Hannah Arendt (film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Hannah Arendt
Hannah Arendt Film Poster.jpg
Theatrical release poster
Directed by Margarethe von Trotta
Produced by Bettina Brokemper
Written by Margarethe von Trotta
Pam Katz
Starring Barbara Sukowa
Janet McTeer
Klaus Pohl
Nicholas Woodeson
Axel Milberg
Music by André Mergenthaler
Cinematography Caroline Champetier
Edited by Bettina Böhler
Production
company
Distributed by NFP Marketing & Distribution (Germany)
Sophie Dulac Distribution (France)
Zeitgeist Films (US)
Release dates
  • 11 September 2012 (2012-09-11) (TIFF)
  • 10 January 2013 (2013-01-10) (Germany)
  • 29 May 2013 (2013-05-29) (United States)
Running time 113 minutes[1]
Country Germany
Luxembourg
France
Language German
English
French
Hebrew
Latin
Box office $6,347,595[2]

Hannah Arendt is a 2012 German-Luxembourgian-French biographical drama film about German-Jewish philosopher and political theorist Hannah Arendt directed by Margarethe von Trotta and starring Barbara Sukowa.[3] It is distributed by Zeitgeist Films in the United States, where it opened theatrically on 29 May 2013.[4][5]

German director von Trotta's film centers on Arendt's response to the 1961 trial of ex-Nazi Adolf Eichmann, which she covered for The New Yorker. Her writing on the trial became controversial for its depiction of both Eichmann and the Jewish councils, and for its introduction of Arendt's now-famous concept of "the banality of evil".[6]

Plot summary[edit]

As the film opens Eichmann has been captured in South America. It is revealed that he escaped there via the "rat line" and with forged papers. Arendt, now a professor in New York, volunteers to write about the trial for The New Yorker and is given the assignment. Observing the trial, she is impressed by how ordinary and mediocre Eichmann appears. She had expected someone scary, a monster, and he does not seem to be that. In a cafe conversation in which the Faust story is raised it is mentioned that Eichmann is not in any way a Mephisto (the devil). Returning to New York, Arendt has massive piles of transcripts to go through. Her husband has a brain aneurysm, almost dying, and causing her further delay. She continues to struggle with how Eichmann rationalized his behavior through platitudes about bureaucratic loyalty, and that he was just doing his job. When her material is finally published, it immediately creates enormous controversy, resulting in angry phone calls and a falling out from her old friend, Hans Jonas. In a night out on the town with her friend, novelist Mary McCarthy, she insists that she is being misunderstood, and her critics who accuse her of "defending" Eichmann have not read her work. McCarthy broaches the subject of Arendt's love relationship many years ago with philosopher Martin Heidegger who had collaborated with the Nazis. Arendt finds herself shunned by many colleagues and former friends. The film closes with a final speech she gives before a group of students, in which she says this trial was about a new type of crime which did not previously exist. A court had to define Eichmann as a man on trial for his deeds. It was not a system or an ideology that was on trial, only a man. But Eichmann was a man who renounced all qualities of personhood, thus showing that great evil is committed by "nobodies" without motives or intentions. This is what she calls "the banality of evil".

The film, which captures Arendt at one of the most pivotal moments of her life and career, also features portrayals of other prominent intellectuals, including philosopher Martin Heidegger, novelist Mary McCarthy, and New Yorker editor William Shawn.

Cast[edit]

Awards[edit]

Production[edit]

Hannah Arendt makes use of original film footage from the 1961 Eichmann trial, in black & white, as well as the real and harrowing testimony of survivors and the prosecutor, Gideon Hausner.[13]

Reception[edit]

"Hannah Arendt conveys the glamour, charisma and difficulty of a certain kind of German thought. Ms. Sukowa, compact and energetic and not overly concerned with impersonation, captures Arendt’s fearsome cerebral power, as well as her warmth and, above all, the essential, unappeasable curiosity that drove her.... Its climax, in which Arendt defends herself against critics, matches some of the great courtroom scenes in cinema and provides a stirring reminder that the labor of figuring out the world is necessary, difficult and sometimes genuinely heroic." -A. O. Scott, The New York Times[14]

"To make a film about a thinker is a challenge; to do so in a way that is accessible and gripping is a triumph. Hannah Arendt herself might have been surprised to learn that after fifty years of deadening controversy, it is a film that promises to provoke the serious public debate she sought in publishing her book. -Roger Berkowitz, The Paris Review[15]

References[edit]

  1. ^ "HANNAH ARENDT (12A)". Soda Pictures. British Board of Film Classification. 28 August 2013. Retrieved 29 August 2013. 
  2. ^ http://www.boxoffice.com/statistics/movies/hannah-arendt-2013-2?q=Hannah%20Arendt
  3. ^ "Hannah Arendt on Zeitgeist Films' Website". Retrieved 13 March 2013. 
  4. ^ "Zeitgeist's Acquisition of Hannah Arendt / US Release Date on IMDb news". Retrieved 13 March 2013. 
  5. ^ Siegel, Tatiana. "Hannah Arendt release date info in the Hollywood Reporter". The Hollywood Reporter. Retrieved 26 March 2013. 
  6. ^ "Hannah Arendt in Jerusalem". EL PAIS. 9 December 2013.  (Spanish)
  7. ^ "Defending the Humanities While Trashing Them". Retrieved 13 December 2013. 
  8. ^ "Hannah and Her Admirers, in The Nation". Retrieved 13 December 2013. 
  9. ^ "Hannah Arendt at the Toronto International Film Festival". Retrieved 13 March 2013. 
  10. ^ Young, Deborah (9 September 2012). "Hannah Arendt Toronto Review in the Hollywood Reporter". The Hollywood Reporter. Retrieved 26 March 2013. 
  11. ^ "Hannah Arendt at the New York Jewish Film Festival". Retrieved 13 March 2013. 
  12. ^ Weinreich, Regina (26 January 2013). "Hannah Arendt NYJFF Review in the Huffington Post". Retrieved 26 March 2013. 
  13. ^ "A New Movie Perpetuates the Pernicious Myth of Hannah Arendt". Retrieved 30 MAY 2013 2013. 
  14. ^ Scott, A.O. (28 May 2013). "How It Looks to Think: Watch Her, ‘Hannah Arendt,’ With Barbara Sukowa and Janet McTeer". The New York Times. Retrieved 6 December 2013. 
  15. ^ Berkowitz, Roger. "Lonely Thinking: Hannah Arendt on Film". The Paris Review. Retrieved 6 December 2013. 

External links[edit]