Halloween II (2009 film)
|Directed by||Rob Zombie|
|Produced by||Malek Akkad
|Written by||Rob Zombie|
by John Carpenter
Sheri Moon Zombie
|Music by||Tyler Bates|
|Edited by||Glenn Garland|
Spectacle Entertainment Group
Trancas International Films
|Distributed by||The Weinstein Company|
|Running time||105 minutes|
Halloween II is a 2009 American horror film written, directed, and produced by Rob Zombie. The film is a sequel to Zombie's 2007 reboot of the Halloween film series, and the tenth installment of the franchise. Picking up where the 2007 film ended, and then jumping ahead one year, Halloween II follows Laurie Strode as she deals with the aftermath of the previous film's events, Dr. Loomis who is trying to capitalize on those events by publishing a new book that chronicles everything that happened, and Michael Myers as he continues his search for Laurie so that he can reunite with his sister. The film sees the return of lead cast members Malcolm McDowell, Scout Taylor-Compton, and Tyler Mane, who portray Dr. Loomis, Laurie Strode, and Michael Myers in the 2007 film, respectively.
For Halloween II, Zombie decided to focus more on the connection between Laurie and Michael, and the idea they share similar psychological problems. Zombie wanted the sequel to be more realistic and violent than its 2007 predecessor. For the characters of Halloween II, it is about change. Zombie wanted to look at how the events of the first film affected the characters. Zombie also wanted to show the connection between Laurie and Michael, and provide a glimpse into each character's psyche. Filming primarily took place in Georgia, which provided Zombie with a tax incentive as well as the visual look the director was going for with the film. When it came time to provide a musical score, Zombie had trouble finding a place to include John Carpenter's original Halloween theme music. Although Carpenter's theme was used throughout Zombie's 2007 film, the theme was only included in the final shot of this film.
Halloween II was officially released on August 28, 2009 in North America, and was met with a negative reception from critics. On October 30, 2009 it was re-released in North America to coincide with the Halloween holiday weekend. The original opening of the film grossed less than the 2007 remake, with approximately $7 million. The film would go on to earn $33,392,973 in North America, and $5,925,616 in foreign countries giving Halloween II a worldwide total of $39,318,589. The film was released on DVD and Blu-ray, with a theatrical version and director's cut of the film offered.
In a flashback, Deborah Myers (Sheri Moon Zombie) visits her son, a young Michael Myers (Chase Wright Vanek), at Smith's Grove Sanitarium. She gives him a white horse statuette as a gift. Michael says that the horse reminds him of a dream he had of Deborah's ghost, all dressed in white and leading a horse down the sanitarium halls toward Michael, telling him she was going to bring him home. Moving ahead fifteen years, after having shot an adult Michael (Tyler Mane), Laurie Strode (Scout Taylor-Compton) is found wandering around in a state of shock, and covered in blood, by Sheriff Brackett (Brad Dourif). Brackett takes Laurie to the emergency room. Meanwhile, the paramedics pick up the Sheriff's daughter and Laurie's friend Annie (Danielle Harris) and Michael's psychiatrist Dr. Loomis (Malcolm McDowell), who are still alive after having been attacked by Michael, and take them to the hospital. Presumed dead, Michael's body is loaded into a separate ambulance. When the driver has a traffic accident, Michael awakens and escapes the ambulance, walking toward a vision of his mother dressed in white and leading a white horse.
Michael appears at the hospital, and begins murdering everyone he comes across on his way to Laurie. Trapped in a security outpost at the gate, Laurie watches as Michael tears through the walls with an axe, but just as he tries to kill her, Laurie wakes up from the dream. It is actually a year later and Laurie is now living with the Bracketts. Michael has been missing since last Halloween—still presumed dead—and Laurie has been having recurring nightmares about the event. While Laurie deals with her trauma through therapy, Dr. Loomis has chosen to turn the event into an opportunity to write another book. Meanwhile, Michael has been having visions of Deborah's ghost and a younger version of himself, who instructs him that with Halloween approaching it is time to bring Laurie home; so he sets off for Haddonfield.
