Theatrical release poster
|Directed by||John Woo|
|Produced by||James Jacks
|Written by||Chuck Pfarrer|
|Starring||Jean-Claude Van Damme
|Music by||Graeme Revell|
|Editing by||Bob Murawski|
|Distributed by||Universal Pictures|
|Running time||97 minutes|
Hard Target is a 1993 American action film directed by Chinese director John Woo. The film stars Jean-Claude Van Damme as Chance Boudreaux, an out-of-work Cajun merchant seaman who saves a young woman, Natasha Binder (Yancy Butler), from a gang of thugs in New Orleans. Chance learns that Binder is searching for her missing father (Chuck Pfarrer), and agrees to aid Binder in her search. Boudreaux and Binder soon learn that Binder's father has died at the hands of wealthy sportsman Emil Fouchon (Lance Henriksen) who hunts homeless men as a form of recreation. The screenplay was written by Chuck Pfarrer and is based on the 1932 film adaptation of Richard Connell's 1924 short story, The Most Dangerous Game.
Hard Target was Woo's first American film and was also the first major Hollywood film made by a Chinese director. Universal Pictures was nervous on having Woo direct a feature, and sent in director Sam Raimi to look over the film's production and to take Woo's place as director if he were to fail. Woo went through several scripts finding mostly martial arts films with which he was not interested. After deciding on Chuck Pfarrer's script for Hard Target, Woo wanted to have actor Kurt Russell in the lead role, but found Russell too busy with other projects. Woo then went with Universal's initial choice of having Jean-Claude Van Damme star. Woo got along with Van Damme during filming and raised the amount of action in the film as he knew that Van Damme was up for it.
After 65 days of filming in New Orleans, Woo had trouble with the Motion Picture Association of America to secure the R rating that Universal wanted. Woo made dozens of cuts to the film until the MPAA allowed it an R rating. On its initial release, Hard Target was a financial success but received mixed reviews from film critics. Critics found Hard Target to have good action scenes but noted the weak script and poor quality acting from Jean-Claude Van Damme.
In New Orleans, a homeless veteran named Douglas Binder is the target of a hunt. He is given a belt containing $10,000 and told that he must reach the other side of town where he would then win the money and his life. Hunting him are the hunt organizer Emil Fouchon, a businessman named Mr. Lopaki who has paid $500,000 for the opportunity to hunt a human, Fouchon's lieutenant Pik Van Cleaf, and mercenaries including Stephan and Peterson. Binder fails to reach his destination and is shot by three crossbow bolts. Van Cleaf retrieves the money belt.
While searching for her father, Binder's long-estranged daughter Natasha (Yancy Butler) is attacked by a group of thugs who saw that she had a lot of money earlier. She is saved by a homeless man with exceptional martial arts skills named Chance Boudreaux. Chance is initially hesitant to involve himself with her mission, but as his merchant seaman union dues are in arrears he reluctantly allows Natasha to hire him as her guide and bodyguard during her search. Meanwhile, Chance's homeless friend Elijah Roper is the next to participate in Fouchon's hunt, and is also killed.
Natasha discovers that her father distributed fliers for a seedy recruiter named Randal who has been secretly supplying Fouchon with homeless men with war experience and no family ties. Natasha questions Randal about her father's death, but they are discovered by an eavesdropping Van Cleaf. Fouchon and Van Cleaf beat Randal to punish him for sending them a man with an interested family. New Orleans detective Mitchell is reluctant to investigate Binder's disappearance until his charred body is discovered in the ashes of a derelict building. The death is ruled accidental, but Chance searches the ruins and finds Binder's dog tag, which was pierced by one of the crossbow bolts. Van Cleaf's thugs suddenly ambush Chance and beat him unconscious to scare him and Natasha out of town. When he recovers, he offers Mitchell the dog tag as evidence that Binder was murdered. With the investigation getting closer, Van Cleaf and Fouchon decide to relocate their hunting business and begin eliminating "loose ends". The medical examiner who had been hiding evidence of the hunt and Randal are both executed. Mitchell, Natasha and Chance arrive moments later at Randall's office and are ambushed by Van Cleaf and several of his men. During the shootout Mitchell is shot in the chest and killed. Chance kills a handful of the mercenaries and escapes with Natasha. Fouchon and Van Cleaf assemble their mercenary team and five paid-for hunters to continue the chase.
