield was married again, to Jessica Sidney Davey.[3] His experiences in the publishing world provided him with background material for several unusual and eerie tales, including "Messrs Turkes and Talbot."

Shortly before he died, Wakefield's wife wrote August Derleth that her husband had destroyed his correspondence files, manuscripts and all photographs of himself.

Work[edit]

Wakefield's ghost stories were published in several collections during the course of his lengthy writing career: They Return at Evening (1928), Old Man's Beard: Fifteen Disturbing Tales (1929), Imagine a Man in a Box (1931), Ghost Stories (1932), A Ghostly Company (1935), The Clock Strikes Twelve: Tales of the Supernatural (1940), and Strayers from Sheol (1961). In 1946, August Derleth's Arkham House issued an expanded version of The Clock Strikes Twelve for the U.S. market; they were also the publishers of Strayers from Sheol. In 1978, John Murray published The Best Ghost Stories of H. Russell Wakefield, edited by Richard Dalby, which spanned Wakefield's career and featured some previously uncollected tales. A series of collections comprising his complete output of published ghost stories was produced in the 1990s by Ash-Tree Press in limited editions that quickly went out of print. Ash-Tree also published a volume of previously unpublished stories, Reunion at Dawn and Other Uncollected Ghost Stories, in 2000.

Wakefield's supernatural fiction was strongly influenced by the work of M. R. James and Algernon Blackwood.[4] "The Red Lodge", "The Thirteenth Hole at Duncaster", "Blind Man's Buff", "‘Look Up There!’" and "‘He Cometh and He Passeth By!’" are among his most widely anthologised tales.

Wakefield is best known for his ghost stories, but he produced work outside the field. He was greatly interested in the criminal mind and wrote two non-fiction criminology studies, The Green Bicycle Case (1930) (about a 1919 death in Leicestershire) and Landru: The French Bluebeard (1936). He also wrote three detective novels: Hearken to the Evidence (1933), Belt of Suspicion (1936) and Hostess of Death (1938).

In 1968, BBC Television produced a dramatization of Wakefield's supernatural story "The Triumph of Death", starring Claire Bloom.

Critical reception[edit]

Many critics consider Wakefield one of the great masters of the supernatural horror tale; his atmospheric work in the field has been frequently compared to that of M. R. James. August Derleth called him "the last major representative of a ghost story tradition that began with Sheridan Le Fanu and reached its peak with Montague Rhodes James".[5] John Betjeman noted, "M. R. James is the greatest master of the ghost story. Henry James, Sheridan Le Fanu and H. Russell Wakefield are equal seconds."[6] M. R. James himself was slightly more reserved in his praise, calling They Return at Evening "a mixed bag, from which I should remove one or two that leave a nasty taste" but also saying the book had "some admirable pieces, very inventive".[7] H. P. Lovecraft claimed that Wakefield "manages now and then to hit great heights of horror despite a vitiating air of sophistication".[8] Franz Rottensteiner described Wakefield as "perhaps the last ... representative of the classic ghost story writer" and said that Wakefield's ghost stories have "a certain power".[9] The horror historian R. S. Hadji included Wakefield's "The Frontier Guards" on his list of the most frightening horror stories.[10] On the other hand, S. T. Joshi's view of Wakefield was negative: he has referred to Wakefield as "the mediocre H. Russell Wakefield".[11]

Criticism of Wakefield's work is scattered and uncollected. The majority of it exists in reprints of his collections, in brief articles in reference books, and in surveys such as Jack Sullivan's Elegant Nightmares: The English Ghost Story from Le Fanu to Blackwood (1978). Appraisals can be found in Supernatural Fiction Writers (Scribners, 1985), the St. James Guide to Horror, Ghost and Gothic Writers (St. James Press, 1998), and Supernatural Literature of the World (Greenwood Press, 2005).

Notes and references[edit]

  1. ^ Wakefield's date of birth is often incorrectly given as 1890. See Richard Dalby, "Introduction", The Best Ghost Stories of H. Russell Wakefield (Chicago: Academy Chicago Publications, 1982), p. 7. ISBN 0-89733-066-8
  2. ^ Guoqi Xu, Strangers on the Western Front: Chinese Workers in the Great War (Cambridge, MA: Harvard University Press, 2011), p. 27. ISBN 0674049993. "H.R. Wakefield, a British officer, later wrote that the supply of white labor was then strictly limited, and the cold climate was unsuitable for black labor. This situation made the Chinese very valuable to the British."
  3. ^ Dalby, "Introduction", p. 8.
  4. ^ Chris Morgan, "H. Russell Wakefield", in E. F. Bleiler, ed., Supernatural Fiction Writers (New York: Scribner's, 1985), pp. 617–622. ISBN 0-684-17808-7
  5. ^ Quoted in Dalby, "Introduction", p. 7.
  6. ^ Quoted in Dalby, "Introduction", p. 7.
  7. ^ M. R. James, "Some Remarks on Ghost Stories", The Bookman, Dec. 1929. Rpt. in A Pleasing Terror: The Complete Supernatural Writings by M. R. James (Ashcroft, BC: Ash-Tree Press), p. 479.
  8. ^ H. P. Lovecraft, Supernatural Horror in Literature (New York: Dover, 1973), p. 81. ISBN 0-486-20105-8
  9. ^ Franz Rottensteiner, The Fantasy Book: An Illustrated History from Dracula to Tolkien (New York: Collier Books, 1978), p. 63. ISBN 0-02-053560-0
  10. ^ R. S. Hadji, "The 13 Most Terrifying Horror Stories", Rod Serling's The Twilight Zone Magazine, July–August 1983, p. 63.
  11. ^ S. T. Joshi, review of Arkham's Masters of Horror by Peter Ruber, Weird Tales, Summer 2000.[page needed]

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