As Michael travels to Haddonfield, Laurie begins having hallucinations that mirror Michael's, which involve a ghostly image of Deborah and a young Michael in a clown costume. In addition, her hallucinations also begin to include her acting out Michael's murders, like envisioning herself taping Annie to a chair and slitting her throat while dressed in a clown outfit—similar to how a young Michael murdered Ronnie White. While Laurie struggles with her dreams, Loomis has been going on tour to promote his new book, only to be greeted with criticism from people who blame him for Michael's actions and for exploiting the deaths of Michael's victims. When his book is finally released, Laurie discovers the truth: that she is Angel Myers, Michael's long lost sister. With the truth out, she decides to go a party with her friends Mya (Brea Grant) and Harley (Angela Trimbur) to escape how she is feeling. Michael appears at the party and kills Harley, then makes his way over to the Brackett house and stabs Annie repeatedly. When Laurie and Mya arrive they find Annie bloodied and dying. Michael kills Mya and then comes after Laurie, who manages to escape the house. While Laurie manages to flag down a passing motorist, Sheriff Brackett arrives home and finds his daughter dead. Laurie gets into the motorist's car, but before they can escape Michael kills the driver and flips the car over with Laurie still in it. Michael takes the unconscious Laurie to an abandoned shed he has been camping out in. Laurie awakens to a vision of Deborah, and a young Michael, ordering her to say "I love you, mommy".
The police discover Michael's location and surround the shed. Loomis arrives and goes into the shed to try to reason Michael into letting Laurie go. Inside, he has to inform Laurie, who believes that the younger Michael is holding her down, that no one is restraining her and that she must maintain her sanity. Just then, Deborah instructs the older Michael that it is time to go home, and Michael grabs Loomis and kills him by slashing his face and stabbing him in the chest. Stepping in front of a window while holding Loomis's body, Michael is shot twice by Sheriff Brackett and falls into the spikes of some farming equipment. Apparently released of the visions, Laurie walks over and tells Michael she loves him, then stabs him repeatedly in the chest and finally in the face. The shed door opens and Laurie walks out, wearing Michael's mask. As she pulls the mask off, the scene transitions to Laurie in isolation in a psychiatric ward, smiling as a vision of Deborah dressed in white stands with a white horse at the end of her room.
|"'Don't feel hindered by any of the rules we've had in the past. I want this to be your vision and I want you to express that vision."|
|— Producer Malek Akkad speaking to writer/director Rob Zombie.|
In 2008, at the 30 Years of Terror Convention, Halloween producer Malek Akkad confirmed that a sequel to Rob Zombie's 2007 film was in the works. French filmmakers Julien Maury and Alexandre Bustillo were in negotiations to direct the sequel in November 2008, but on December 15, 2008 Variety reported that Rob Zombie had officially signed on to write and direct the Halloween sequel. In an interview, Zombie expressed how the exhaustion of creating the first Halloween made him not want to come back for a sequel, but after a year of cooling down he was more open to the idea. The writer/director explained that with the sequel he was no longer bound by a sense of needing to retain any "John Carpenter-ness", as he "felt free to do whatever". Producer Malek Akkad said the original intention, when they believed Zombie was not returning, was to create a "normal sequel". Akkad and his Trancus producing company hired various writers to come up with drafts for a new film, but none worked. Akkad and the Weinstein brothers then turned to Bustillo and Muary, whose film Inside had recently been bought for distribution by the Weinstein Company. According to Akkad, the producers really wanted Zombie to return, as Akkad felt that there was something "lost in the translation" when the French filmmakers took over the project. After his work on the 2007 remake, Zombie had earned the trust of Akkad, who told him to ignore any rules they had set for him on the previous film. Akkad said that he wanted Zombie to move the franchise away from some of its established rules.