Chance leads Natasha to his uncle Douvee's house deep in the bayou, and enlists his help in defeating the men. Chance, Natasha, and Douvee lead the hunting party to a warehouse of old Mardi Gras floats, and kill Fouchon's men one by one. Van Cleaf is finally shot to death by Chance in a shoot out. In the end only Fouchon is left, but he holds Chance at bay by taking Natasha hostage and stabbing Douvee in the chest with an arrow. Chance charges him, attacking with a flurry of blows, and then drops a grenade in his pants. Fouchon attempts to dismantle the grenade, but fails and dies in the explosion. Chance, Natasha, and Douvee now make their way out of the warehouse.
- Jean-Claude Van Damme as Chance Boudreaux, an out-of-work Cajun merchant marine and former Force Recon Marine. After Boudreaux saves Natasha Binder, he is hired by her to help search for her missing father.
- Lance Henriksen as Emil Fouchon, a wealthy sportsman who hunts homeless former soldiers for sport. After finding that he is being investigated by Chance and Natasha, Fouchon sends out his gang led by Pik Van Cleaf to ambush them.
- Arnold Vosloo as Pik Van Cleaf, a collaborator of Fouchon who takes part in his sport of hunting men. He leads the crew of men who are sent out to murder Chance and Natasha. Van Cleaf's surname is a reference to actor Lee Van Cleef.
- Yancy Butler as Natasha "Nat" Binder, a young woman who comes to New Orleans to search for her father, whom she has not seen since she was seven years old. When Natasha is attacked by thugs, she is saved by Chance Boudreaux who agrees to help her find her father.
- Kasi Lemmons as May Mitchell, a police detective who works in the office while the police are on strike. Mitchell helps Natasha by ordering another autopsy when they show her the pierced dog tags that her father had.
- Chuck Pfarrer as Douglas Binder, Natasha's father who has moved to New Orleans. After Natasha finds that three weeks have passed since she has heard from her father, she goes to New Orleans to find that he has been homeless and has been murdered by Emil Fouchon's crew.
- Wilford Brimley as Uncle Douvee, Chance Boudreaux's uncle who lives deep in the Bayou. Chance and Natasha take shelter at his home as well as have him help during the film's final shoot out.
- Sven-Ole Thorsen and Jules Sylvester as Stephan and Peterson, Fouchon's mercenaries.
- Eliott Keener as Randal Poe
- Robert Apisa as Mr. Lopacki
- Douglas Forsythe Rye and Mike Leinert as Frick and Frack
- Marco St. John as Dr. Morton
- Joe Warfield as Mr. Zenan
After making Hard Boiled in Hong Kong, director John Woo decided to take an offer to work in the United States, where he would find himself happier as a filmmaker with a preferable work pace and working with more reasonable hours. Woo was first offered this job in the United States by Universal Pictures chairman Tom Pollock after he had seen Woo's film The Killer. Universal was not eager to have Woo direct an entire feature and only agreed after what producer James Jacks called a "difficult period of convincing". Universal was worried about having an Asian director on set who had limited command of English on a large scale project. They hired American director Sam Raimi to oversee the film's production and to have him on standby if Woo was not able to fulfill his role as a director. Raimi was very excited to work with Woo as he was fan of his Hong Kong films. Raimi was also confident in Woo's directorial skills, stating that "Woo at 70% is still going to blow away most American action directors working at 100%."
On his arrival in the United States, Woo went through several scripts before deciding on Hard Target. Describing the scripts he received, Woo stated that "Some of them were good—some of them were very good—but the rest were simply martial-arts movies and I told producers that I had no interest in doing those kinds of films anymore. I'd done a lot of them already." One of the scripts offered to Woo at this period was for Face/Off, which he turned down at the time, turned off by the science fiction aspect of the story. The script for Hard Target was written by Chuck Pfarrer. Director Andrew Davis was interested in the script, but ultimately turned it down. Woo read Pfarrer's script for Hard Target appreciating that it was a "simple but powerful story, with a lot of feeling underneath. For a good action film you need a solid structure. Chuck gave me that". Woo also stated that the story is "less John Woo" but the visual aspect would be "very John Woo". Pfarrer wrote the script originally basing it on the film The Naked Prey. After the script did not turn out Pfarrer worked on a script influenced by the film Aliens that became the basis for his comic Virus. The final attempt was a script based on The Most Dangerous Game. Pfarrer had the story take place in New Orleans to give an explanation of Jean-Claude Van Damme's accent.
