The hand-in-waistcoat (also referred to as hand-inside-vest, hand-in-jacket, hand-held-in, or hidden hand) was a gesture commonly found in English portraiture during the 18th and 19th centuries. The pose appeared by the 1750s to indicate leadership in a calm and firm manner. The pose is most often associated with Napoleon I of France due to its use in several portraits made by his artist, Jacques-Louis David, amongst them the 1812 painting Napoleon in His Study. The pose, thought of as being stately, was copied by other portrait painters across Europe and America. The majority of paintings and photographs show the right hand inserted into the waistcoat/jacket but some sitters appear with the left hand inserted. The pose was also frequently seen in mid-nineteenth century photography.
The pose traces back to classical times — Aeschines, founder of a rhetoric school, suggested that speaking with an arm outside one's toga was bad manners. Arline Meyer's, in his essay "Re-Dressing Classical Statuary: The Eighteenth-Century 'Hand-in-Waistcoat' Portrait," notes the pose being used in eighteenth century British portraiture as a sign of the sitter's breeding. Francois Nivelon's A Book Of Genteel Behavior of 1738 noted the hand-inside-vest pose denoted "manly boldness tempered with modesty."
There is no evidence that the hand-in-jacket pose had anything to do with ailments the sitter suffered from such as stomach ulcers or cancer. Likewise, there have been some theories that the pose is linked to Freemasonry. Secret societies may include gestures similar to the hand-in-jacket, but calling every person adopting the pose a Freemason, including Napoleon, Stalin and Karl Marx, is highly improbable.
Appearance in photography
With the invention of photography, the pose continued but may have had an additional purpose in preventing blurring by maintaining the sitter's hand in a single place. The pose is commonly seen in photographs of members of the military, with a number of American civil war photographs showing the pose (or indicated by three open buttons on a sitter's tunic).
Arthur Wellesley, 1st Duke of Wellington, posing with hand in tunic.
Photograph of George McClellan with hand-in-jacket.
General Ambrose Burnside with jacket buttons undone to allow access for his hand.
Samuel Colt with left hand inside jacket.
Karl Marx photograph with hand-in-jacket.
Joseph Stalin with hand in his coat
Emperor Pedro II of Brazil gives the hidden hand gesture for the daguerreotype.
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- Uwe Fleckner, "Napoleons Hand in der Weste: von der ethischen zur politischen Rhetorik einer Geste' ['Napoleon's hand in the waistcoat: from the ethical to the political rhetoric of a gesture'] Daidalos 64 (June 1997), 122-29
- Holmberg, Tom. "Why is Napoleon depicted with his hand in his coat?". The Napoleon Series. Retrieved 2008-08-26.
- Kara Kovalchik (March 26, 2014). "Why was Napoleon Usually Painted with A Hand in His Coat?". Mental Floss. Retrieved March 21, 2015.
- "Why Did Men Thrust Their Right Hand into Their Jackets in Old Photographs?". Imponderable. Retrieved March 20, 2015.