For the sequel, Tyler Mane, Malcolm McDowell, Scout Taylor-Compton, Danielle Harris, Sheri Moon Zombie, and Brad Dourif returned to the roles of Michael Myers, Dr. Loomis, Laurie Strode, Annie Brackett, Deborah Myers, and Sheriff Brackett, respectively. Daeg Faerch, who portrayed a young Michael Myers in the 2007 remake, was set to reprise his role for Halloween II. By the time production was getting started for the sequel Faerch had grown too big for the part. Zombie had to recast the role, much to his own dismay, because Faerch's physical maturity did not fit what was in the script. Although Faerch is not in the sequel, the first trailer for Halloween II contained images of Faerch. Zombie pointed out that those images were test shots done and were not intended to be in either the trailer or the film.
|"As Laurie is Michael's sister, I'm playing it like he's clearly insane and so is she, but her insanity doesn't manifest itself in the same way... She's slipping into insanity throughout the whole movie."|
|— Zombie describing Laurie's psychological state.|
Taylor-Compton described her character as having "these bipolar moments", where her emotions are spontaneously changing from points of happiness to agitation. The actress stated that Zombie wanted to see Laurie Strode travel into "these really dark places". Taylor-Compton clarified that when the film starts Laurie is still not aware that Michael is her older brother, and as the film progresses more and more pieces of information are given to her and she does not know how to deal with them. The actress explained that the darkness brewing inside Laurie is manifested externally, generally through her physical appearance and the clothes she chooses to wear—Zombie characterized the look as "grungy".
Zombie further described Laurie as a "wreck", who continually sinks lower as the film moves forward. Even Sheriff Brackett goes through changes. Brackett, who receives more screen time in this film, allows Laurie to move in with him and his daughter after the events of the first film. Zombie explained, "He's old, he's worn out, he's just this beat-down guy with these two girls he can't deal with." Zombie characterized Loomis in the sequel as more of a "sellout", who exploits the memories of those who were killed by Michael in the 2007 film. Zombie explained that he tried to channel Vincent Bugliosi, a lawyer who prosecuted Charles Manson and then wrote a book about it, into Loomis's character for the sequel; noting that he wanted Loomis to seem more "ridiculous" this time. As for Michael Myers, the character is given almost an entirely new look for the film, which is being used, according to Taylor-Compton, to illustrate a new emotion for the character as he spends much of his time trying to hide himself. Zombie said that of all of the characters that return in the sequel, Michael is the only one that does not change: "All the other characters are very different. Laurie; Loomis; they're having all kinds of problems in their life, but Michael just moves along. Michael is no different; he's exactly the same as he was ten years old and he killed everybody [...] He has no concept of the world around him, so he can never be affected by it."
With a $15,000,000 budget, production began on February 23, 2009 in Atlanta, Georgia. Zombie acknowledged that filming in Georgia provided certain tax breaks for the company, but the real reason he chose that location was because the other locations he was planning to use were still experiencing snowy weather. For him, Georgia's landscapes and locations provided the look that he wanted for his film. During production, Zombie described the sequel as being "Ultra gritty, ultra intense and very real" and said that he was trying to create almost the exact opposite of what people would expect. Known for filming multiple sequences during production of his films, Zombie filmed an alternate ending to Halloween II. In the alternate ending, Loomis and Michael crash through the shed the police have surrounded, and out into the open air. As Loomis grasps at Michael's mask, and pleads for him to stop, Michael stabs him in the stomach, telling him to "Die!".
For the sequel, Zombie only used John Carpenter's original theme music in the final scene of the film, though the director admits that he and music composer Tyler Bates tried to find other places to include it. According to Zombie, Carpenter's music did not fit with what was happening in the film; whenever he or Bates would insert it into a scene it "just wouldn't feel right" to the director. Zombie also used popular culture songs throughout the film, with "Nights in White Satin" appearing the most prominently. Zombie chose songs that he liked, and that would enhance a given scene within the film. An official soundtrack for the film was released on August 25, 2009. In addition, an album featuring the music of psychobilly band Captain Clegg and the Night Creatures was released in conjunction with Halloween II on August 28, 2009. Captain Clegg and the Night Creatures is a fictional band that appears in Halloween II. Nan Vernon, who recorded a new version of the song "Mr. Sandman" for the end credits of the 2007 remake, recorded a cover of "Love Hurts".