Before any director was attached to Hard Target, Universal Pictures saw the film as a potential vehicle for actor Jean-Claude Van Damme. Van Damme had already been a huge fan of Woo's films and arranged to meet with him in Hong Kong where the two got along despite both Woo and Van Damme's difficulty with their English. Woo originally wanted actor Kurt Russell for the lead role, but found Russell to be booked for two years with other film projects. On working with Van Damme, Woo stated that he was "sure of [my own] abilities and I know how to make an actor look good on screen, make him look like a hero. I thought I could do the same for Van Damme". Despite early misgivings of working with Van Damme, Woo changed many action scenes in the film to make them more spectacular on finding that Van Damme was up for it. While working with Van Damme, Woo stated that Van Damme had "a pretty big ego, but he's still professional and always tries to do a good job." Woo had some control over the film's casting including casting minor characters and finding a cinematographer. Actress Yancy Butler was cast as Natasha Binder in her feature film debut. The role led Butler to other starring roles in action films such as Drop Zone and Fast Money. Actor Lance Henriksen accepted the role of Emil Fouchon stating he was great fan of Woo, noting that his earlier films "were so creative, so balletic, and had this incredible philosophy in them. The violence was only a container for the philosophy".
Hard Target had 74 days of production time and was shot on location in New Orleans, including sequences shot in the French Quarter. Hard Target was put on a tight schedule by Universal that allowed only 65 days of shooting time. This put a lot of pressure on Woo. Woo was also pressured by Universal to tone-down the violence and body count that they had seen in his Hong Kong films. As Woo had not mastered the English language yet, it took time for the cast and crew to get used to working with him. When Woo could not explain what he wanted with a shot to cinematographer Russell Carpenter, he would resort to simple statements such as "this will be the Sam Peckinpah shot" to get his message across to Carpenter. Actor Lance Henriksen recalled that it was a gradual process that led everyone involved to start seeing the film as a John Woo film rather than a Jean-Claude Van Damme film. Producer James Jacks recalled that Woo was not "the most powerful person on the set but as far as I was concerned, he was certainly the most respected".
The weapon fire on the set was considered dangerous, which led the crew to build a new bulletproof plexiglas shield that could be bolted to the camera. This shield was useful particularly for one sequence in Hard Target where Van Damme empties a magazine of ammo into the camera. These camera dollies were nicknamed by the crew as "the Woo-Woo Choo-Choo". Russell Carpenter found difficulty in filming the huge gunfight scenes. Carpenter specifically noted the Mardi Gras parade warehouse by recollecting that "just the lighting for a space like that, with all those strange shapes and shadows was difficult enough, but John then added the further complication of wanting the scene shot from several angles at once—often with more than one of the cameras moving". Producer James Jacks supported this style of filming finding it the most economical way to shoot these types of action scenes.
The film was edited by Bob Murawski on the set using a state-of-the-art computerized editing unit that allows the user to edit the film as the movie was being shot. The film was then scored by Graeme Revell who utilized Kodo drummers from Japan. Woo was contractually obligated to release a R rating by Universal Pictures. When submitting the film to the Motion Picture Association of America (MPAA), it was judged as too violent and intense for an R rating and received an NC-17 rating. Woo re-edited the film six times for the MPAA as they never indicated what specific scenes they found objectionable. During this editing period, Van Damme went with his own editor to make his own edit of the film. Van Damme's version excises whole characters to insert more scenes and close-ups of his character Chance. When asked about this edit, Van Damme replied that "People pay their money to see me, not to see Lance Henriksen". The MPAA accepted the film after Woo had made 20 cuts to the film. Scenes cut include the opening chase sequence and the Mardi Gras warehouse sequence. A non-action scene that is cut from the film is a romantic scene between Chance and Natasha.
Hard Target was tentatively scheduled to open in July 1993. Hard Target was released August 20, 1993 in the United States making it the first film by an Asian director to be released by a Hollywood studio.
