Cloud Shepherd, Jean Arp (1953), Ciudad Universitaria de Caracas
16 September 1886|
Strasbourg, German Empire
|Died||7 June 1966
|Known for||Sculpture, Painting|
|Movement||Abstraction-Création, Surrealism, Dada|
Jean Arp or Hans Arp (16 September 1886 – 7 June 1966) was a German-French, or Alsatian, sculptor, painter, poet and abstract artist in other media such as torn and pasted paper.
Arp was born in Strasbourg as the son of a French mother and a German father, during the period following the Franco-Prussian War when the area was known as Alsace-Lorraine (Elsass-Lothringen in German) after France had ceded it to Germany in 1871. Following the return of Alsace to France at the end of World War I, French law determined that his name become Jean.
In 1904, after leaving the École des Arts et Métiers in Strasbourg, he went to Paris where he published his poetry for the first time. From 1905 to 1907, Arp studied at the Kunstschule in Weimar, Germany and in 1908 went back to Paris, where he attended the Académie Julian. Arp was a founder-member of the Moderne Bund in Lucerne, participating in their exhibitions from 1911 to 1913.
In 1912, he went to Munich, called on Wassily Kandinsky, the influential Russian painter and art theorist, was encouraged by him in his researches and exhibited with the Der Blaue Reiter group. Later that year, he took part in a major exhibition in Zürich, along with Henri Matisse, Robert Delaunay and Kandinsky. In Berlin in 1913, he was taken up by Herwarth Walden, the dealer and magazine editor who was at that time one of the most powerful figures in the European avant-garde.
In 1915 he moved to Switzerland to take advantage of Swiss neutrality. Arp later told the story of how, when he was notified to report to the German consulate, he avoided being drafted into the German Army: he took the paperwork he had been given and, in the first blank, wrote the date. He then wrote the date in every other space as well, then drew a line beneath them and carefully added them up. He then took off all his clothes and went to hand in his paperwork.
Arp was a founding member of the Dada movement in Zürich in 1916. In 1920, as Hans Arp, along with Max Ernst, and the social activist Alfred Grünwald, he set up the Cologne Dada group. However, in 1925 his work also appeared in the first exhibition of the surrealist group at the Galérie Pierre in Paris.
In 1926, Arp moved to the Paris suburb of Meudon. In 1931, he broke with the Surrealist movement to found Abstraction-Création, working with the Paris-based group Abstraction-Création and the periodical, Transition. Beginning in the 1930s, the artist expanded his efforts from collage and bas-relief to include bronze and stone sculptures. He produced several small works made of multiple elements that the viewer could pick up, separate, and rearrange into new configurations.
Throughout the 1930s and until the end of his life, he wrote and published essays and poetry. In 1942, he fled from his home in Meudon to escape German occupation and lived in Zürich until the war ended.
Arp visited New York City in 1949 for a solo exhibition at the Buchholz Gallery. In 1950, he was invited to execute a relief for the Harvard University Graduate Center in Cambridge, Massachusetts and would also be commissioned to do a mural at the UNESCO building in Paris.
In 1958, a retrospective of Arp's work was held at the Museum of Modern Art in New York City, followed by an exhibition at the Musée National d'Art Moderne, Paris, France, in 1962. Organized by the Minneapolis Institute of Arts and the Wurttembergischer Kunstverein of Stuttgart, a 150-piece exhibition titled "The Universe of Jean Arp" concluded an international six-city tour at the San Francisco Museum of Modern Art in 1986.
The Musée d'art moderne et contemporain of Strasbourg houses many of his paintings and sculptures.
Arp's career was distinguished with many awards including the ain sculpture prize at the 1954 Venice Biennale, a sculpture prizes at the 1964 Pittsburgh International, the 1963 Grand Prix National des Arts, the 1964 Carnegie Prize, the 1965 Goethe Prize from the University of Hamburg, and then the Order of Merit with a Star of the German Republic.
Personal life and death
Arp and his first wife, the artist Sophie Taeuber-Arp, became French nationals in 1926. In the 1930s, they bought a piece of land in Clamart and built a house at the edge of a forest. Influenced by the Bauhaus, Le Corbusier and Charlotte Perriand, Taeuber designed it. She died in Zürich in 1943. After living in Zürich, Arp was to make Meudon his primary residence again in 1946.
There are three Arp foundations in Europe: The Fondation Arp in Clamart preserves the atelier where Arp lived and worked for most of his life; about 2,000 visitors tour the house each year. The Fondazione Marguerite Arp-Hagenbach in Locarno, Switzerland, was founded by Arp’s second wife, Marguerite Arp-Hagenbach. A foundation dedicated to the late Jean Arp, named Stiftung Hans Arp und Sophie Taeuber-Arp e.V., was established in 1977 by the dealer Johannes Wasmuth in consultation with Marguerite Arp-Hagenbach and owns the largest collection of works by Arp and holds the copyright of all his works. It aims to raise its profile by relocating to a new research centre and office in Berlin from the remote town of Rolandseck, west Germany, in 2012.
- Jean Arp Museum of Modern Art, New York
- Russell, John (August 10, 1986). "Jean Arp - A Pioneer Worthy Of Honor". New York Times.
- Michael Kimmelman (May 4, 1990), The Power of Whimsy: Jean Arp's Later Work New York Times.
- Jean Arp, Head and Shell (Tête et coquille) (ca. 1933) Solomon R. Guggenheim Museum, New York.
- Zan Dubin (December 27, 1987), Arp Retrospective in S.F. Los Angeles Times.
- Jean Arp National Gallery of Canada, Ottawa.
- Saskia De Rothschild (February 14, 2013), Glimpses of Jean Arp’s World New York Times.
- Jean Arp Solomon R. Guggenheim Museum, New York.
- "Hans (Jean) Arp". National Gallery of Art. Retrieved 2014-07-12.
- Gareth Harris (September 12, 2012), Shake up at Arp foundation The Art Newspaper.
- Jean Arp: from the collections of Mme. Marguerite Arp and Arthur and Madeleine Lejwa, at the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art. 1972.
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