Dimension Films released Halloween II in North America on August 28, 2009 to 3,025 theaters. Following that, the film was released in the United Kingdom on October 9, 2009. Dimension re-released Halloween II in North America on October 30, 2009 to coincide with the Halloween holiday, across 1,083 theaters. The film was released on DVD and Blu-ray on January 12, 2010; the theatrical cut and an unrated director's cut, which Zombie says is "very different from the theatrical version," are available.
On its opening day, the film grossed an estimated $7,640,000, which is less than the $10,896,610 Zombie's 2007 remake pulled in during the same weekend of August. By the end of its opening weekend, Halloween II had grossed $16,349,565. That weekend earned more than the entire box office performances of Halloween 5: The Revenge of Michael Myers ($11,642,254), Halloween III: Season of the Witch ($14,400,000), and Halloween: The Curse of Michael Myers ($15,116,634), in unadjusted dollars. The film dropped 64.9% in its second weekend, only grossing $5,745,206 and slipping from third to sixth place. Grossing just $2,114,486 in its third weekend, Halloween II dropped out of the box office top ten to fourteenth place. The re-release of the film was intended to take advantage of the Halloween holiday, but the film only brought in approximately $475,000. By the end of his theatrical run, Halloween II grossed a total of $33,392,973 in North America, and an additional $5,925,616 overseas for a worldwide total of $39,318,589. Compared to the other Halloween films, the 2009 sequel sits in fourth place, just behind the original Halloween.
Based on 105 reviews collected by Rotten Tomatoes, Halloween II has an overall 21% approval rating from critics, with an average score of 3.7 out of 10, with the general consensus reading "Zombie shows flashes of vision in the follow-up to his Halloween reboot, but they're smothered by mountains of gore and hackneyed, brutal violence." By comparison, Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received an average score of 46, based on 15 reviews. Rob Nelson, of Variety, felt the use of Deborah and the white horse was nothing more than "silly", and he disagreed with Zombie's choice to film Halloween II in 16mm film, as opposed to wider format of 35mm that he used on his 2007 remake. Nelson also stated that the hospital scene was nothing more than a "butcher"-version of Carpenter's 1981 sequel, with the rest of the film feeling like it was rushed and "slapped together" at the last minute. In contrast, Time Out believed the hospital scene at the start of the film "[bested the 1981 sequel] in just about every respect". Time Out stated that Compton's portrayal of Laurie Strode showed an "intense, nontrivializing dedication to the role" that kept interest, while the storyline of Dr. Loomis's egocentricity hinders the overall storyline. Time Out also said that Zombie hurt the film by trying to show how "violence lingers with, and perverts, all who are touched by it", but then undercutting himself with "carnivalesque" violence. Although the New York Post's Kyle Smith did not believe the character of Laurie Strode was a balance for Michael Myers or Dr. Loomis, he agreed the ghostly images of Deborah Myers were a "relief from the blood-streaked brutality" of Michael's murders.
The Boston Globe's Tom Russo had varied reactions to the film. Russo pointed out that Zombie attempted to be more inventive with Halloween II, but only achieved mixed results for his efforts. Russo referred to the dream sequences of Deborah Myers and the white horse as "pretentiously silly", but agreed that the scenes did help to break up the standard genre violence and even went so far as to compare the sensation created by those scenes to "Tim Burton doing straight horror". In the end, Russo claimed that "only the most hardcore fans" would want the film series to continue. Joe Neumaier, of the Daily News, stated that Zombie has found himself with Halloween II. Neumaier describes the film as a successful "'character-based' monster-flick". Zombie's use of music from the 1970s, like The Moody Blues' "Nights in White Satin" and 10cc's "The Things We Do for Love", is "terrifically odd" throughout the film. Neumaier also said that the imagery of Deborah Myers and the "ethereal white horse" were a "nice visual relief" from Michael's violent attacks.
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