Hard Target did well in the box office, being the second highest grossing film release of the week at the American box office on its initial release. Hard Target also became the 49th highest grossing film in the United States in 1993. Hard Target made domestic ticket sales of $32,589,677 (worldwide sales were $74,189,677).
Hard Target was released on Laserdisc and VHS in 1994. In the United States, the film was the 14th highest selling laserdisc and the 46th most rented VHS film of 1994. Hard Target was released on DVD for Region 1 on July 1, 1998. A Region 2 DVD of the film was released on March 20, 2000. The American DVD has also been released with DVD bundle packs, that include other films starring Jean-Claude Van Damme. These DVDs included Hard Target, as well as Timecop, Street Fighter, Lionheart, Sudden Death and The Quest.
An uncut copy of the film has not been released officially, but has been found as a bootleg. This copy has a poor-quality videocassette dub and has a burned-in time code in the corner indicating that the film was not meant for public viewing.
|"Swishing, whooshing, lovingly photographed weaponry. Nasty gurgles from the wounded. The clonking sound of a head hitting wrought iron. A bullet in the eye. These are the cornerstones of "Hard Target," one of this summer's few super-bloodthirsty action films, and the one that actually stood a chance of rising above its genre."|
|—Janet Maslin, writing for The New York Times|
Hard Target received mixed reviews on its initial release praising the film's action scenes but noting the poor story and Jean-Claude Van Damme's acting abilities. On the film review television show Siskel & Ebert, Roger Ebert stated that Hard Target is "not very smart and it's not very original, but it is well made on a technical level. The stunts are impressive ... as an action picture, it's well made, but it never becomes more than competent action and I just can't recommend it for that". Gene Siskel also gave the film a thumbs down on the show stating that "John Woo is a good filmmaker ... Van Damme is pretty wooden ... You notice the style in the film because there is not much substance". Janet Maslin of the New York Times wrote that "Van Damme has still not broken the habit of his own blank-faced posturing, although Mr. Woo films him in the most aggrandizing style imaginable". In Variety, Emanuel Levy wrote that Hard Target was "a briskly vigorous, occasionally brilliant actioner starring Jean-Claude Van Damme. However, hampered by a B-script with flat, standard characters, and subjected to repeated editing of the violent sequences to win an R rating, pic doesn't bear the unique vision on display in Woo's recent "The Killer" and "Hard-Boiled." Van Damme and the director's reputation should ensure initial commercial kick on the way to solid if not spectacular box office". Desson Thompson of The Washington Post wrote that "When Van Damme isn't duking it out with the English language, scriptwriter Chuck Pfarrer is filling Henriksen's mouth with villainous pseudo-profundities. Even in a second-rate action picture like this, and despite Henriksen's commendable efforts, they're painful to listen to ... Woo's creative presence is practically stifled. There are some flashes of his deliriously wild style—a slow-motion moment here, a well-chosen freeze-frame there. He also introduces American audiences to his taste for unique motorcycle stunts and very, very loud car explosions. But these Wooisms are disappointingly minimal". Lance Henriksen received a Saturn Award for Best Supporting Actor for his portrayal of Emil Fouchon in the film. In 1997, Woo looked back on Hard Target stating that it was "in some ways, quite a troublesome movie to make, but I'm rather happy with the way the action scenes turned out".
The film premiered in cinemas on August 20, 1993 in wide release throughout the U.S.. During its opening weekend, the film opened in second place grossing $10,106,500 in business showing at 1,972 locations. The film The Fugitive, came in first place during that weekend grossing $18,148,331. Hard Target 's revenue dropped by 50% in its second week of release, earning $5,027,485. For that weekend, the film fell to third place, even with an increased screening count of 1,999 theaters. The Fugitive, remained unchallenged in first place grossing $14,502,865 in box office revenue. During its final week in release, Hard Target opened in a distant eleventh place with $1,270,945 in revenue. For that particular weekend, Striking Distance starring Bruce Willis made its debut, opening in first place with $8,705,808 in revenue. The film went on to top out domestically at $32,589,677 in total ticket sales through a 5-week theatrical run. Internationally, the film took in an additional $41,600,000 in box office business for a combined worldwide total of $74,189,677. For 1993 as a whole, the film worldwide would cumulatively rank at a box office performance position of twenty three.
- Elder, 2005. p.95
- "Hard Target". Box Office Mojo. Retrieved 2011-11-13.
- "Past Saturn Awards". Saturn Awards Official Website. Retrieved 17 August 2009.
- Sharrett, 1999. p.408
- Heard, 1999. p.110
- Heard, 1999. p.114
- Heard, 1999. p.115
- Heard, 1999. p.117
- Heard, 1999. p.125
- Heard, 1999. p.112
- Heard, 1999. p.113
- Hall, 1999. p.166
- Heard, 1999. p.116
- Elder, 2005. p.111
- Heard, 1999. p.119
- Group, Vibe Media (October 1993). "Woo to a Kill". Vibe 1: 96. ISSN 1070-4701. Retrieved September 14, 2009.
- Bozzola, Lucia. "Yancy Butler > Overview". Allmovie. Retrieved 27 July 2009.
- Heard, 1999. p.121
- Heard, 1999. p.122
- Harmetz, AlJean (August 15, 1993). "Toning Down, John Woo Earns His Hollywood R". The New York Times.
- Heard, 1999. p.124
- Heard, 1999. p.118
- Elder, 2005. p.103
- Heard, 1999. p.123
- Heard, 1999. p.126
- Heard, 1999. p.128
- Heard, 1999. p.127
- Heard, 1999. p.129
- Heard, 1999. p.130
- Elder, 2005. p.109
- "Hard Target (1993)". Box Office Mojo. Retrieved 27 July 2009.
- Sandell, Jillian. "Interview with John Woo". Bright Lights Film Journal. Retrieved 27 July 2009.
- "Hard Target (1993) - Weekend Box Office Results". Box Office Mojo. Retrieved 27 July 2009.
- "1993 Yearly Box Office Results". Box Office Mojo. Retrieved 27 July 2009.
- "Top Laserdisc Sales". Billboard (Nielsen Business Media, Inc.) 107 (1): 60, 65. January 7, 1995. ISSN 0006-2510. Retrieved September 21, 2009.
- "Hard Target > Overview". Allmovie. Retrieved 27 July 2009.
- "Hard Target > Overview". Allmovie. Retrieved 27 July 2009.
- "Hard Target > Overview". Allmovie. Retrieved 27 July 2009.[dead link]
- "Van Damme Action Pack Quadruple Feature > Overview". Allmovie. Retrieved 27 July 2009.[dead link]
- Heard, 1999. p.131
- Maslin, Janet (20 August 1993). "Hard Target (1993) Hunting to the Death When the Prey Is Human". The New York Times (subscription required). Retrieved 27 July 2009.
- "At the Movies: Hard Target". At the Movies. ABC Domestic Television. 1993. Retrieved 27 July 2009.[dead link]
- Levy, Emanuel (16 August 1993). "Hard Target". Variety. Retrieved 27 July 2009.
- Howe, Desson (20 August 1993). "'Hard Target' By Desson Howe". The Washington Post. Retrieved 27 July 2009.
- Nilsson, Thomas (March 1997). "Q&A with John Woo: Violence is Golden". Black Belt 35 (3): 140. ISSN 0277-3066. Retrieved 27 July 2009.
- "August 20–22, 1993 Weekend". Box Office Mojo. Retrieved 2011-11-13.
- "August 27-29, 1993 Weekend". Box Office Mojo. Retrieved 2011-11-13.
- "September 17–19, 1993 Weekend". Box Office Mojo. Retrieved 2011-11-13.
- 1993 WORLDWIDE GROSSES. Box Office Mojo. Retrieved 2011-11-13.
- Hall, Kenneth E. (1999). John Woo: The Films. McFarland. ISBN 0-7864-0619-4.
- Heard, Christopher (1999). Ten Thousand Bullets: The Cinematic Journey of John Woo. Doubleday Canada. ISBN 0-385-25731-7.
- Elder, Robert K. (2005). John Woo: Interviews. University Press of Mississippi. ISBN 1-57806-776-6.
- Sharrett, Christopher (1999). Mythologies of violence in postmodern media. Wayne State University Press. ISBN 0-8143-2742-7.
|Wikiquote has a collection of quotations related to: Hard Target|
- Official website
- Hard Target at the Internet Movie Database
- Hard Target at AllMovie
- Hard Target at the TCM Movie Database
- Hard Target at Rotten Tomatoes
- Hard Target at Box Office Mojo